
Explore print design fundamentals, from printing techniques and color management to paper types and binding, while surveying logo, packaging, editorial, environmental design, posters, and other print projects.
Learn practical tips to navigate the course platform, using boards, zoom, and keyboard shortcuts to access images, pdfs, and linked resources for graphic design study.
Learn the foundational theory of graphic design to create clear, engaging compositions across print, web, and mobile. Explore 500+ principles and build a mental visual library for confident design decisions.
Understand how print design produces tangible products using CMYK, color management, color separation, and offset printing, and learn bleed, trim size, crop marks, and margins.
Explore essential print design terms in InDesign, including bleed, trim edge, margins, FPO, greeking, placeholder text, and three up and two up layouts for efficient print production.
Understand how image resolution limits print size and quality, distinguish pixel/raster from vector graphics, and learn how dpi and ppi together define print clarity and large-format possibilities.
Explore how the image size feature in Photoshop links pixel dimensions, 300 ppi resolution, and print size, and how viewing distance alters required resolution.
Describe aliasing in type, how anti-aliasing smooths edges in Photoshop, when it may be off, and how AI tools like Super Zoom and Let's Enhance improve raster image resolution.
Explore how offset printing works, from prepress and color separation to the press and post press stages, and learn about plate, blanket, and impression cylinders, CMYK, and halftone dot concepts.
Compare digital printing with offset, noting no plates, non-impact production, cost effectiveness for low volumes, fast proofs, and variable data printing.
Explore screen printing as a stencil-based method for apparel and stationery, using color-separated meshes, squeegee application, and photo emulsion, with halftone gradients and expert workflow for fabric printing.
3d printing builds three-dimensional objects layer by layer with a nozzle moving along x, y, and z axes, enabling multicolored prints and applications from healthcare to houses.
Explore spot colors and Pantone systems to guarantee color accuracy in print, contrast with CMYK, and understand swatch usage, color modes, and premium options like metallics.
Explore how metallic inks and boards add shine and luxury to print design, and learn post-press techniques like stamping, embossing, leafing, coatings, and foil stamping.
Explore hot foil stamping and its heated die to apply metallic, holographic, pearl, and pigment foils to print media. Understand how coatings amplify the foil’s effect on design.
Explore how coatings such as aqueous, varnish, and spot UV enhance print quality by adding protection, texture, and selective highlights, while lamination offers water resistance and durability.
Explore embossing and debossing techniques to create three-dimensional effects, including blind, registered, multi-level, and sculpted dies, with guidance on depth, bevels, and embellishment combinations.
Learn to prepare print-ready files in Illustrator by applying Pantone metallic spot color, planning embossing and spot UV as separate PDFs, and outlining text while preserving an editable version.
Prepare embossing and foil stamping artwork by outlining text, exporting separate PDFs for color artwork, foil stamp, and spot UV on both card sides, and verify printer specs.
Learn bindery basics, including signatures and 16-page layouts, and compare stitching, spiral, perfect binding, and case options while considering durability, cost, page count, and opening behavior.
Explore how paper size, finish, and weight influence print design, including A-series sizes from A0 to A4, calendering, opacity, brightness, and us sizes.
Compare coated and uncoated papers, coating levels from 0% to 100%, and finishes like matte, silk, and gloss to see how ink sits on the surface and its readability.
Understand how paper weight and grammage affect production costs, binding, and shipping in print design, and learn to estimate a print run with pounds and grams per square meter.
Explore three print design file format categories—working project files (PSD, AI, INDD), assets, and print-ready PDFs or EPS—and note JPEG compression, color profiles, PNG transparency, GIF limits, and color management.
Discover how to access additional file formats via save as. Contrast raster formats (JPEG, PNG, GIF) with vector formats (EPS, SVG), and note camera RAW's data and wider tonal range.
Master color management by aligning screen and print colors with ICC profiles and monitor calibration, ensuring colors stay true from rgb on screen to cmyk print.
Explore the lab color space as a device-independent model closest to human vision, compare it with rgb and cmyk, and apply ICC profiles for color management across Adobe applications.
Calibrate your monitors with a colorimeter and ICC profiles to ensure color consistency from screen to print. Proof colors through soft and hard proofs, using printer ICC profiles and CMYK simulations to compare RGB on screen with final output.
Explore overprinting and knockout to see how inks blend or stay separate in print, and how misregistration creates gaps. Use InDesign to preview overprint fill and overprint preview, plan trapping.
Use CMYK with at least one 100% value, usually black, to avoid fuzzy print. Avoid rich black on body copy and cap total ink at 300%.
Discover how to deliver a truly print-ready PDF by preflighting fonts, images, and color, embedding fonts or outlining text, and setting bleed, marks, and transparency for the printer.
Apply preflight and export settings, run spell check with a professional proofreader, and ensure proper gutter and margins using test proofs before printing.
Explore the seven logo types, including word marks, pictorial marks, and letter marks, plus combination, abstract, emblem, and mascot logos, and stress typography, legibility, and design research.
Explore how brand guides define mission, values, tone, and visuals with examples from Adobe, National Geographic, and Google, comparing print, online, and interactive formats.
Explore how brand guides shape imagery and typography, using human elements, immersion, negative space, and the pairing of main and secondary fonts, with color correction and print and digital templates.
Analyze a festival logo contest brief for levels, blending computers, coding, and technology into a fun, playful mark, while noting sticker usability and ultraviolet Pantone 2018 color.
Examine logo submissions by theme and codes, invite viewer comments, and assess playful versus corporate directions, coding cues, and interlocking characters to meet the brief.
Analyze why overly complex logo designs struggle with readability in print and stickers, and how near-winning entries incorporate brief-driven elements like stairs, code, and clear levels.
An award-winning logo by Llevaras interlocks letters in 3D with a single technology cable and subtle code patterns, highlighting clear client brief understanding and a polished presentation.
Begin by confirming a thorough brief with the client, clarify objectives and target audience, outline deliverables, revisions, and deadlines, and plan research and sketching steps.
Learn to craft a clear logo composition in Illustrator by starting in black and white, optimizing contrast, line density, and hierarchy using symbols and opacity masks.
Explore business card design as identity design, combining logo, color, and typography on durable stock with finishes like lamination, foil, and embossing, plus layout guidance for US and UK sizes.
Learn two reliable methods for print-ready business cards in Illustrator: trim marks with layers and clipping masks, or artboards with three millimeters of bleed, producing trim marks in PDF outputs.
Practice data merge in InDesign to generate multiple business cards from a text data source, placing Illustrator artwork and replacing placeholders with each employee’s name, title, email, and phone. Preview, adjust type, and export a merged PDF ready for print, then update the data source for new employees.
Explore folded and non-folded brochures, leaflets and flyers, and creative cuts like die cuts and envelopes, with design tips for InDesign and trifold layouts.
Create a six-page trifold brochure in InDesign with 100 by 210 mm landscape pages, 3 mm bleed, 8 mm margins, and 13 mm slug, then adjust folds and rotate spreads.
Develop stationery design as a lucrative area within print design, focusing on gift cards, greeting cards, notebooks, art prints, calendars, and journals, with originality and print-on-demand support.
Explore editorial magazine cover design, including masthead placement and consistency, and how taglines, skyline, dateline, and main images influence the lead story line, cover lines, and visual margin.
Explore editorial design terms for magazine spreads, focusing on layout, image, and headline. Identify kickers, standfirst, bylines, subheads, pull quotes, and baseline grid in InDesign to improve readability.
Learn to design magazine spreads with captions, credits, and bylines, plan image placement, bleed, margins, and creep, and craft readable columns, sidebars, eyeline, and negative space for unity.
Explore the anatomy of book design, from front and back covers to the spine and inside pages, and learn how cover types, margins, and printing finishes influence sales.
Explore inner pages, such as spreads, leaf, verso and recto, and binding terms (folio, quarto, octavo) with gatherings, plus how page sizes affect usability and audience.
Analyze client briefs and references to craft a minimal, mostly white book cover. Emphasize handwritten typography, a single font, and restrained imagery to appeal to teens and young adults.
Observe how book cover designs evolve in a crowdsourced contest, balancing handwritten typography and motifs like coffins and parachutes to fit the client brief, with lessons from runner-ups.
Explore how poster design uses typography, imagery, and negative space to grab attention across formats from portrait posters to billboards, testing readability from thumbnail sizes.
Analyze how poster design choices affect readability and impact by examining color balance, proportions, silhouettes, perspective, and focal points in superhero movie posters.
Analyzes superhero posters, focusing on composition, lighting, and typography. It highlights the iron man 2008 poster’s diagonal lines and golden spiral, the negative space, and top-crop issues in thor 2011.
Explore the Avengers Age of Ultron poster’s circular perspective from below, its curved composition, and depth cues; compare with Civil War's symmetrical layout, golden spiral, and blue-red color contrast.
Analyze the guardians of the galaxy volume two poster, focusing on bold circular framing, central composition, rule of thirds, dynamic poses, and strong silhouettes that convey story.
Explore a poster design contest brief for Godzilla-themed prints, noting constraints that Godzilla does not speak or die and must remain respectful; apply palettes and negative space to depict kaijus.
Explore diverse poster concepts from a monster-themed design contest, evaluating idea, composition, and execution across minimalist, comic-book, and stained-glass styles to inspire your own print design.
Learn packaging design within print design, focusing on die cutting, scoring, perforations, and cutter guides to create three-dimensional packaging. Explore variant adaptation, nutrition facts, barcodes, and vector guidelines.
Discover environmental design in print, from wayfinding signage and murals to event displays, emphasizing consistency, ergonomics, legibility, and clear color codes for memorable, navigable spaces.
Discover how Datylon in Illustrator creates data-driven charts that update across spreadsheets, Illustrator, and InDesign, enabling seamless print reports and efficient visual design.
If you are like so many of us amazed by a beautifully designed poster or magazine cover, buying a chocolate just because of its cool packaging, if you love design in print form, then you’ve come to the right place.
Print design focuses on producing designs printed onto tangible surfaces and products, and we can say that it is the oldest, classic field of Graphic Design, as old as the profession itself.
With this rich history we have a long way to look back, and even more to look forward to as new trends arise and more and more industries modernize their look and appeal, and professional printing and packaging services become more accessible to small brands.
Because of this, learning the key terms, best practices and industry standards of printing is very important for any professional designer.
The greatest benefits of completing this course
By the end of this course you will be equipped with all the knowledge you need to accept print design projects (given that you have the skills in the software). You will be able to confidently interact with printer services and clients, knowing how to prepare your work professionally, from adjusting your colors to setting your bleeds.
What will we cover
In this course we will be covering everything you need to know about printing techniques and processes, including
Color management,
Binding methods,
Paper types, sizes with resolution settings and so much more.
We will also dive deep into all the specialized areas within this field, like
Logo design,
Packaging design,
Editorial design,
Environmental design,
Posters,
Brochures,
Business Cards,
Stationery and Books
Mastering by visual examples
Just like in the other courses in my Graphic Design Theory Series, we will analyze hundreds of print design projects to give you a solid understanding of the important rules and terms you need to be familiar with as a print designer.
Your instructor in this Course
My name is Martin Perhiniak, I am a Certified Adobe Instructor and Graphic Designer.
When the first few parts were published of my Graphic Design Theory Series here in Udemy, apart from the overwhelming positive feedback, I got a lot of requests specifically about Print Design, asking whether I will cover it in the series.
Whether you have the other parts already or not, this Course will be a complete learning experience on its own, giving you the essence of my 15+ years of teaching graphic design, and 20+ years of working as a freelance designer at the highest level.
I was fortunate to teach more than a 100.000 students worldwide and was voted as one of the 5 best Adobe instructors of the World. Here in Udemy, some of my courses are all time best sellers and are considered the best in their category.
The challenge of teaching Design Theory is that everything is related, and I have a very effective and unique approach to explore this amazing subject in an enjoyable, easy to understand manner, that will help you to build deep understanding in it fast.
Print Design is such a fundamental part of Graphic Design, and I am thrilled to be your guide in this exciting journey as we explore it in depth.
Of course, as will all my other courses you are protected by an unconditional 30 days guarantee, so you have no risk, nothing to lose but so much to gain.
I wish you a great learning experience and a lot of success as a designer.
Martin