
A brief introduction to why this method is being used to teach four-part harmony.
In this lecture you will learn the vocal ranges for each voice type.
In this lecture you will learn the difference between an open and a short score and how to properly notate both.
At the end of each section you will complete assignments that cover the topics learned in the section.
In this lecture you will learn how the amount of distance between voices affects the texture. You will also learn guidelines for the maximum amount of distance between voice types.
In the lecture you will learn the difference between open and close position and how these positions affect texture.
At the end of each section you will complete assignments that cover the topics learned in the section.
In this lecture you will learn how voices interact with one another through the four types of simultaneous motion and also which types of simultaneous motion have the greatest independence.
At the end of each section you will complete assignments that cover the topics learned in the section.
In this lecture you will learn why you should avoid certain types of parallel motion.
In this lecture you will learn that compound intervals must follow the same guidelines for parallel motion.
At the end of each section you will complete assignments that cover the topics learned in the section.
In this lecture you will learn the definition of voice leading.
In this lecture you will learn the a principle of good voice leading called "common tone".
In this lecture you will learn the definition of overlapping and why overlapping should be avoided.
In this lecture you will learn the definition of crossing and why crossing should be avoided.
At the end of each section you will complete assignments that cover the topics learned in the section.
In this lecture you will learn the guidelines for doubling pitches.
In this lecture you will learn the guidelines for omitting pitches.
At the end of each section you will complete assignments that cover the topics learned in the section.
In this lecture you will learn about conjunct motion, disjunct motion and repeated tones.
In this lecture you will learn how to use disjunct motion in your melodies.
At the end of each section you will complete assignments that cover the topics learned in the section.
A brief intro to part function.
In this lecture you will learn the characteristics of a typical soprano line.
In this lecture you will learn the characteristics of a typical bass line.
In this lecture you will learn the characteristics of a typical alto or tenor line.
A preparation for the final assignments.
At the end of each section you will complete assignments that cover the topics learned in the section.
Students from my other courses (Music Composition 1, Music Composition 2, Music Theory and Orchestration) have been requesting that I create a course on writing four-part harmony. This course is an answer to that request.
The course is divided into 8 sections. Each lecture within a section covers a different topic or concept. Study all lectures in the section before taking the quiz for the section. After you have passed the quiz, complete the assignment(s).
All of the assignments can be downloaded. You can print them and complete them with pencil, or if you prefer, some of the assignments can be done using notation software. If you do not have notation software, you can download musescore for free at the musescore web site.
Please complete the lessons in order, as earlier concepts taught are needed to complete the later lessons.
Important: This is not a music theory course or a music composition course. These subjects have been covered by the author in Music Theory, Music Composition 1, and Music Composition 2. This course covers only the fundamentals of four-part writing. In order to get the most out of this course you should already possess a basic understanding of music theory and music composition.