
Before using Final Cut Pro's color balance tools, you will need to first analyze your clips for color. You can either have your clip's color balance analyzed when you import it, or you can analyze a clip's color balance at any time in the browser.
Final Cut Pro has a great tool for balancing a clip's colors at the click of a single button. We'll show you how this tool works for clips that already analyzed for color, as well as clips that have not been analyzed yet.
Is auto white balance not cutting it for you? Well, you've come to the right place! In this video, we'll show you how to manually white balance your clips to ensure that the white objects in your video appear perfectly white.
Often times our projects consist of footage from a wide variety of sources. Match Color is a helpful tool that makes it easy to ensure that all scenes feel balanced and cohesive.
Final Cut Pro has a few color correction tools available that may help you better balance your footage's colors and luma levels. Color correction is an essential skill when editing your videos, and in this tutorial, we'll show you how to get you started.
The Color Board is a color correction tool that lets you adjust a clip's tint, saturation, and exposure. This tool may seem confusing at first, but we'll go over how to add a Color Board effect and show you how to adjust its settings in the Color inspector.
One of the color correction effects you can use is the Color Wheels effect. You can use the four color wheels to adjust the Master level, Shadows, Midtones, and Highlights in your video. In this video, we'll take a look at all the available controls you can use!
The Color Curves is another effect you can use to color correct your clips in Final Cut Pro. These controls give you precise control over the Luma, Red, Green, and Blue channels. We'll take a look at how to use these controls and show you some cool tips along the way!
The hue and saturation curves give you yet another option for color correcting your clips. This option gives you six curves that let you make precise adjustments to the hue, saturation, and brightness of any color in your project. In this video, we'll take a look at each of these six curves and show you exactly how to adjust them.
Adding shape masks to a color correction is a great way to define the area where you want to confine the color correction effect. For example, you might want to emphasize the subject by desaturating the area surrounding it. We'll take a look at a good example of how to use shape masks with a color correction effect.
Color masks let you isolate a particular color range in your videos. Combining color masks with color corrections lets you correct specific colors in your project. In this video, we'll take a look at a practical example of how to use these two effects together!
Although color masks are great to isolate a single color to color correct, it may be less accurate on more complex objects. In this video, we'll go over how to add shape masks to our color masks to better refine our selection!
If you have a color correction that you plan on using on multiple clips or projects, you can save it as a preset. This makes it easy to apply the same color correction effects to other clips in the same project or a different project. We'll show you how!
In Final Cut Pro, you can show the comparison viewer next to the main viewer to compare any two frames of video side by side. For example, you can compare frames to look for differences or similarities in color correction, cropping, titles, video effects such as blurs or masks, and so on. Let's take a look!
You can display video scopes next to the video image in the viewer while editing in Final Cut Pro. These video scopes can help you visualize adjustments to luma and hue, which is extremely helpful when color correcting your footage. In this video, we'll go through each video scope and show you exactly how they work!
You can use the range check overlay in the viewer to quickly highlight color values that exceed the acceptable limits of color space standards. This can be especially useful to ensure that your colors will be displayed properly when sharing across different platforms.
3D titles may sound complicated, but you can add them the same way you would add a 2D title. Final Cut Pro also lets you easily convert a 2D title to a 3D title, and vice versa. Stick around because this video will give you a good introduction to 3D titles.
After adding a 3D title to your project, you may have noticed some on-screen controls in the viewer. Final Cut Pro uses this 3D coordinate system to let you move or rotate your 3D text along the X, Y, and Z axes.
Just like 2D text, Final Cut Pro gives you a variety of text controls for your 3D text. You can adjust properties like depth, weight, edge attributes, and much more! In this video, we'll take a look at each of these controls and show you exactly how to use them.
When you add a new 3D title, it appears with a default white matte material applied. Final Cut Pro offers a variety of other options that are more complex, composed of multiple material layers. You can choose among different combinations of substance, paint, finish, and distress overlays that create a naturalistic 3D texture.
You can add multiple material layers to create more complicated textures for your 3D titles. For example, if you combine an Aluminum substance layer with a Grey Granite substance layer, your 3D text takes on a metallic ore finish that may or may not exist in nature. There are so many options, and we'll take a look at how to work with them in this video!
By default, applying a material to a 3D title causes all facets of the text to display the same material. But a 3D title can also display different materials on its different facets. For example, you can apply car paint to the front facet and a shiny metal appearance to the side facet. You can even apply a different material to the edges. Let's take a look!
3D titles in Final Cut Pro are designed to simulate the shading and reflectivity of 3D objects in the real world. If you plan on using your text with footage that has a dynamic environment, you can use the available lighting controls to match the text to its surroundings.
Like in the real world, reflective objects will reflect any projected light. The same goes for any shiny or reflective 3D text in Final Cut Pro. In this video, we'll show you exactly how to add environment lighting for 3D objects to reflect off of.
When working with 3D titles in Final Cut Pro, you have the option to apply Substances. Depending on the option you choose, different parameter controls will become available. We'll take a look at some unique options and show you how to adjust the controls to get some cool effects on your text.
Final Cut Pro includes a bunch of great options to customize your 3D text. The Paint controls let you create the effect of a coat of paint added to the surface of your 3D title text. In this video, we'll take a look at how to adjust these paint controls!
Finish controls are used to create the effect of finish (such as polish, enamel, and so on) added to the surface of the 3D text. Depending on the option you choose, Final Cut Pro will display a variety of different parameter controls. Let's take a look at a few of these options and go over how to adjust the controls.
Many material layers include graphic images that are applied to the 3D title. The Placement Controls let you adjust how the pattern is mapped onto the text object. We'll take a look at how to adjust these controls so that you can customize the 3D text in your own Final Cut project.
Welcome to our Comprehensive Guide to Final Cut Pro! Whether you're just starting out, or you've been editing videos for years, our bite-sized tutorials will teach you the fundamentals of this revolutionary software.
In an increasingly digital world, video editing is an amazing skill for any creator to have in their arsenal. Final Cut Pro is one of the best video editing packages for creating small clips to multi-million dollar movies, and it's available for a reasonable price to anyone with a Mac.
In Part Seven, we'll cover how to analyze a clip for color, automatically color balance clips, manually white balance clips, match color, add color corrections, use Color Board, Color Wheels, Color Curves, use Hue and Saturation Curves, add shape and color masks to color corrections, add shape masks to color masks, save color correction presets, use the comparison viewer to compare frames, use video scopes while color correcting clips, and detect out of gamut colors; and how to add or convert 3D titles, move and rotate 3D text, adjust 3D text controls, add and modify preset materials, work with material layers, add materials to multiple facets, adjust 3D lighting and environment controls, and adjust 3D substance, paint, finish, and placement controls.
Once you've finished Part Seven, check out Part Eight, in which we'll cover Multicam Editing, 360° Video Editing, and how to stay up to date with Final Cut Pro.
Don't forget to check out Pixel Film Studios for helpful Final Cut Pro plugins to take your videos to the next level. Check out our library of over 2000+ plugins on our website.