
Learn to produce a professional radio show with Ableton Live, plan jingles, manage talk segments, apply radio compression, and structure a show clock with intros and commercial breaks.
Design a professional radio show with a clock to map cues, songs, and commercial breaks, making your program stand out from a simple podcast and appealing to program directors.
Define the show length, one hour, split into two parts; plan commercials and a halfway two-minute break to fit 58 minutes, and expect hard resets on top of the hour.
Craft a high-quality radio show by objectively critiquing your tracks and only playing them when ready, featuring a strong intro and purposeful talk segments, avoiding repetitive intros.
Place cues in your clock to structure the show, from a welcoming start to breaks and a final goodbye cue one track before the end, keeping the hour on track.
Plan a radio clock by placing 14 tracks per half hour between cues, with a new song every 3.5 to 4 minutes to stay dynamic.
Master the dos and don'ts for a radio show, avoid mastering to preserve dynamics, use high-quality wave or AIFF files, and space jingles every five minutes.
Master the Ableton Live layout to produce a professional radio show, covering tempo and time signature, automation, session workflow, and using a keyboard as a piano.
Open Ableton Live and remove unused MIDI tracks, leaving two audio tracks for mics. Add tracks for Qs, jingles, and the show intro, then adjust channel strips and master level.
Explore the Ableton Live browser layout, add and manage audio effects across five tracks using default and saved presets, and switch between session and arrangement views with automation tools.
Craft a compelling radio show intro in Ableton Live that names you and your show, uses beats and vocals, and builds to a climactic first impression.
Import fourteen tracks into Ableton Live, set tempo to 125 bpm, label and arrange them in arrangement view, and place start, commercial break, and end markers.
Master an efficient Ableton Live warping workflow by batch-warping tracks with Complex Pro, placing warp markers on the first beats, syncing bars, and preparing them for a radio show.
Place tracks precisely in Ableton Live to create seamless transitions and engaging radio pacing. Mark markers at important times, trim sections, and sync drops for a polished, listener-friendly show.
Automate the volume faders and EQ in Ableton Live to achieve a proper mix efficiently, using a MIDI controller or iPad to map controls for faster hands-on work.
Automate tempo across Ableton Live tracks within a tuned range (120–130 bpm) to match transitions, using tempo automation at the breakdown for an energy drop and seamless radio show mixing.
Produce professional jingles in Ableton Live with hired voice talent, limiting jingles to every five minutes, and apply side-chain compression to duck music under jingles and vocals.
Record a professional radio voiceover with a real microphone and pop filter; write and edit, structure segments, vary pitch, and tailor versions for stations while inviting social interaction.
Record voiceovers in Ableton Live by arming the voiceover track, managing input level to prevent clipping, then apply compression and limiters for a clear radio-ready voice.
Place voice overs deliberately when bouncing your radio show, avoiding talking over vocals or jingles, and pause during drops or breakdowns to keep the track flow clear.
Bounce your radio show as the final stage, and avoid applying mastering, boosting the master, or cranking the volume, since radio processing will apply compression, normalization, and limiting.
Learn to produce a weekly radio show with Ableton Live following rules to avoid mistakes and record in under two hours.
Learn to add fx to an audio track in Ableton Live to produce a professional radio show sound.
UPDATED ON January 12 2015: A quick tip video to celebrate the new year! Requested by one of the students, you can now see how to add effects to your tracks using the send and returns commands. (less cpu demanding than adding the same fx on every track!)
- Do you want to be the next Hardwell or Tiesto? Or / And make a name for yourself in the DJ market & get more gigs?
Then this course is for you. One of the fastest way to establish your name out there as a DJ is reaching a wide audience quickly. And radio is the perfect way for this. Follow everything I’ll teach you in this course and you’ll be able to produce a real radio show that radios won’t be able to resist broadcasting. Radios schedules are full of badly produced radio shows and they’re craving for better shows. I can tell you this since I’m a program director myself, working in radio for the last 15 years.
-Discover the secrets that will make your radio show desirable for a program director.
Even A-List DJs make mistakes because they’re not aware of certain aspects of radio which lead them to produce bad radio shows. I’ll be delivering to you my 15 years expertise in the radio world so you can skip the mistakes and getting straight to offer a true professional-sounding radio show. I’ll point everything you need to know about what to do and what NOT to do! This course will cover everything from the content, to commercial breaks, where to put the jingles, how often, how long the tracks should last for, how to a clock for your show (one of the most important thing!)…and much more.
-The best tool for the job
Ableton live isn’t only a great tool for producing music and performing live. It is THE fastest tool there is to produce your radio show as fast as possible. And you’ll see how in this course! Even if you don’t know how to use the software, you’ll be up and running in no time as I explain here everything you need to know to produce your radio show ( along with some other tips along the way! )
-Who is this course for?
This high level course is designed for producers and/or DJs who want to be heard on the radio. It’s also aimed at radio show producers/hosts, or radio production companies who might want to level up the quality of their work by tailoring exactly the program to the requirements of radio.
The techniques can be applied to any genre of music.
By the end of this course, you’ll have acquired all the required skills to deliver a very high quality product to radios. Don't get fooled by the apparent short length of the course and the videos. It's pretty intense, which is why you'll probably want to take notes, rewind, and watch again to make sure you haven't skipped anything as pretty much everything taught in this course if of importance!
Best of all, I'll happily give you feedback on your projects, don't hesitate to send me link if you want me to give a listen to something and tell you personally where you should be improving !