
Explore the origins of copper plate calligraphy and learn essential tools, strokes, punctuation, and numbers, as well as the lowercase and uppercase alphabets.
Explore the copper plate calligraphy tradition, tracing English round hand from 17th–18th century copy books to copper engravings, and practice forming letters in this master scribes' style.
Explore copperplate calligraphy tools, including oblique and straight pen holders, the Nico G nib, Higgins eternal ink, Rhodesia paper, and ink jars, while mastering the 55-degree angle and nib cleaning.
Prepare nib by removing coating with a brief flame and test ink flow on scratch paper. Set padding and guard sheet, then align body to a 55-degree copperplate slant.
Learn how letter relationships and repeated forms shape copperplate calligraphy. Master the oval overform, contrast with nib pressure, and write at 55 degrees; guidelines provided.
Master copper plate component strokes, from the down stroke and up stroke to entrance, overturn and undertone arches, compound curves and loops, to construct balanced letters along the slant.
Practice lowercase i t u w j y as component-like letters to speed copperplate progress, focusing on in-stroke patterns, under-turn arches, waistline connections, and release exit strokes.
Practice the lowercase n, m, v, p, r in copperplate calligraphy, focusing on overturned arches and compound curves. Maintain the breathing-space triangle to balance thick and thin strokes.
Practice overturn loops and heavy down strokes for lowercase l, b, h, k, f, guiding pen work along the waistline and slant within fifty-five degree blocks for Copperplate form.
Develop the lowercase o, a, d, g, q, e, c by shaping inner strokes with ovals and overturns, keeping two-thirds of the way up and at the waistline.
Master lowercase r, s, x, and z in copperplate calligraphy by shaping strokes above the waistline, building x heights, and applying light and heavy strokes with a 55-degree angle.
Master uppercase copperplate by practicing component strokes: dynamic down strokes with weight in the middle, light up strokes, loops, waves, and spirals, guided by the 55 degree angle.
Master uppercase copperplate forms T, F, B, P, and R by shaping dynamic stems, spirals, and light cross strokes, with balanced bowls, roofs, and consistent 55-degree angles.
Explore uppercase I, J, L, D, H, and K in copperplate calligraphy, focusing on thin upstrokes, thick downstrokes, dynamic stems, loops, and 55-degree slant alignment.
Develop the uppercase A, M, and N with light upstrokes and dynamic downstrokes along the slant, keeping parallel thick and thin lines and even spacing.
Explore uppercase o, c, g, and q in copperplate calligraphy by crafting oval forms, aligning to center height and baseline, and executing the graceful entrance and down strokes.
Master uppercase S, V, and W by shaping the S with a swoop, the V with a top hook and 55-degree slant, and the W from two Vs.
Master uppercase u, x, y, z in copperplate by shaping even entrance loops, aligning to the center and waistlines, using dynamic stems, underturn arches, and 55-degree guidance for balanced strokes.
Learn to write numbers in copperplate calligraphy using a modern style, with consistent size, 55-degree slant, and built in two strokes from waistline to baseline.
Master copperplate punctuation by shaping the period, comma, colon, semicolon, apostrophe, exclamation point, question mark, dollar sign, dash, and ampersand with precise baseline, x-height, waistline, and cross-stroke details.
Critique your own copperplate by focusing on form, size, slant, spacing, and weight, practicing even down-stroke pressure and a consistent 55-degree angle.
Explore the origins of copper plate calligraphy, learn tool usage, master the entire alphabet, and troubleshoot common issues, while sharing progress on social media.
Learn copperplate calligraphy by writing the uppercase alphabet one letter at a time in real time, anticipating the next letter, adjusting curves, and pen placement to form smooth connecting strokes.
In today's digital environment of emails and text messages, sending handwritten notes and invitations really shows you care, and helps you stand out from the crowd. But many of us may have forgotten our cursive skills, and some may never have been taught.
Whether you're getting married, want to impress your friends, or use this skill as a form of writing meditation, this class will help you unwind from your hectic schedule.
What we'll cover:
Brief history of Copperplate, its tools, and characteristics
Setting up your practice for success
Basic letterforms and component strokes
Lowercase and uppercase alphabet
Numbers and punctuation
Critiquing your own work & Troubleshooting
Also included:
Workbook with traceable lowercase and uppercase alphabet
(available for download in section 2, "Characteristics")
Supplies:
These specific tools need to be purchased ahead of time, and should be available in any well-stocked art supplies store. For US residents, I get my supplies at John Neal Books. I have added their product numbers for your convenience:
*for right-handed students*
H23 Oblique penholder (1)
N113 Nikko G Nibs (2)
I08 Higgins Eternal (1)
S934 Dinky Dips (1)
P53 Rhodia Blank (1)
*for left-handed students*
H69 Speedball Plastic Pen Holder (1)
N113 Nikko G Nibs (2)
I08 Higgins Eternal (1)
S934 Dinky Dips (1)
P53 Rhodia Blank (1)
In addition, please have a few sheets of printer paper, a small jar of water, a few paper towels, and a lighter ready. You'll also want to print out one copy of the Copperplate Guidelines (download on "Your Project" page).
FAQ:
I have terrible handwriting, will this class be a waste of my time?
Since we're going to use specific tools and will be writing according to specific rules, your handwriting doesn't really come into it. Your handwriting is how you normally write, it usually flows quickly and might look inconsistent and haphazard, right?
Hand lettering, which is another term you may have heard, is the practice of drawing letters.
What we'll be doing is Calligraphy, and calligraphy literally means "writing beautifully". It is a mix between writing and drawing your letters, because you'll go about it in a much slower, more consistent, and more intentional way.
If we're all using the same tools and following the same rules, won't it all look the same?
To a certain extent, yes. The beauty of calligraphy rules is that they allow us to write evenly and consistently. Copperplate is a style, also called a "hand", and the point is to make it look similar no matter who writes it.
At the same time, each person is of course an individual, and therefore their script will look slightly different. We hold our pens slightly differently, our pulses nudge the nibs slightly differently, and we add our own flourishes and details in different ways. In the end, no handmade calligraphy is completely identical, it's not a font after all, so your personality will absolutely shine through. I have been practicing Copperplate for three years, so it isn't looking like that of my teachers, who have been practicing 30 years, either.
Which beverage pairs well with this class?
Personally, I love a cup of tea, but depending on the hour of the day, you might enjoy a glass of wine. Just make sure to keep it separate from the ink, or you might accidentally dip your pen in the wrong liquid.