
Robert David Duncan welcomes you to a course on making a feature film with no money and no car, showing you can do it and get your film out there.
keep a learning journal to capture thoughts and ideas as you progress, recording them on paper, tablet, or voice memos to stay focused while setting up a feature film.
Learn how to make a feature film with limited resources by reworking scripts, simplifying the story, and reducing costs, proving you can achieve it with no money or crew.
Discover personal, heart-driven reasons to make a feature film and start planning a first feature with no money and no car, focusing on simple, dialogue-driven storytelling.
Craft a strong, simple story with a three-act structure, few characters, and a single setting—park bench, coffee shop, or laundromat—to make a feature with no money.
Inventory the resources you have, from friends who are actors to a camera-loving ally and possible filming spaces, and plan to make your film with these assets.
Write a compelling zero-budget screenplay by studying structure, borrowing proven techniques, and solving every scene with cheap, creative solutions—from single-location setups to free sound effects and stock footage.
Learn to tell a feature story on a zero budget by simplifying elements: use a smaller cast, consolidate characters, and shoot indoors with daylight to craft a 45-minute heartfelt film.
Visualize the film from opening credits to end, write for the edit, and own the vision on set with a clear shooting script.
Learn to cast a no-budget feature by leveraging networks, nontraditional casting, and self-taped auditions. Use sides, local postings, and video auditions to select motivated actors who fit your story.
Table readings with a small, committed cast help rehearse the script, choose enthusiastic actors, and empower them to promote the no-budget feature.
Use the camera you have, even a smartphone, and avoid obsessing over gear; ensure a decent microphone and simple lighting to finish a no-budget film.
Choose a small, versatile, and committed crew of filmmakers and actors who understand a no-budget feature set, avoid diva tendencies, and trade favors to build goodwill.
Eliminate risks by writing a simple script and visualizing the film from beginning to end, with the director owning a zero-budget plan that minimizes car crashes and cast turnover.
Modularize your script to minimize personnel risk by shaping supporting characters into small, discrete entry points, ensuring essential cast remains from start to finish for efficient one-day shoot.
Learn to plan a zero budget film by using a marked shooting script to track scenes, audio cues, and takes, avoiding expensive software.
Own the project by filming from the main character’s perspective, recording most narration yourself, using short two-hour actor blocks, and learning basic editing to minimize risk.
Plan short shoot dates to keep the project to a few weeks, with 10 a.m. to 5 p.m. days and a maximum of three takes per scene.
In a world of advice telling you all the bad mistakes you can make, and that there's only one right way to do things, I'm here to tell you that you can go ahead and make a feature-length film, just because you want to. You don't need to go to film school in any traditional sense of the word, though there is always plenty to learn. Nor do you have to define your target audience, raise money, have a festival plan, a distribution plan, a marketing plan or an overall business plan worked out. Those are all great things, don't get me wrong, but they are also the things that tend to scare people away and keep them from reaching for their dream. If you can craft a simple, heartfelt story, and gather a few friends together, you can safely and successfully pull together a feature-length film that you can be proud of, that can go on to play in festivals, win awards, be seen around the world and make people happy. I know this because I have done it.
This course is designed for people who have a basic understanding and experience in making short films or video clips, but who may be looking at feature-length films - the "Mount Everest of filmmaking" - with some completely understandable fear and self-doubt. I'm here to share my experience and insights from having learned filmmaking through hands-on experimentation, self-directed study, trial and error, as well as from many mentors along the way. In midlife, I made a radical career change into acting, and then grew into the role of writer-director. I have made many short films as well as the features "It's About Love" and "Fat Punk" which were both made on shoestring budgets and went on to win multiple awards.
This course is built on the premise that if I can do it, then so can you. There are certain things you can do to drive costs, hassles and risks out of your longer film projects, and working alongside this course and your own thinking and planning, you will be able to come up with a formula that will let you walk to set and have fun making a feature-length film that you can be proud of for as little money as you care to spend!