
Discover the Kodály approach to music education, deriving concepts from folk songs through singing for kindergarten and first grade, and tracing its curriculum created by Yana Adam and Katinka Daniel.
This video outlines kindergarten goals in the Kodály approach, emphasizing rote listening, ear training, and developing musical knowledge and enjoyment. It connects music learning to intelligences through rhythm and pitch.
Explore how kindergarten goals are achieved through songs, chants, games, and activities, introducing 16 unconscious concepts to develop steady beat, pitch matching, timbre awareness, and two-part singing for future reading.
Explore how the Kodály approach uses a spiral curriculum of prepare, present, practice, and perform with key songs. Learn how games, dances, puppets, and literature deepen rhythm, pitch, and understanding.
Explore different voices—speaking, whisper, singing, and shouting—through greeting activities and echo responses, linking voice awareness to match pitch, singing in tune, and steady beat.
Match pitch by guiding children to find and tune their voices through melodic and rhythmic patterns, starting with somi and the pentatonic scale, using greetings, farewells, and a farm poster.
Develop singing in tune through echo singing and rote songs, modeling, and two-part rounds, using busy buzzy bee and twinkle twinkle little star to build accurate pitch, rhythm, and words.
Develop steady beat as the foundation for two part rounds and rhythm, using games like make a circle and catch throw with drum leaders and coffee can drums.
Introduce question and answer phrases as the building block of musical form in kindergarten, using finger play where is Thumbkin to link language, rhythm, inner hearing, and loud and soft.
Discover inner hearing, the ability to image a melody in the mind while maintaining a steady beat. Practice with silent singing, radio game, and stop-and-go signs using familiar songs.
Explore soft and loud in singing, using Lucy Locket and Black Bat games to teach volume versus pitch, hands-on clues, and listening for dynamics.
Explore silence in songs through teacher-guided routines that highlight quiet places, rests, and rhythm as words move with short and long patterns, using familiar songs.
Practice vocal warm-ups that build posture, breath from the back, and phonation for clear singing. Use animal sounds and intonation exercises to teach singing on one breath.
Learn rhythm by exploring short and long word patterns in songs, compare patterns across tunes, and connect language to musical concepts using Bluebird, Teddy Bear, and Estrellita.
Explore sound exploration and pitch discrimination using musical and non-musical materials, timbre, high and low speaking and singing, hand signs, and puppets in Kodály approach pedagogy 1.
Students explore high and low pitches through body movement, acting out somi with rain rain go away and snowman, preparing solfege syllables and hand signs for two-part singing.
Explore how kindergarten students reinforce high and low singing with Ring Around the Rosie and Little Sally Walker, then compare melody patterns and learn related musical intervals.
Explore ostinato as a repeated rhythm or melody that accompanies a song and learn to layer two skills through part singing before rounds or partner songs.
Explore rhythm concepts in the Kodály approach for first-grade music literacy, focusing on steady beat, rhythm syllables ta, and the first notation symbol top (tau), through the cobbler story.
Develop the rest concept through kinesthetic rhythm and familiar songs like naughty kitty cat, use mystery tune to identify tunes, and practice the rest symbol and three quiet places.
Introduce ti-ti through the bee bee bumble bee song, teaching steady beat and rhythm notation ta and tt, using chant, sign language, and game-based activities to reinforce the divided beat.
Design seamless music lessons around the four p's: prepare, present, practice, and perform, ensuring smooth transitions, no dead time, spiral curriculum concepts, and active discovery through reading and writing notation.
Begin the level one melodic sequence by presenting the high/low concept through seesaw play with so and me, then cover the ten steps from sound to staff notation.
Introduce melodic reading and writing using hand signs and solfege so and me, with visual bears and seesaw imagery to read rhythms, tune voices, and practice high and low pitches.
Advance from reading hand signs and pictures to reading with letters, training inner hearing and the falling minor third through the ten step melodic reading progression.
Learn how so-mi letters with rhythm connect letter symbols to rhythm through chant, clapping, and games, using tonic solfa and solfege to build early reading of rhythm and letters.
Introduce the music staff through a storytelling approach, teaching lines and spaces with so and me as movable letters, preparing children to read on staff before Katinka's materials.
Learn how to integrate so-mi on the music staff by adding rhythm, moving from letters to rhythmic patterns, using visual aids and a chant to reinforce solfege.
Explore so-mi notes on the staff and learn to read real notation through noteheads and rhythm, culminating in the dough clef in the level one ten-step sequence.
Present the melodic sound la using a tisket a tasket game, with hand signs, then reinforce through listening, reading, and writing to solidify la with me and so.
Explore Kodály pedagogy 1 with directed and mute hand sign routines to reinforce solfege patterns (me, so, la) through living piano, reading from hand, and two-part singing.
Explore the me to la and la to me transitions within the law, using ten-step reading sequences, hand signs, and listening routines to decode intervallic sounds and related songs.
This course is intended for music educators or educators in early childhood development with a bachelors degree (or higher) in music. It provides an overview of the Kodály Approach to music education. Inspired by the vision of Zoltán Kodály, the aim of this course is to support music education of the highest quality and promote universal music literacy and lifelong music making. Students of this course will be given step-by-step instructions for how to implement the Kodály Approach. Special attention is given to the sequencing of concepts for Kindergarten, First and Second Grade. Course content will also focus on song repertoire, games and activities for pre-school and early childhood ages. There are video examples where you can experience the songs and games for yourself! In addition, quizzes are provided periodically throughout the course in order to assess your understanding of the materials. This audit will not provide pre-certification, however it is a great start for someone who is new to the Kodály Approach, or an excellent review for those who have already completed Level I. If you are interested in getting your pre-certification in person, please visit KASC's website to find out more about our Music Education Institute offered each summer in Southern California!