Learn Carnatic Flute | Purandara Dasa Keerthanas - Vol 1
What you'll learn
- Students will get to learn the simple notations to understand and practice.
- Students can easily pick up the fingering skills by learning line by line of the Keerthanas.
- Students can practice and play along while watching the fingering and notations simultaneously.
- Students can learn the Half Notes on Flute.
- Students get to know the actual method of playing Keerthanas.
- Students need 2 and half (D#) pitch, 8 holes Carnatic Flute to practice the Keerthanas.
- Students can understand 12 different notes known as "Dwadasa Swara Sthanas" of Carnatic Classical Music.
Purandara Dasa (born Srinivasa Nayaka; c. 1484 – c. 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the Pitamaha (lit. "father" or "grandfather") of Carnatic music.
Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of teaching Carnatic music by structuring graded exercises known as Svaravalis and Alankaras, and at the same time, he introduced the raga Mayamalavagowla as the first scale to be learnt by beginners in the field – a practice that is still followed today. He also composed Gitas (simple songs) for novice students.
Purandara Dasa is noted for composing Dasa Sahithya, as a Bhakti movement vocalist, and a music scholar. His practice was emulated by his younger contemporary, Kanakadasa. Purandara Dasa's Carnatic music compositions are mostly in Kannada, though some are in Sanskrit. He signed his compositions with the ankitanama (pen name) "Purandara Vittala" (Vittala is another name of Lord Krishna, one of the incarnations of the Lord Vishnu) and this same form of Lord Krishna is his aaradhya daiva or ishta murthi or worshippable deity. His work was appreciated by many scholars of his time and the later scholars.
Purandara Dasa systematized the method of teaching Carnatic music which is followed to the present day. He introduced the raga Mayamalavagowla as the basic scale for music instruction and fashioned a series of graded lessons such as swaravalis, janti swaras, alankaras, lakshana geetas, prabandhas, ugabhogas, daatu varase, geeta, and kritis. Another contribution was the fusion of bhava, raga, and laya in his compositions. He included comments on ordinary daily life and elements of colloquial language in his lyrics. He introduced folk ragas into the mainstream, setting his lyrics to ragas of his day so that even a common man could learn and sing them. He also composed a number of lakshya and lakshana geetas, many of which are sung to this day. His sooladis are regarded musical masterpieces and are the standard for raga lakshana. Scholars attribute the standardization of varna mettus entirely to Purandara Dasa.
Travelling Haridasa successors are said to have followed the systems[clarification needed] he devised, orally transmitted his compositions. According to traditional sources, his compositions number as many as 4,75,000. But only 2000 compositions are accessible now compositions are accessible now.
Purandara Dasa was a vaggeyakara (composer-performer), a lakshanakara (musicologist), and the founder of musical pedagogy. Musicologists call him the Sangeeta Pitamaha (lit. "grandfather") of Carnatic music.
Who this course is for:
- Those who are curious to learn Classical Carnatic Music.
KRISHNA MOHAN BHAGAVATULA is one of the leading artist in the field of Indian Classical Music. He has been performing from the age of 19 and belongs to a family of music connoisseurs. From a very tender age he was exposed to the classical arts.
His first concert was with his grand father Late.Bhagavatula Rama Kotaiah Shastry, who was a Harikatha exponent, at the spirit of South Indian Classical arts series in Vizianagaram, Andhra Pradesh. Since then, there has been no looking back.
He has traveled widely in India and abroad and won applause from connoisseurs and critics. He has received many awards and honours from the leading organizations like South Indian Cultural Association, Dept., of Culture, Govt. of Andhra Pradesh., SPICMACAY, Sangeeth Samaaroh, etc.
From a very tender age of 6, he started learning the South Indian Classical Instrument "Mridangam" under the guidance of Late. Sudarshana Chary garu and Jayakumara Chary garu for 6 years. Later he showed a wonderful talent in the art of Classical Vocal Music. As his father Bhagavatula Lakshmi Narayana is also a Classical musician, he grew up in a musical atmosphere and had a basic training till the varnas under his father's tutelage.
Then he was attracted to Carnatic Classical Flute at the age of 14 and had a zeal to learn the same with full interest. He use to pick up all the raagas by then over the instrument. He was gratefully trained in both Carnatic Flute and Vocal by "VENUGAANA KALAKOVIDA", "Venu vidwaan" Late.Manda Balarama Sharma garu (A PRIME DISCIPLE OF "FLUTE MAALI", THE GREAT T.R.MAHALINGAM GARU) and later he was trained by "SUNAADA VENUVAADYA PRAVEENA", Venu vidwaan Sri.V.Nagaraju garu (A PRIME DISCIPLE OF SRI.MANDA BALARAMA SHARMA GARU) an yesteryear's 'A' Top graded artistes of All India Radio, Hyderabad, INDIA.
Since 2001, Krishna Mohan Bhagavatula has been teaching numerous music aspirants in classroom and online mode of learning at his own music school "SWARA VAAHINI" in Hyderabad, India with 5 different branches in the city, as he strongly believes the divinity of "MUSIC" alone spreads "LOVE AND PEACE" in the world.