
Practice warm-up line exercises to improve eye-hand coordination and build varied line qualities, from light to heavy, tonal lines, and diverse speeds and directions.
Master the gesture of the head by drawing around a center line, using the elliptical eye line or bra line and a cylindrical neck to convey dynamic angles.
Learn a step-by-step approach to drawing arms and legs by building from the head, rib cage, and pelvis, using directional lines, ellipses, and cylinders to establish form and foreshortening.
Master the tilt technique to depict forms in perspective using overlap, inner placement, and center lines to show angles toward or away from the viewer.
Apply beam form to depict a rib cage leaning left or right with overlap and a center line. Note rib cage–pelvis proportion and how dynamic poses challenge these rules.
Explore the core gestural drawing process using reference poses, drawing freely while explaining steps as I go along and illustrating gestural information with anatomical landmarks.
Practice drawing three-quarter gesture views by analyzing front, back, and side poses, using centerline, broad line, and ribcage to pelvis cues to measure proportions by eye.
Master constructing a three-quarter view by shaping arms, torso, and legs with ellipses and cylinders. Follow the rhythm of anatomy hints like latissimus dorsi, pectoralis, obliques, and light and shadow.
Learn to construct a contrapositive standing pose (contra posto) by analyzing ribcage, pelvis tilt, and limb alignment, using directional lines and foundational anatomy to guide gesture and form.
Master the three-quarter view by aligning the rib cage, pelvis, and centerline, then construct the torso, limbs, and shoulders with attention to obliques, sternum, and clavicles.
practice quick gesture drawings in one minute to capture spine curves, pelvis stance, foreshortening, and arm and shoulder movement, emphasizing volume and anatomy.
Set a one-minute pose with a timer to capture lines of action, rib cage, pelvis, and hip. Repeat the same pose to analyze and improve, then advance to two-minute poses.
Practice rapid gesture drawing with one-minute poses, focusing on ribcage, latissimus dorsi, and centerline under time pressure to capture dynamic form as it emerges from your subconscious, avoiding detail overload.
Practice two-minute standing poses to build gesture and body alignment. Focus on the center line, hip and torso rotation, iliac crest, obliques, shoulders, arms, and leg placement.
Practice two-minute gesture poses to capture torso and pelvis dynamics, using timed intervals, simple cylinders, and anatomy landmarks like rib cage, iliac crest, and centerline.
Master five minute poses through gesture drawing, identifying rib cage, pelvis, acis, center line shifts, hip alignment, and neck and shoulder positioning to capture dynamic figures quickly.
“Drawing is still basically the same as it has been since prehistoric times.
It brings together man and the world. It lives through magic.”
Keith Haring
The Beauty of the Gesture (and a working way to capture it)
The Gesture is the most essential part of the figure drawing process. The Gesture is often misunderstood with fast and uncontrolled scribbles in fact gesture drawing is a focused, deliberate and by the way a most enjoyable process.
Like in my other Bestselling Figure Drawing Course I will lead you in small steps through the entire drawing process. This time the focal point lies on the Gesture a most critical part of the figure drawing process.
I have put special attention to the selected poses in order guarantee that by the end of the course you will have drawn and understood various static and dynamic poses ranging from simple to more complex.
The first part of the course is structured in "Warm Up exercises", "Tricks of the Trade Tutorials" and the "Preparation Tutorials". The Preparation Tutorials will show you everything you need to know for the following modules.
We will draw from loads of reference images and you will get to know the whole process. The "Tricks of the Trade Tutorials" deal with important drawing concepts like "foreshortening", "twist", "turn" and so on. You will get to know the necessary anatomy to enhance the gestural basis.
We will have a close look at the finished drawings and will find out what is working and what needs to be improved, and how we actually can improve it.
We will also use the paint brush to capture the "Volume" of the gesture and draw over it with a fountain pen.I have prepared quite a number of timed poses ranging from 30 Seconds to 5 Minutes.
Please note that this course features reference images of a fully nude models, please conduct yourself maturely.
Although this is a figure drawing course for beginners and reentries , some basic drawing skills are recommended.
By the end of the course you will be able to execute beautiful gesture drawings which you can further work on or as I often do see them as stand alone works of art.
Let's get to it - i see you at the inside!
Udo