
Before we begin, ask yourself this question: What does Darth Vader, Sith Lord in the Star Wars universe, actually smell like "in person"? How about the Joker, Batman's eternal enemy? Think about it!
Explains three types of memories and shows how actors use emotional memory to endow a scene with felt feelings, guided by sensory details from personal experiences.
Learn how to express the sensation of painting through emotional memory, using a director’s standing ovation as a sense memory to convey the artist’s creation experience.
Leverage physical memory to describe sensations in action scenes, recalling fear, stomach drops, and mud splashes from swinging across a rope to enrich chase writing.
Prioritize clarity above all else to prevent rereading due to confusion about what is happening; use a beta reader to verify clarity and tailor your lexicon to your voice.
Explore revealing character through behavior and body language, not mere looks. Decide when descriptors matter, avoid mirror self-description and clichés, and use clothing intentionally.
Explore sensory writing beyond sight by using thermo ception, NASA's ception, equilibriums ception, and proprio ception to craft vivid scenes, then practice economy by choosing precise words for rhythm.
Use a thesaurus selectively during revision; trust your first instinct for word choice when fitting voice and context. Improve vocabulary by reading in your genre rather than constantly replacing words.
Explore fearless description by writing your taboos, digging into emotional, sense, and physical memories to unlock rich, lush description; confront discomfort to fuel vivid stories.
As writer of prose, screenplays, comic scripts, or plays, all you have to entice your reader into your world is words. Black print, white page. That's it. What you do with those words will make the difference between a satisfied reader (or agent, or editor) begging for more, or your work being tossed in the "Not for me" pile.
As a comic book writer, you need to convey images to your artist for interpretation. As a screenplay writer, you must show your actors, director, and producer the world your characters inhabit. (Need help with dialogue? Check out my Udemy course on How To Write Amazing Dialogue.) Or as a novelist, most of your narrative is description, so you want to create a mental movie for your reader that engages every sense. (Did you know there are more than five?)
Join Bram Stoker-Award Finalist and award-winning author Tom Leveen on this crash-course on how to improve your description using every available resource you bring to the story. You'll learn about senses you never knew you had, how to choose between "red" and "crimson" and why grass should never be green!