
Learn to generate and print Spencerian handwriting guidelines from Shiprock guidelines, adjust margins, portrait or landscape orientation, and size with x height ratios, while setting up posture for comfort.
Identify seven Spencerian components that form lowercase and capital letters, and explain two-to-one-to-two proportions, 52-degree slant, ascender space, x-height letters, and four connection styles.
Learn spencerian spacing rules to achieve balanced handwriting. Practice with grouped strokes and letter forms, apply one-letter spaces, one-and-a-quarter connections, and exceptions for a, d, g, q.
Learn group 1 Spencerian strokes for i, j, t, u, w, including baseline curves, angular turns, straight lines, dot in the ascender space, crossbars, and waistline connections at pace.
Learn group 2 of Spencerian handwriting by shaping letters a, d, g, and q with baseline left curves, ascender, descender spaces, and exit stroke.
Explore the construction and connectors of group 3 lowercase letters in Spencerian handwriting, focusing on m, n, p, v, w, y, z, including stroke sequences, spacing, slant, and speed considerations.
Master long ascender loops for b, f, h, k, and l, three spaces high, with extended f and a waistline crossing, keeping lines parallel to preserve the Spencerian style.
Learn to form the letters c, e, r, s with precise curves, ascender space, and exit strokes, then practice pangrams to ensure legible Spencerian handwriting.
Explore how capital letters in Spencerian handwriting are built from direct and reverse ovals, the capital stem, and component strokes, with demonstrations of groupings, spacing, and options to add flourishes.
Explore group 2 letter forms I, J, Q, U, V, W, X, Y, Z using reverse ovals, loops, and contrasting upstrokes, with modernized connections and angular bottom strokes.
Explore group 3 letterforms in Spencerian handwriting, focusing on capital stems, pen lifts, loops, ascender space, waistline, and proportional letter shapes.
Learn how numbers in Spencerian handwriting stand one and a half spaces tall, except six, seven, and nine, two spaces tall, and write lines from The Hill We Climb.
Explore the Palmer method (1888) and Spencerian calligraphy, compare Saryan handwriting and lettering, and study nib and brush shading, five forms of shaded strokes, and high-contrast round hand lettering.
Practice drills to warm up and refine letterforms from the 1886 reference, including neckless progressions. Compare copperplate and spencerian: copperplate lifts the pen, spencerian favors quick, continuous strokes.
Master Spencerian handwriting by writing all letters, mastering connection and spacing, and developing your own style through drills, while unlearning old habits and embracing a beginner's mindset with steady practice.
In this class, we’re going to cover the component strokes, connections, and spacing rules of writing letters in Spencerian cursive, as well as all lowercase and uppercase letters.
Based on the system developed by Platt Rogers Spencer in 1840, the Spencerian script has been taught in American businesses and schools until the 1920s.
Strict rules allow this form of penmanship to attain levels of mathematical precision, while leaving room for adding personal character to your handwriting with flourishes in the capital letters.
Since this is a class for handwriting practice, we won’t insist on being 100% precise. I want you to feel comfortable using this cursive style in everyday situations. So we’ll start by going over the component strokes and the rules, and then it’s up to you how many you want to break as we go on practicing individual letters, and writing words and phrases.
Since you will be learning a new way of writing, it doesn’t matter what your handwriting looks like now. So feel free to get back into a beginners mindset, which means this might be frustrating at first, but if you keep at it, you’ll see progress in no time.
You'll also find three extra lessons where I'll demo warm-up drills and exercises, and we'll also take a quick look at the Palmer method for handwriting, and the differences between Spencerian handwriting, Spencerian Calligraphy, and Spencerian Letting.
Ready? Let’s get started!