
Exploring what we'll cover in this course, from your initial inspiration to the basic elements of any short story, (including structure, characters, and conflict).
Some recommendations for short story writers to explore, and a discussion of what makes their short fiction effective, from ghost stories to science fiction to literary fiction.
An introduction to the three act structure, and what can be achieved in even the shortest flash fiction, using this simple design.
How to unearth the themes of your work, why they are inescapable, and why theme may not be the best place to start your story planning.
Internal, interpersonal, and societal/environmental conflict: why these elements are essential to every story.
Several different methods for finding inspiration, from observation to random idea generation.
Finding who your story is about, and why we needn't necessarily like them.
This can be a person, an environment, or even a state of mind; but it must be present in some form.
A look at a classic short story from Ray Bradbury, including all the elements we've studied so far.
Put all you've learned so far into practice with a miniature piece of narrative.
How genre impacts the reader's expectations, and the anticipated tropes and structure of your story.
Where you choose to set your story is far from arbitrary. We learn how to select a setting wisely.
Two important choices to make before you begin your story, which can subtly affect its impact.
A closer look at structure; specifically, how to begin your tale.
Examining in more detail the "fun and games" or "rising conflict" section of your story.
The various ways in which you can choose to end your tales, including some classic examples.
Explore some short story writers who have broken all the rules... and succeeded.
In our second assignment, we'll use all we've learned to write a longer story.
Several handy pointers that will help you get your work published.
As an experienced short story writer, you're ideally placed to attempt something longer. Find out why.
Short stories are perfect written artworks in miniature. This course looks at short story writing in detail to help you craft compelling short narratives that please readers and editor alike.
In this course, you will learn about the key elements of short stories, starting with a suggested reading list of well-known authors for comparison.
The course will cover common components of short stories, including the three-act structure, various settings, and essential choices regarding person and tense. The concept of rising conflict will be discussed as a dynamic between the protagonist and antagonist, exploring the variety and complexity of these vital elements.
The course will also examine how genre expectations influence a story's impact on readers, considering structure and common tropes that can be either followed or subverted. Experimental short fiction, including works by Donald Barthelme and Oulipo writers, will be addressed as examples of unconventional narrative techniques. The course tutor will also give personal examples from his own published work.
Participants will complete two assignments: a piece of micro-fiction (100 words) and a longer flash piece (up to 1000 words). Feedback will be provided to students who choose to submit their work for assessment. The course concludes with practical advice on submitting work for publication, handling rejection, and progressing to longer fiction, if desired.