
Number References
Learn guitar string names from lowest to highest (sixth E to first high E), and remember them with mnemonics elephants and donkeys grow big ears; Eddie ate dynamite, goodbye Eddie.
Explore whole and half steps in the musical alphabet. Learn that E–F and B–C are half steps, while all other letter pairs form whole steps, rising or falling in pitch.
Learn to locate the C note across the fretboard using standard octave shapes. See how the same pitch appears on multiple strings and connect notes through octave patterns.
Discover the c octave shape on guitar, note the octave relationship between frets 1, 12, and 13, and compare standard and c shape octave patterns across strings.
Explore the stretchy octave and the standard octave alongside the C shape, applying them across strings to link the fifth-string C to the first-string eighth fret.
Master the double octave shape on guitar, with the same note on first and sixth strings at a fret, traveling up two octaves. Also explore the C octave shape.
Master the stretchy C shape, the last octave shape, using the two-string skip. Focus on sixth-string eighth fret, third-string fifth fret, and fifth-string third fret with a pinky.
Explore five guitar shapes to locate every C note across five octave shapes, including octave moves, stretchy and double octaves, and practical practice with a backing track to build fluency.
Practice octave shapes—from C shape to standard, stretchy, and double octaves—using palm muting and alternate picking with a 75 bpm backing track.
Explore key of G as the fifth of C and trace G notes through guitar shapes and octaves to locate a lower G across the neck.
Explore how the G major scale uses whole and half steps to form notes B, C, D, E, and F sharp, explaining why F sharp, not F, fits the key.
Learn to reference guitar notes by scale degrees using major scale rules in keys like C and G, and quiz yourself mapping numbers to notes.
Explore guitar shapes and patterns through articulation, using dynamics, hammer ons and pull offs to create legato and sing out notes within modern worship or pop voicings.
Explore the major scale formula pattern and movable guitar shapes that stay the same across keys, using letter names and the same patterns from c to b.
Strengthen ear training by singing a note and naming scale-degree sequences to internalize the major scale formula, in any key, such as c, using 1-3-1-2-3 and 3-5-3-4-5.
Practice two-note open-string exercises on guitar, using open strings, octaves, and the major scale formula starting from the seventh fret of the fifth string, then apply across strings.
Explore major scale practice through interactive quizzes, mastering scale shapes, note names, and octave relationships across fretboard positions in C, G, and F keys for modern worship and pop guitar.
Explore how to build major chords from intervals 1, 3, and 5 in the major scale, using the key of C to map notes and form chord shapes.
Learn the caged system by building the C major open chord, then explore voicing across strings, octave relationships, and inversions, including first and second inversions, for richer bass shapes.
Learn to play the A major open chord with fingers on the 2nd fret of the 4th, 3rd, and 2nd strings; explore voicings, inversions, and guitar-specific patterns.
Demonstrates G major voicings in the cage system, including a simple open-chord shape and an alternate four-finger option. Reviews the G major scale (G, A, B, C, D) with F#.
Master E major open chord in cage system, with first finger on the third-string first fret, second on the fifth-string second fret, and third on the fourth-string second fret.
Learn the d major chord in the cage system with fingerings on the third, first, and second strings, while exploring the major scale notes and f sharp, c sharp.
Practice open major shapes with a loose wrist. Refine downstroke and upstroke strumming, add dynamics and beat accents, and practice transitions between chords with 16th-note patterns.
Explore how sharps appear in keys C, G, D, and A through the circle of fifths, using the fat cats go down alleyways eating birds mnemonic and practical major scales.
Describe how sharps define the keys of e, b, and f-sharp, listing d-sharp, f-sharp, c-sharp, g-sharp, a-sharp, and e-sharp in f-sharp major.
Explore keys with flats on the circle of fifths, focusing on F, B flat, E flat, and A flat; learn major scales and guitar note placements.
Demonstrate the circle of fifths with flats in the keys of d-flat and g-flat, spelling notes like c-flat and g-flat across the fretboard and comparing six flats to six sharps.
Move three movable chord shapes on the bottom strings—A, E, and D—rooted in A major 1-3-5 voicings to create higher melodies and simple double stops in modern worship.
Explain the E major shape with the one-three-five voicing. Move it up five frets to a major shape with a first inversion and introduce barre chords at the fifth fret.
explore movable d major chord shapes across root position, first inversion (e shape), and second inversion (d shape), and learn how to transition between them along the neck.
Learn to play D using three shapes: A, E, and root position, by moving shapes across frets with whole-step and half-step intervals, plus three-string voicings and bar chord tips.
Learn to play E using the three shapes: open chord, the D shape, and the A shape, through inversions, root position, and moving the shapes up frets.
This lecture explores c and g shapes, showing how the open c chord uses the bottom three strings moved up a whole step to d, and introduces g chord variations.
Introduce variations of the D shape, including power chords and suspended second, then apply theory with one and five and double stops for melodic lead guitar.
Practice segment teaches small major shapes on A, D, and E, cycling through each with counts and finger positions, then using movable shapes to play C and build fretboard fluency.
Learn the one-four-five progression in keys with the cage system, focusing on I IV V chords (C, F, G in C) and its role as the foundation for chord charts.
Build major triads on the 1, 4, and 5 chords in the key of C using 1–3–5 intervals, and explore voicings for C, F, and G.
Explore using the e shape in the cage system chords to play f major by moving the whole shape up one fret, shifting from e major to f major.
Explore practical fretboard variations for F in the key of C, from simplified E-shape voicings and three-string approaches to the F major seven concept, emphasizing diatonic notes and chord voicings.
Explore G major variations in the key of C by moving an E-shaped voicing up two frets, forming G, G add six, within the C–F–G I–IV–V progression.
Practice strumming across the E, F, and G shapes, add the third finger to form second inversion for a fuller bass, and strum all strings in the key of C.
Demonstrates the I-IV-V progression in the key of D, noting G as the IV note, and explains open strings and fret positions for the 4th and 5th degrees.
Explore 1,4,5 shape modifications in A, using open strings and fretted notes to form D and E shapes, turn E major into E sus4 with a pinky.
Play in the key of G by locating the G note. Use the iv and v shapes on the fifth fret, and try a G sus4 voicing.
Explore the 1-4-5 progression in the key of e, using e major, a major, and b major shapes. Learn movable bar chords, suspended 4, and voicings across the neck.
Practice the 1-4-5 progression in C with variations like F major seven and pinky-on-third-fret shapes, then apply it across keys with muting and percussive strums.
Learn how to build triads on each scale degree in the key of C, identify major and minor qualities (1,4,5 major; 2,3,6 minor), and explore movable minor shapes.
Learn how the diminished seventh creates tension and resolves, built with three frets between scale degrees, and contrast it with the one-four-five major and two-three-six minor shapes.
Open minor shapes on guitar: learn E minor, A minor, and D minor voicings with specific fingerings, including how to adjust from major shapes and the related intervals.
Learn to convert small major guitar shapes (E, D, A) on strings 1–3 into movable minor shapes by lowering the second string, and apply one, five, six progressions.
Explore minor shapes across chords like E minor and D shape, moving minor shapes up three frets to C minor, and practice navigating the fretboard to map musical ideas.
Explore the six chord in major keys, its minor form, and practice chord shapes and progressions like 6415, with bar chord tips and key examples in C and beyond.
Learn to form f#m with movable open minor shapes—e, a, and d minor foundations—using barre and open voicings and octave shifts at the 12th fret for worship guitar.
Explore building E minor from open minor shapes by shifting D minor up two frets and A minor up seven frets, using the bottom three strings and triads.
Explore how to accompany a second guitarist by borrowing and moving chord shapes up the fretboard, creating higher range melodies with major and minor triads and selective double stops.
Explore doublestops on guitar by muting middle string and playing two adjacent strings, linking major and minor shapes on bottom three strings, including notes on the third and second strings.
Learn to build c-sharp minor seven in the key of e using movable shapes and practical voicings. Explore open-string approaches and fret-based fingerings for c-sharp minor and related chords.
Build a Bm7 in the key of D by moving E minor and A minor shapes up two frets, using the 1–4–5–6 rhythm guitar approach and capos.
Explore guitar voicings in the key of A, from the one, four, five progression to six and F-sharp minor seven shapes, and how adding a bass note changes chord quality.
Move movable chord shapes with a capo to transpose into different keys, using the caged system for one, four, five, and minor six chords.
Add the sixth to the 1-5-6-4 progression in C, A, and G, using a minor, F-sharp minus seven, and E minor voicings with scale notes, muting, and articulation.
Master movable chord shapes in the key of e and d, using inversions, partial voicings, hammer-ons, and muting to navigate the 1–5–6–4 progression for modern worship or pop.
Master the two and three chords in C and learn simplified shapes for rhythm guitar without bar chords, D minor, E minor, F major (simplified), G major, and A minor.
Explore the five seven chord in key of C, building G7 from 1-3-5-7, its role as a secondary dominant, and its tension-resolution pull to the one chord.
Explore chord qualities in the key of G, including B minor and B minor seven, and how the diatonic one through seven chords—D, D7, C, and E minor—fit together.
In the key of D, play D, E minor, F-sharp minor seven, G, B minor seven, and A7, using simple three-finger voicings.
Explore movable e minor bar chord shapes to build chords in the key of e, including f-sharp minor, g-sharp minor, b suspended four, and b seven, with practical voice-leading tips.
explains movable bar chord shapes in the key of a, forming b minor and c-sharp minor from the one chord, with simplified fingerings, bass-note variations, and e7 and capo options.
Explore slash chords in worship and pop guitar, using C slash E and G over B to walk from one to four and five to seven progressions.
Do you find yourself using only a few open chord shapes and a simple pentatonic for soloing here and there? My name is Dave and I've come across a number of beginner to intermediate guitarists that have struggled with a wide array of unfamiliarity within the higher range of the fretboard.
They tend to know the basics but don't seem to have a more in depth understanding of the relationships between shapes. This can make them feel uncomfortable with being creative on stage because of possibly hitting wrong notes. My course is a practical method to fix this problem!
This doesn't only apply to Modern Worship. The Genre is pop-oriented which means there's a universal sound were desiring to achieve. Being able to add your signature melodies over any music surrounding the major scale or fundamental I, V, Vi, iV Progression requires a knowledge for finger positions that will allow you to play in autopilot in order to engage your musical brain.
I'm a fingerstyle guitarist and lead electric guitarist at church. Modern worship is simple in nature relying upon small chords and not overbearing the listener with too much detail. Overtime I began to discover a lot of strategies that helped me tremendously when mapping out the fretboard. Typically you have a rhythm guitarist covering the lower range of open chords but if you are the 2nd guitarist you want to know enough theory in order to play higher inversions.
Enroll in this course and let me breakdown the simple tactics to helping you become fluent