
Explore Mohanam, a janya of the 28th melakarta harikambhoji, with notes from shadjam to kaisiki nishadham, and its popular swagatham krishna nagar composition celebrated during sri krishna janmashtami.
Explore Mohana raga, also called bhupali, a popular pentatonic raga in carnatic and hindustani traditions, with a five-note scale and avarohanam, and no madhyamam or nishadham.
Learn pallavi on the Carnatic flute as part of gems of classical music vol 1 course, introducing the key concept within this classical tradition.
Delve into the charanam in Carnatic flute, presented in Gems of Classical Music Vol 1, as part of the Learn Carnatic flute course.
Master chitta swaram jathi and konagolu in Carnatic flute, using rhythmic variants and melodic phrasing to enhance improvisation and expression.
Explores tisra and chaturasra in a thaalam through a Settimana Ragam example in agitato, showing three notes per beat and contrasting four-note patterns to master rhythm.
Explore the Swagatham Krishna pallavi, compare four-beat and three-beat thalam patterns, and practice each song twice using the PDF notation, focusing on sa, de, GA, and pallavi phrasing.
Explore Swagatham Krishna Anupallavi on the Carnatic flute, with steps to play the piece once and the second line coming in next.
Learn to practice Swagatham Krishna Charanam in Chitradurga tala using takadimi rhythm, repeating melodic phrases, and flowing cadences across ga and re sa sa patterns.
Explore swagatam krishna pallavi, jathi and konagolu, and understand how gamakas shape raga, then practice regularly to achieve a melodious flute tone.
Learn the context of gamakas on Carnatic flute, interpreting sa re ga ma pa notation and prefixes to decide when to use pasada or sagari per composition.
Explore swaram and saahithyam in carnatic flute, integrating melodic patterns with lyrics to enhance performance and musical clarity.
This is a very popular Kruti of Oottukad Venkata Subba Iyer in praise of Sri Krishna. In view of the description of various deeds by Krishna, in excellent rhythmic vocabulary it is very popular in dance repertoire.
Description of song:
swagatam krishna saranagatam krishna
madhurapuri sadana mrudu
vadanA madhusudana iha ||
bhOga tapta sulabhA supushpa gandha kalabha
kasturi tilaka mahipA mama kAntA nanda gOpa kandA ||
mushTikAsura chANoora malla malla viSArada madhusudanA
kuvalaya peeDa mardana kALinga nartana
gOkula rakshaNa sakala sulakshaNa dEvA
SishTajana pAla sankalpa kalpa SatakOTi asama parAkrama
dheera munijana vihAra madana
sukumAra daitya samhAra dEva
madhura madhura rati sArasa
sarasa vraja yuvatee jana mAnasa pujita ||
Meaning of the Composition:
Oh Madhusudana, you skillfully vanquished demons Mushtika and Chanura. You are destroyer of evil in the world. You saved Gokulam by subduing Kaliya serpent and dancing on its hood.
You are our Lord with best virtues. You are the savior of righteous people. You are the unparalleled performer of countless heroic deeds. You are dear to pious sages and destroyer of demons. You are very handsome. Your sweet gestures delight the Gopikas of Vrajabhumi. They worship you whole-heartedly.
Swagatham Krishna, translating to ‘Welcome! O Krishna!’ is a well-known hymn composed by the great Oothukadu Venkata Subba Iyer of the 1700s. In his composition, ‘Swagatham Krishna’, he welcomes Lord Krishna, the tender faced resident of Mathura who destroyed Madhu the demon and surrenders to him completely. He sings in praise of Krishna who protected Gokul by lifting the Govardhan Parvat, who danced on the hood of Kalinga, who is the pretty-faced god of love, who is bold and passionate and who is worshiped by the maidens of Brindavan.
Fusion – defined as the mixture or joining of two or more things to form one single entity. Experiments to fuse in the field of performing arts often lead to delightful results. Presenting a dance cover – a fusion of Bharatanatyam and Kathak, to the beautiful IndianRaga Composition, Swagatham Krishna – a fusion of Carnatic and Trance music.
The composition is set to Tishra Adi Taalam and composed in Raag Mohanam.