
Explore simple video compositing in Photoshop, mastering techniques, adjustments and styles, and layer masking to create quick, effective video composites for any project.
Reveal why the approach isn't matte painting by emphasizing simple video compositing in Photoshop and fast, math-based techniques discussed in reviews and tutorials.
Compare cameras used for the project, including the Olympus Pen, Kodak flip camera, and Blackmagic cinema cameras, and explain how compression versus uncompressed footage affects detail in Photoshop.
Discover how to find legally usable images for video projects by using free photo sites, stock licenses, and advanced image search, while crediting sources and avoiding copyright issues.
Explore why Photoshop can handle video compositing with filmstrip mode, painting directly on video, a reengineered timeline, and adjustment layers.
Import a video into Photoshop using either open from file or the plus sign, which reveals the timeline and lets you move the playhead and toggle sound.
Explore Photoshop selection methods, including rectangular and elliptical marquees, lasso tools, quick selection, and quick masking, with tips on adding or subtracting from selections and refining masks for video compositing.
Master layers and layer groups in Photoshop CSX for video compositing, move new layers above video groups to stay on top, and control visibility while drawing on the video.
Apply layer styles to blend elements with the scene using a color overlay, sampling sky color with an eye dropper, and adjusting opacity for realistic integration.
Learn layer blending in Photoshop to remove backgrounds, cut out objects with blend-if adjustments, edge softening, and precise selections, then merge layers for clean, seamless composites.
Master nondestructive layer masking in Photoshop by painting with black and white to reveal or hide portions of a layer, and adjust brush opacity for smooth blends.
Save and load selections using alpha channels in Photoshop, using the channels panel and RGB channels to store a selection named sky, then recall it later to streamline composite work.
Learn Photoshop shortcut keys to speed editing. Use commands for copy, paste, group and ungroup, edit layer masks with option/alt, duplicate with command J, and merge layers as needed.
Learn to add a mountainscape to a video in Photoshop by selecting the sky and pasting the mountains. Blend edges with layer masks, color overlays, and controlled opacity.
Paste a NASA moon image into Photoshop, resize it, refine edges with blend if and color overlay, then use screen blend and lower opacity to fit the sky.
Create a vector cityscape in Photoshop by importing vector skyline art as a smart object, masking the sky, and using color overlay and opacity to push depth and atmosphere.
Learn to composite a pyramid shot in Photoshop using masking, layer mask, color range, and non-destructive edits; adjust hue, saturation, color overlay, and use stamp to clean edges.
Remove cars from the right side to create an empty highway, using polygonal lasso and layer via copy, then refine with screen blending and a clone stamp for shadow-aware results.
learn a quick sky replacement technique in Photoshop by selecting the sky, adding clouds, and using a layer mask and color overlay to blend.
"It's NOT Matte Painting" is a series of composite tutorials. Using Photoshops ability to open video, these compositing tutorials go through imports, edits, and composites the video only using Photoshop. I believe one of the reasons this series of tutorials were so successful is because they were very simple and easy to follow. Even though there are plenty of matte painting tutorials online, there are very few that cater to the novice or the beginner.