
Explore photographic developments from the 1930s to 2010, including World War Two, pop art, street photography, conceptualism, and early digital photography into the new millennium.
Document social change through 1930s–1940s photography, examining how photographers from August Sander to Cartier-Bresson blend documentary realism with art. They illuminate depression, migration, racism, and everyday life.
Explore how war photographers documented World War II and earlier conflicts, navigating censorship, propaganda, and the frontline to capture decisive moments—from D-Day to concentration camps and Iwo Jima.
Explore the family of man, the 1955 MoMA exhibition curated by Edward Steichen, presenting 503 photographs from 273 photographers to reveal the universality of human experience.
Explore how world war and cold war imagery, including the nuclear bombings of Hiroshima and Nagasaki, Bikini Atoll tests, and the Korean War, shape photography, censorship, trauma, and propaganda.
Explore how pop artists transformed mass-media photography into high art. They use silkscreen, collage, and repetition to critique consumer culture.
Explore street photography from the 1930s to 2010, tracing the decisive moment in urban life and how framing and social landscapes reveal everyday interactions.
This lecture traces photography's role in conceptual art of the 1960s–70s, where artists use language, text, and ideas to question art, truth, authorship, and societal norms.
Analyze postmodernism's critique of purity and objectivity in 80s–90s photography through appropriation and text-image strategies. Examine how artists like Kruger, Sherman, Levine, Morimura and others upend authorship, identity, and representation.
Explore landscape photography as social education, highlighting environmental harm through Misrach and Burtynsky. Examine the body politic in the 1990s through Gonzalez-Torres, Benetton campaigns, Act Up, and Carrie Mae Weems.
This course is a study of photography from the 1930s to 2010 and will focus on the historical developments, trends, styles, and movements that have shaped our understanding of photography. This course consists of chronological and thematic examinations of the role of photography in relation to artistic production, art movements, social history, landscape, politics, identity, culture, postmodernism, conceptualism, and appropriation.
We will investigate the vast array of styles, artistic practices, and movements in the medium throughout the period. We will also examine how the photograph has been positioned as a documentary tool and a form of objective truth and look at how this approach has been questioned and re-envisioned. In addition, we will explore the question of how our relationship with the photograph has changed with digital technology, and how this technological influence has affected our attitudes towards the photograph. Through this course you will learn how photography has been used to capture and transform the world, its inhabitants, conflicts, triumphs, and histories.
Slide lists with information about the images in the lectures and lists of optional short videos about the topic are provided for each lecture. I also have a History of Photography: 1839 to the 1930s course that covers the first part of photography’s history posted on Udemy.