
Learn to draw realistic faces from photographs by capturing likeness through focused eyes, noses, and mouth techniques, with step-by-step methods and practice warmups for beginners.
Learn to draw realistic faces by mastering eyes, noses, mouths, and the facial structure through guided sections with diagrams, warm-ups, worksheets, final portrait demos, and self-paced practice.
Learn to draw eyes, noses, and mouths using a four-step drawing method, study basic anatomy and view features as 3D shapes, with warm-up exercises, a worksheet, and two draw-along tutorials.
Explore a four-step method to draw realistic eyes from a photograph, from identifying eye structure and angles to shading and balancing tones for a convincing 3-D look.
Explore the basic eye anatomy, including the sclera, iris, and pupil, and identify the tear duct (lacrimal caruncle) as part of realistic eye drawing.
Explore how the eyeball's spherical, three-dimensional form and eyelid shading create depth, turning a simple eye symbol into a realistic drawing through shading and thickness.
Warm up with quick line-control drills: flick up and down at various angles, then sketch simple eye shapes using straight lines for practice and light, confident strokes.
Map the eye's structure with angles to build depth on a two-dimensional surface, set the iris position by where its circle meets the lids, and sketch the pupil.
practice drawing realistic eyes with straight lines to capture basic shape, eye angles, iris placement, and eyelid thickness.
Draw along in real time to learn eye structure by identifying lid and iris angles, comparing with the photo via a quick diagram, and starting the main drawing.
Sketch the eye in step two by rounding corners and refining the upper and lower lid shapes to capture light and dark values, with light lines for the iris highlight.
Block in the eye drawing by identifying highlights and light and dark areas, shading with a light pencil and side-to-side strokes, then refine tonal values to reveal three-dimensional form.
Build shading gradually to match tonal values from light to dark in the eye. Use layered tones to define the iris, pupil, eyelids, and eyelashes with controlled pencil pressure.
Practice the four-step eye drawing technique to reveal the eye's structure—angles, iris, lids, and pupil—by analyzing photos, drawing light lines, and noting eyebrow placement.
Refine your eye drawing by revisiting and rounding lines while checking against the photograph, add the iris highlight on the left by drawing around it, and gather information before shading.
Block and shade the eye with a base layer of light shading to define highlights, midtones, and shadows, using a pencil sideways to map darkest areas while preserving white highlights.
Build up tonal values across the eye, refine the iris and pupil, and sharpen eyelid edges. Constantly compare your drawing with the photo to preserve three-dimensional form.
Learn to draw noses by shading four planes with tonal values to create a 3d projection from the face, avoiding outlines and building layers, sketching, blocking, details, and soft shading.
Explore the nose anatomy by identifying the bridge, the ball, the nostrils, the wings, and the septum to improve realism when drawing faces.
Identify the nose as a four-plane, three-dimensional form—the top, bottom, and two sides—and shade by light direction, with the bridge brightest and the bottom in shadow.
Begin with warm-up exercises to loosen the hand and practice 45-degree sketch lines, light loose strokes, and iterative line work to shape the nose using straight lines, ellipses, and circles.
Learn shading techniques for realistic faces through gradual pencil pressure and circular motions. Build smooth gradients and dimensional spheres by layering and blending with a softer side of the pencil.
Apply a four-step drawing process to render a nose: map structure with angles, sketch organic lines, block and shade to tonal values, then build and refine detail.
Map nose structure using key angles to capture likeness, measure the ball with three angles, sketch base and side angles, add ellipses, define nostrils and wings, then light shade.
Develop observation skills by drawing noses from shapes and lines, identifying angles of the ball of the nose, the nostrils, wings, and the bridge, with ellipses and highlights for realism.
Build the nose’s structure by sketching the ball with three angles, define the nostrils and wings, and gauge distances with light lines before shading.
Sketch the nose by modeling the ellipse of the ball and the wings, then smooth curves from straight lines while comparing to the reference photo.
Block in the nose by shading a light base layer, preserve highlights on the bridge and ball, identify shadow areas around the wings and underneath to convey the four planes.
Build detail in nose drawing by layering shading gradually from light to dark, balancing tonal values and refining the nostrils, wings, and bottom plane with careful line work and blending.
Diagram the nose to learn its structure, starting with the ball, nostrils, and wings, guided by three lines and the top, bottom, and side planes.
Move into the sketching stage by adding three ellipses—the ball of the nose and the two wings—to create 3-D form. Round off the structure’s angles without changing the lines.
Identify light and dark shapes on the nose and block in tones before shading, focusing on nostrils' shadow, bridge highlight, and under-nose areas. Build three tonal values to guide shading.
Build tonal values on the nose with a 4b pencil, refine the nostrils, then blend lightly and add dark details with a 3b.
Practice drawing realistic noses using empathy and reference photographs. Download sample photographs to study, then share your work for instructor feedback via discussion or private messages.
Learn to draw closed mouths using a four step method—structure sketching, locking in, and adding detail—to capture likeness, with emphasis on quality of line and light to dark transitions.
Examine mouth anatomy: top and bottom lips, the trim between nose and top lip, Cupid's bow, two tubercles on the bottom lip, and a central tubercle on the top lip.
Think of the lips as five plump shapes, three on the top lip and two on the bottom lip, forming key landmarks for realistic face drawing.
Practice warmup exercises to sketch lips with six angled center lines, V shapes, and heart and oval forms, then soften the center line and follow curves for the lips.
Master line quality by varying pencil pressure to create light to dark, soft to sharp strokes, then apply it to the center line of six angles for depth in lips.
Map the mouth's centerline angles to capture expression, identify the six NGOs forming the center, and lightly sketch the lips to reveal five plump shapes and a lower lip highlight.
Practice mapping the mouth’s structure by tracing the six centerline angles, building top and bottom lip lines, and outlining the underlying triangle and puffy shapes before shading.
Identify the six angles of the center line, four upper lip angles, and three lower lip angles to map mouth planes, highlights, and line quality.
Apply the four-step mouth drawing process: map structure and centerline angles, sketch five lip shapes, block in tonal values, and refine details across the white-to-black range.
Begin with mouth structure by drawing the center line and six lines, outline four top lip angles and three bottom lip angles, then sketch the heart shape and ellipses.
Sketch the lips in three-dimensional form by tracing light planes and the centerline, identifying the top lip, crease, and bottom lip from a photograph, with a light top lip line.
Identify light and dark areas on the lips, block in a base tone, then build up shading in layers to define the top and bottom lip highlights and shadows.
Build the lips' three-dimensional form by balancing tonal values, line quality, and shading, focusing on the center lip line, creases, and subtle highlights.
Map shadows and lip shapes by drawing a center-line diagram, angles, and ellipses to structure the mouth; use shading and three-dimensional forms to guide placement.
Sketch three dimensional shapes to form a realistic mouth, refining the top lip's heart shape. Place ellipses on bottom lip, define the centerline, and balance shadows and highlights for expression.
Identify the main areas of light and dark, then block in shading with a single light layer of pencil to establish the lips, surrounding skin, and shadow areas.
In this mouth drawing step, apply detail to balance tonal values by refining the center line, shadows, and lip creases, using squinting to judge light and dark.
Learn to draw realistic mouths by applying sharp and soft edges with a 4b pencil, sharpening the center line, adding dark points, and balancing tonal values for three-dimensional lips.
Download two additional photographs to practice mouth drawing, and share your work for feedback via Q&A, Udemy, or direct message. Receive guidance on what's working well and what to improve.
Explore two portrait layout techniques - a simple central-axis head layout and a 3D Loomis-based head method - to handle front and angled viewpoints.
Learn to shape realistic heads by drawing egg-shaped skulls with balanced ellipses, using the elbow for fluid motion, practicing light circles, central axis, and jaw lines for consistent proportions.
Apply the central axis method by drawing vertical and horizontal axes through the face to locate eyes, nose, ears, hairline, and chin, then practice layouts with a worksheet.
Master the central axis method to draw realistic faces by mapping the head with top and bottom markers, a vertical center line, and an eye line for feature placement.
Apply the central axis technique to map vertical tilt and facial thirds, align the eye line, and construct an egg-shaped face for a strong base portrait structure.
practice constructing a face structure with a vertical axis and proportional guides to place eyes, eyebrows, nose, lips, and jaw, noting features like the moustache for character.
Learn to map facial proportions with vertical and horizontal axes, thirds, and centerlines, then sketch the head shape and align eyebrows, eyes, nose, and mouth for realistic faces.
Take a break, then flick your eye between the portrait and the photograph to identify and correct jawline, ear placement, and proportional errors, boosting observation and accuracy.
Explore the Loomis-based 3d head method that treats the skull as a sphere and shifts to a 3d view, with crossover from the previous method.
Develop a three-dimensional head shape by drawing a sphere with a centerline and curved axes to map head turn, brow line, and tilt for Loomis head exercises.
Master the 3d head method by building a spherical skull, orienting with vertical and horizontal axes, then shape the jaw, hairline, nose, and cheekbone with side planes and cross sections.
Draw a three-dimensional head from photographs, noting how looking up or down alters facial thirds and the side planes. Build it with a sphere, centerline, and proportional features.
Explore the planes of the face to understand light and value on a 3D form. See how front, side, and bottom planes respond to light to reveal highlights and shadows.
Combine angles, shading layers, and a solid drawing structure into a complete portrait. Follow a real-time process of structure sketching, blocking in, and detailing at your own pace.
Choose natural looking portraits with directional lighting and clear tonal variation in skin tones to avoid flat, cartoonlike drawings. Do not rely on missing details or exaggerated fashion photography.
Analyze portrait structure by mapping the vertical axis, eye line, brow line, nose line, and chin to establish layout; use straight lines first to check proportions.
Use a centerline and proportional guidelines to map eyes, nose, and lips from a black-and-white photograph, with a flexible layout approach instead of strict grids.
Adjust portrait proportions by comparing the drawing to a photo, refine eye alignment and shapes with angles and shading, and iterate across the face to improve likeness.
Block in the portrait by iteratively refining shapes, values, and lines, checking highlights, shadows, and edges to capture the eyes, lips, and expression with a confident, sketchy energy.
Block in the hair by sketching light and dark shapes, then establish tonal values before adding detail. Look at negative space and align shapes with the nose, keeping it looser.
Check in on your feelings about your portrait drawing, manage ego and critique, and commit to showing up for practice, embracing the journey and progress over perfection.
Refine the eyes, nose, and mouth through layered shading and blending with a cotton bud. Build tonal values from light to dark, refine edges, adjust highlights, and recheck measurements.
Practice portrait corrections by refining iris size, nose alignment, and shading to tighten likeness. Emphasize eye expression while balancing realism with artistic freedom and moving on after practice.
Learn to render realistic faces by using 3b and 6b pencils, sharpening with sandpaper, and adding black points to deepen shadows, iris, and facial features while studying a reference photo.
Identify the planes of the face and build layered shading to capture light and shadow, using directional marks and careful eyebrow area to keep realism in portrait drawing.
Learn to render hair in portraits by shading to indicate direction and shape, focusing on soft versus defined areas, clumps of shadow, and the spaces between lighter strands.
Learn to build up layers of tonal value on the face, balance tones, add underlayers, and refine details. Then watch a timelapse of the process and request feedback.
Refine facial realism by balancing hair edge shadows, soft shading, and tonal values to define depth, highlight, and likeness, while deciding when to finish and revisit for corrections.
Join Emily from The Pencil Room in Sketch Club, a real-time drawing series for beginners and improvers that guides you through proportion, shading, contour, and texture from start to finish.
Everyone wants to be able to draw people. There are lots of courses out there on how to draw faces and you could take any of them and learn how to draw a reasonable looking face. But this doesn't always translate into drawing an actual person! This is the hard part - drawing a face that actually looks like the person you want to draw.
This course teaches you what you need to know to be able to capture the likeness of a person using just a pencil on paper. We start with drawing each of the features of the face individually and then move on to the structure of the face and finish with a full portrait from a front on viewpoint.
With this course you'll get:
• Diagrams and explanations showing you just what to look for to find the structure of the eyes, nose, mouth and face
• Practical worksheets to apply what you've learnt to real faces
• Full real time draw-along tutorials taking you through a simple four step process to draw each of the features of the face from a photograph
• Beginner drawing exercises in each section to equip you with the sketching and shading skills you need to draw portraits
• Methods for drawing the structure of the face, including techniques based on the Loomis method
• Introduction to the planes of the face
• Tips for choosing photographs to draw from
• A full portrait drawing tutorial using all the skills taught in this course
• Downloadable schedule to keep your practice on track
• Prompt and useful feedback from your tutor
If you want to learn portrait drawing skills that you can put to use in actual real life drawing situations then you've come to the right course.
I look forward to having you join me,
Emily