
Begin with warm-up tutorials to master the basics of TOI, sharpen your line quality, and explore the rhythmic aspect of Troy before upcoming modules.
Practice warm-up line exercises to improve eye-hand coordination and build varied line qualities, from light to heavy, tonal lines, and diverse speeds and directions.
Practice warm-up wave lines in varied horizontal, vertical, short and long strokes to develop rhythm and a convincing, elegant line quality for sketches and drawings, with crestline lines.
Learn to draw ellipses using centerlines to control placement in figure drawing, explore sizes, angles, and line quality, then build cylinders for limbs to improve overall drawing.
Practice drawing cylinders by building elliptical forms around a center line and tapering the shape. Develop an anatomical feel toward the forearm and hand through progressive shading and line work.
Learn circle drawing basics by sketching circles of various sizes, adding elliptical interiors to form spheres, and applying front line emphasis and line quality for a three-dimensional look.
Practice warm up exercises to draw egg forms using circles, center line, and lines, shaping head and ribcage with ellipses and varying sizes for relaxed, confident gesture drawing.
Explore essential drawing tools and foreshortening concepts, and complete exercises that form the basis for every successful drawing.
Master the gesture of the head by drawing around a center line, using the elliptical eye line or bra line and a cylindrical neck to convey dynamic angles.
Learn two torso drawing methods, box form and an X shape, covering the rib cage, hips, pelvis, pubic area, belly button, clavicles, trapezius, and landmarks for a clear gesture sketch.
Practice drawing the torso seen from the back using a bulging box, hip, pelvis, sacrum, trapezius, neck, scapula, and ribcage rotation with a centerline to show compression and stretch.
Learn a step-by-step approach to drawing arms and legs by building from the head, rib cage, and pelvis, using directional lines, ellipses, and cylinders to establish form and foreshortening.
Master the tilt technique to depict forms in perspective using overlap, inner placement, and center lines to show angles toward or away from the viewer.
Apply beam form to depict a rib cage leaning left or right with overlap and a center line. Note rib cage–pelvis proportion and how dynamic poses challenge these rules.
Discover how a pelvis locked in one direction and a ribcage moving oppositely creates a twist, visualized through the centerline and various shape options in gesture practice.
Explore the line of action as a curved line that expresses a pose’s essence, linking spine curvature, the supporting leg, and the static-dynamic interplay for dynamic gesture study.
Use overlap and the intrusion of forms to create three-dimensionality in foreshortening. Practice with simple shapes and comparative measurements to judge scale and plan your attack.
Master foreshortening of leg by treating thigh and shinbone as cylinders with elliptical ends, learn transitional areas that link sartorius and quadriceps into a three-dimensional form on a two-dimensional surface.
Explore the core gestural drawing process using reference poses, drawing freely while explaining steps as I go along and illustrating gestural information with anatomical landmarks.
Practice drawing three-quarter gesture views by analyzing front, back, and side poses, using centerline, broad line, and ribcage to pelvis cues to measure proportions by eye.
Master constructing a three-quarter view by shaping arms, torso, and legs with ellipses and cylinders. Follow the rhythm of anatomy hints like latissimus dorsi, pectoralis, obliques, and light and shadow.
Learn to sketch a side view figure with a gestural, open approach, starting from the head, rib cage, pelvis, and limbs, using egg shapes and occasional box forms.
Master three-quarter view figure drawing with willow charcoal, building major masses, proportions, and anatomical landmarks like the rib cage, pelvis, neck, and shoulders.
Master gesture drawing of a lying figure by building the centerline and exploring ribcage to pelvis proportions, with limb cylinder construction.
Master a seated figure gesture by noting a concealed pelvis, tracing the ribcage, shoulders, and hip with a centerline, and focusing on major masses and foreshortened limbs with charcoal.
Learn to construct a contrapositive standing pose (contra posto) by analyzing ribcage, pelvis tilt, and limb alignment, using directional lines and foundational anatomy to guide gesture and form.
practice drawing the back view, mapping major masses and muscles such as the rib cage, pelvis, scapula, deltoid, and trapezius, while refining tone and shading for lifelike form.
Master the three-quarter view by aligning the rib cage, pelvis, and centerline, then construct the torso, limbs, and shoulders with attention to obliques, sternum, and clavicles.
Learn to capture dynamic gesture with watercolor volume using a water brush, focusing on major masses, flows, and shading to convey pose without contour lines.
Practice dynamic gesture drawing with volume using watercolors and a fountain pen, focusing on the rib cage, pelvis, center line, and limb flow to build expressive poses.
Learn quick gesture drawing with simple lines to capture the essence of poses, emphasizing the rib cage, pelvis, and centerline across seated and dynamic figures.
Draw dynamic poses by tracing the center line of action through the pelvis, rib cage, and spine, noting twists, foreshortening, and shoulder balance in each gesture.
Develop a step-by-step gestural drawing method that builds poses from head to rib cage, pelvis, and limbs using the centerline and line of action.
Develop skills with timed poses for beginners and reentries to improve focus, repetition, and process enjoyment in drawing.
Practice 30-second poses to warm up, use timer signals, and refine quick gestures focusing on head, rib cage, pelvis, centerline, and leg angles, then progress to one-minute poses.
In 30-second gesture drawings, the instructor captures dynamic poses, focusing on head tilt, rib cage and pelvis angles, center line, and quick analyses to refine pose in real time.
practice quick gesture drawings in one minute to capture spine curves, pelvis stance, foreshortening, and arm and shoulder movement, emphasizing volume and anatomy.
Set a one-minute pose with a timer to capture lines of action, rib cage, pelvis, and hip. Repeat the same pose to analyze and improve, then advance to two-minute poses.
Practice rapid gesture drawing with one-minute poses, focusing on ribcage, latissimus dorsi, and centerline under time pressure to capture dynamic form as it emerges from your subconscious, avoiding detail overload.
Practice two-minute standing poses to build gesture and body alignment. Focus on the center line, hip and torso rotation, iliac crest, obliques, shoulders, arms, and leg placement.
Practice quick two-minute poses to develop a loose, focused gesture as you layer the spine, rib cage, pelvis, sacrum, and scapula into a complete figure.
Practice two-minute gesture poses to capture torso and pelvis dynamics, using timed intervals, simple cylinders, and anatomy landmarks like rib cage, iliac crest, and centerline.
Practice three-minute gesture poses to capture direction, torso compression, and pelvis tilt, emphasizing anatomy cues like trapezius, clavicles, rib cage, and obliques for confident volume and structure.
Practice a strong, dynamic gesture in five minutes by aligning the centerline, ribcage, and pelvis, while locating anatomy landmarks from clavicles and trapezius to shinbone and calf, with light shading.
Master five minute poses through gesture drawing, identifying rib cage, pelvis, acis, center line shifts, hip alignment, and neck and shoulder positioning to capture dynamic figures quickly.
Practice a five-minute pose to study the torso-pelvis connection, rib cage, scapula and trapezius posture, while detailing limbs and shadows for dynamic gesture drawing.
“Drawing is still basically the same as it has been since prehistoric times.
It brings together man and the world. It lives through magic.”
Keith Haring
The Beauty of the Gesture (and a working way to capture it)
The Gesture is the most essential part of the figure drawing process. The Gesture is often misunderstood with fast and uncontrolled scribbles in fact gesture drawing is a focused, deliberate and by the way a most enjoyable process.
Like in my other Bestselling Figure Drawing Course I will lead you in small steps through the entire drawing process. This time the focal point lies on the Gesture a most critical part of the figure drawing process.
I have put special attention to the selected poses in order guarantee that by the end of the course you will have drawn and understood various static and dynamic poses ranging from simple to more complex.
The first part of the course is structured in "Warm Up exercises", "Tricks of the Trade Tutorials" and the "Preparation Tutorials". The Preparation Tutorials will show you everything you need to know for the following modules.
We will draw from loads of reference images and you will get to know the whole process. The "Tricks of the Trade Tutorials" deal with important drawing concepts like "foreshortening", "twist", "turn" and so on. You will get to know the necessary anatomy to enhance the gestural basis.
We will have a close look at the finished drawings and will find out what is working and what needs to be improved, and how we actually can improve it.
We will also use the paint brush to capture the "Volume" of the gesture and draw over it with a fountain pen.I have prepared quite a number of timed poses ranging from 30 Seconds to 5 Minutes.
Please note that this course features reference images of a fully nude models, please conduct yourself maturely.
Although this is a figure drawing course for beginners and reentries , some basic drawing skills are recommended.
By the end of the course you will be able to execute beautiful gesture drawings which you can further work on or as I often do see them as stand alone works of art.
Let's get to it - i see you at the inside!
Udo