
Explore Carnatic flute basics using raga-based practice, mastering phrase shaping, fingering techniques, and stylistic variations to build confident, expressive playing.
Master Carnatic flute by exploring Annamacharya keerthanas in vol 5, and analyzing enthamaathramuna evvaru dalachina promo.
Learn to play Maya Malava Gowla on the Carnatic flute, practice the melody across three speeds, and develop improvisation skills by mastering each block before the composition.
Learn rhythm and pitch patterns through three-tone sequences, beat alignment, and descending-order progressions, while examining related concepts such as sensors and SWOT analysis in a musical context.
Practice Enthamaathramuna Charanam 1 from Learn Carnatic flute, Annamacharya Keerthanas Vol 5, by following the notation, repeating lines twice, and shaping ascending and descending phrases with softer, lower dynamics.
Enthamaathramuna charanam 2 from Annamacharya keerthanas on carnatic flute is explored, with guidance on careful practice and tips such as mirror practice and maintaining sleep quality.
Explore the devadevambhaje pallavi from Annamacharya Keerthanas in the Learn Carnatic Flute course. The lecture highlights rhythm cycles and count patterns for mastering the pallavi.
Devadevambhaje Charanams teaches Carnatic flute through focused practice, mastering notation for repeatable performances and building familiarity to tackle challenging passages.
My Motto to start these courses is to "Let's Connect With our Roots". We are missing the charm and value of our traditions, customs and culture. Now-a-days most of the young generation kids don't know our mother tongue. In the race of this technological era, we are running away from our valuable sources. Also there is a strong need to propagate the importance in learning performing arts like music. As a part of it, I would encourage all the younger generation and those aspirants to start learning Carnatic Classical Music, either in Vocal or Instrumental. Within the subject, a poet, composer and an ardent devotee of Lord Venkateshwara of Tirumala Tirupathi in India., Annamacharya, who wrote around 32,000 Keerthanas in praise of the lord, gave us a treasure of his renderings in our mother tongue, Telugu, a sweet language of South India. The new generation has to know about his beautiful compositions. Hence, a series of these courses have been made, compelled and presented in different volumes here.
My training process in these courses is always more interactive and joyful. Being a continuous student I know how much support and attention a student needs in shaping them into a good performer/artist, So, utmost attention will be given to the students in their perspective of learning.
This course develops an interest to know, understand, learn and practice those immortal compositions in different tunes, rhythm cycles and much expressive lyrics within the student's mind and takes him/her in a divine state of mind.