FIELD PHOTOGRAPHY MAGIC - Long Exposure & Composition
3.7 (71 ratings)
Course Ratings are calculated from individual students’ ratings and a variety of other signals, like age of rating and reliability, to ensure that they reflect course quality fairly and accurately.
455 students enrolled

FIELD PHOTOGRAPHY MAGIC - Long Exposure & Composition

Long Exposure Photography & Composition
3.7 (71 ratings)
Course Ratings are calculated from individual students’ ratings and a variety of other signals, like age of rating and reliability, to ensure that they reflect course quality fairly and accurately.
455 students enrolled
Created by Dale Cody
Last updated 1/2019
English
English [Auto-generated]
Current price: $27.99 Original price: $39.99 Discount: 30% off
5 hours left at this price!
30-Day Money-Back Guarantee
This course includes
  • 5 hours on-demand video
  • 5 downloadable resources
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
Training 5 or more people?

Get your team access to 4,000+ top Udemy courses anytime, anywhere.

Try Udemy for Business
What you'll learn
  • Produce stunning long exposure photography, use sound composition and design principles and complete basic image post production processes to create professional level images.
  • This course is for anyone interested in learning how to take those cool long exposure shots of waterfalls, or any moving body of water, that result in images of soft silky water contrasted against tack sharp land features and elements.
Requirements
  • Basic DSLR camera operation and access to image post production software, DSLR camera, tripod, polarizer and neutral density filters.
Description

Course Description

For many landscape and field photographers, mastery of long exposure photography, particularly in daytime conditions, is an essential skill. For all photographers, mastery of composition and design is what distinguishes the good from the great. In this course, you will learn the same tools and techniques used by the pros to take jaw-dropping long exposure images in the field and then polish them even further using industry standard software. You will be able to use simple, powerful compositional devices and design principles that famous photographers and artists have been employing successfully for decades.

Master Long Exposure Photography, Composition and Post-production Techniques in Order to Take Your Skills to the Next Level

  • Finding and using the right cameras, lenses, tripods and filters for long exposure photography
  • Master exposure and depth of field through the three pillars of light and the exposure triangle
  • Learn the principles of art and design, so that you can use them effectively to create stunning photographic composition
  • Understand the elements of art and employ them as powerful allies in the image-making process
  • Begin the photographic journey out in the field and then go into the studio to learn first-hand the magic of post-production techniques using industry standard software such as Photoshop and Lightroom

Master Key Skills That Pros Use to Create Award-winning Landscape Photographs

If you’ve ever wondered how professional landscape photographers consistently create those knock-your-socks-off gorgeous images that get into magazines and hung on gallery walls, then this course is for you. If you love long exposure photography, but have struggled with it during daylight conditions, then this course is here to help.

The benefits of knowing how both the principles and elements of art can aid you in crafting truly amazing photographic composition cannot be underestimated. You don’t have to spend several years and countless thousands of dollars studying to get a design degree in order to learn and use these as a photographer. This course has distilled the most important concepts I have used over the years teaching design and packaged them into easy lessons you can apply immediately in the field. Many of the most famous artists and photographers of all time have used these same principles and techniques. Now you can too.

Contents and Overview

We’ll begin by comparing long exposure photography during both low and full daylight conditions to see how they each affect the image making process. I’ll use plenty of my own work as examples along the way, so that you can understand my thinking and process more effectively.

Then we’ll cover photographic gear essentials and what you’ll need to create long exposure photos anytime, but especially during the more challenging daylight hours. I’ll give you suggestions for a range of budgets and specs, so that you can find the right combination of gear for your own unique situation. You will learn about filters and the most powerful tool in my arsenal for making photos with extended shutter speeds. I make it all easy and fun.

Using the Three Pillars of Light and the Exposure Triangle, I’ll explain how to manipulate your camera settings for correct exposure, depth of field and image sharpness under virtually any condition.

The section on Composition will take you through a step-by-step mini-course on the Principles and Elements of Design, so that you can begin using them right away in your photography. You will progress far beyond the basic Rule of Thirds to become a master of compositional design. In a stand-alone section, we’ll deconstruct many of my own photographs to see what worked, what didn’t and why.

Finally, we’ll go out together for three case studies that will take us from the field to the studio for some post-processing magic. You’ll learn how to make good photos great and great photos exceptional with an easy to follow workflow in Adobe Lightroom and/or Photoshop. I will share with you my techniques for painting light, color, saturation, clarity and contrast back into your images. By the end you’ll be a master of the histogram, able to fix crooked horizons, replace skies and remove unwanted elements from your images.

You’ll also receive bonus material that will help you choose the right gear for your budget and needs. You’ll get suggestions and links for plug-ins that can save you time and make the post-production process more efficient.

Requirements

A DSLR, Mirrorless or other camera with the ability to change lenses and manually control shutter speed, aperture and ISO

Access to, basic skills with Photoshop, Photoshop Elements, Lightroom, GIMP, or similar would be very beneficial, but not strictly necessary

What Am I Going to Get From this Course?

  • Over 36 lectures and more than 3 hours of video content
  • Learn to take long exposure photos in challenging conditions such as full daylight
  • Advanced composition and design principles the pros use to create stunning landscape and other types of photographs
  • Suitable for photographers of all levels
  • Visual training method that includes examples, animations, illustrations and assignments for easy, fun to use learning and skills retention.
  • Applied case studies where we begin in the field and then progress all the way to post-production image finishing in the studio using various software tools and techniques
Who this course is for:
  • If you've ever wondered how the pros get those fabulous shots for the cover of National Geographic or Outdoor Photographer, etc., then this course is for you.
  • This course is appropriate for photographers who have a basic understanding of camera operation. Novice to competent intermediate photographers will find this course helpful in moving their skills to the level of professional photographer.
  • It doesn't matter if you're a rank novice or a competent intermediate, you'll find this course easy, comprehensive and interesting. I'll cover cameras and gear, composition, tips for shooting in the field and tons of post-production techniques you can easily employ on the computer to really take all of your shots to a professional level.
Course content
Expand all 49 lectures 05:13:02
+ INTRODUCTION
5 lectures 37:07

Course overview

What is Long Exposure Photography?

Preview 05:16

In this video, we dive right in to cover some of the concepts, tools, techniques and solutions we'll be discussing in more detail later. This is a high level demonstration to help get you going right away.

GETTING STARTED
14:49

In this video, we'll deconstruct a long-exposure photo shoot of waterfalls. In the process, you'll be exposed to many of the concepts, strategies, tools and techniques discussed in greater detail throughout the rest of this course.

SHOOTING WATERFALLS IN THE FIELD
09:16

This is an assignment to help you become more comfortable making photos in manual mode by taking a couple fun, intermediary steps to get there. I highly recommend doing this exercise now and then again after you've gone through the Exposure Triangle module.

ASSIGNMENT: MOVING TO MANUAL CONTROL
04:42
+ Section 2: GEAR
8 lectures 36:03

- Which camera model is best?
- Camera "Must Have's" for Long Exposure photography





Preview 01:49

- Lens overview

- Full frame vs Cropped Frame

- Lens prices and quality comparisons

- Lens filter basics

- Lens specifications for field shooting situations



Part 2 - LENSES
03:39

- Tripod overview

- Reciprocal Rule

- Weight & Leverage

- Tripod Head Mounts

Part 3 - TRIPODS
02:29

- What does a Polarizing filter do?

- Stacking with other filters

Part 4a - POLARIZING FILTERS
03:06

- Neutral Density filters - The Magic Tool for Long Exposure shots during the day

- Comparison: Adjustable vs Fixed ND Filters

- ND Filter Scale

- Shutter Speed & ND Filters

- Manual vs Bulb Setting

- Remote Shutter Releases

- ND Filters & Depth of Field




Part 4b - NEUTRAL DENSITY FILTERS
06:32

In this lecture, you will learn some of the different ways to trip your shutter without touching the camera. We'll demonstrate the power, ease of use and flexibility of Intervalometers for various types of shooting scenarios.

INTERVALOMETERS and MORE
11:01

Learn methods and strategies that will ensure your cameras and other photographic gear always have enough power out in the field.

POWERING YOUR GEAR IN THE FIELD
04:56

In this lecture, I'll share some simple items that may prove useful while shooting out in the field.

SOME IDEAS FROM THE JUNK DRAWER
02:31
+ Section 3: EXPOSURE TRIANGLE
4 lectures 25:52

- Overview of the Three Pillars of Light - ISO, SHUTTER SPEED & APERTURE

- LIGHT and the THREE PILLARS

- ISO

- Controlling the light sensitivity of the camera

- SHUTTER SPEED

- How much MOVEMENT do you want to capture in one "still" image?

- How much LIGHT can be let it to make a LE images well exposed?

- APERTURE

- Opening of the Lens "Eye"

- Aperture & Depth of Field

- INTERACTION of all THREE PILLARS OF LIGHT

- Coordinated group of elements

- Which comes first and why?





Part 1 - THREE PILLARS OF LIGHT
07:20

SHUTTER SPEED in Long Exposure Field Photography:

- Controlling the MOVEMENT of image elements over a period of time (shutter opening)

- Controlling the amount of LIGHT during that period

- How LONG the shutter remains open

- CHART - Field Shooting Situation sample Shutter Speeds

- Shutter Speed EFFECTS - Stopping Action vs Blurred Action

- Image Sharpness & Defraction

- LE Examples


Part 2 - SHUTTER SPEED
07:18

APERTURE - The "Eye"

- Key Role in...

- Correct exposure

- Depth of Field

- Image Sharpness

5 TIPS to acheive Focal Area "Tack Sharpness"

Part 3 - APERTURE
08:14

ISO - Controlling the Camera's sensitivity to Light

- Controlling Light during the day with LE photography



Part 4 - ISO
03:00
+ Section 4: COMPOSITION and DESIGN
8 lectures 29:37

DESIGN PRINCIPLES

- Emphasis of Focal Point

- Unity & Variety

- Harmony

- Rhythm & Repetition

- Balance


ELEMENTS OF DESIGN

- Shape

- Line

- Space & Perspective

- Texture

- Color & Value





Part 1 - PRINCIPLES and ELEMENTS of DESIGN
04:46

BALANCE

- Basic Design Principles of Balance

- Movement of focal point

- Symmetric vs Asymmetric Balance

- Compensation vs Over Compensation

- RECAP - Main Elements of BALANCE

- POSITION

- SCALE

- SHAPE

- CONTRAST

- IMAGINATION


Part 2 - BALANCE
03:39

OVERVIEW: Contrast & Tonal Range

- Creating DRAMA with Contrast and Chiaroscuro

- PATTERN & REPTITION

- LINE, COLOR & SHAPE

- TONAL RANGE& COLOR SATURATION




Part 3 - VALUE and CONTRAST
03:07

What is "WHITE SPACE"?

Your FIRST ASSIGNMENT!...

- Find examples of both GOOD and BAD use (or non-use) of WHITE SPACE;

Part 4 - WHITE SPACE
03:31

LEADING LINES

SECOND ASSIGNMENT:

1) So out in the field in search of images with LEADING LINES;

2) Shoot examples of LEADING LINES that DISTRACT or DETRACT from the MAIN FOCAL POINT;

3) Have fun!

Part 5 - LEADING LINES
02:50

IMPLIED LINES...

When is a LINE not a line?

- Mental connection of photographic elements

- Make it work for you

ASSIGNMENT #3:

- Look through your archives...

1) Can you find images with IMPLIED LINES? How do they affect the image?

2) Shoot new compositions where you INTEND to incorporate IMPLIED LINES;

3) Find examples that both ENHANCE & DETRACT from the FOCAL POINT;

4) Have fun!







Part 6 - IMPLIED LINES
03:02

DECONSTRUCTING LINES:

Putting it all together...

- Follow your eye;

- Trust your intuition;

- Take advantage of the natural elements.









Part 7 - DECONSTRUCTING LINES
05:30

RULE of THIRDS - Design Element of the Galaxy

- Know it...

- Breaking the image into thirds;

- The 9 rectangles;

- Grid intersections;

- Moving beyond the RULE OF THIRDS





Part 8 - RULE of THIRDS
03:12
+ Section 5: PUTTING IT ALL TOGETHER!
2 lectures 11:24

COMPOSITION - Putting it all together..

- Making intentional visual choices,

- Practical application EXCERCISE

Part 1 - EXAMPLES EXPLAINED #1
05:28

EXAMPLES EXPLAINED #2


- Watch where the lines lead;


- How would you do it differently?

Part 2 - EXAMPLES EXPLAINED #2
05:56
+ Section 6: FINDING OPPORTUNITY
2 lectures 10:19

FINDING OPPORTUNITY...

What else is out there?

- Recognize serendipity as the GIFT that it is!

- Plan well, but be prepared to go a different direction if necessary;

- Break convention

- Watch the changing Light for possibilities.




Part 1 - FINDING OPPORTUNITY
04:10

In this exercise, we'll go out in the field in search of photographic gold with increasingly restrictive conditions in order to help you hone your powers of observation and creativity. This is an assignment I still give myself on a regular basis because it is fun and illuminating.

ASSIGNMENT: LEARNING TO REALLY SEE
06:09
+ Section 7 : IMAGE POST PRODUCTION
3 lectures 18:06

Demystifying the Histogram...

- Black & White and the TONAL RANGE between them;

- Using the Histogram to visually assess tonal range;

EXAMPLE: Practical Application
Part 1 - DEMYSTIFYING THE HISTOGRAM
06:11

CREATIVE CROPPING

- Using Adobe Photoshop Crop Tool;

- Maintaining desired aspect ratio;

- Visually exploring the options;


Part 2 - CREATIVE CROPPING
08:54

POST PRODUCTION TIPS & TRICKS

- Sharpening a soft focus on an image with Photoshop "High Pass" filter;

Part 3 - IMAGE SHARPENING
03:01
+ Section 8 : CASE STUDY - LOWER LEWIS FALLS
4 lectures 35:01

LOWER LEWIS FALLS - Gifford Pinchot National Forest

Take a day trip, explore and have fun!

Part 1 - LOWER LEWIS FALLS - In the Field...
04:08

LOWER LEWIS FALLS - Setting up and Composing the shot -

- Considering exposure, setting, perspective, light, contrast... and safety;

- Varying camera angles

- Go!

Part 2 - LOWER LEWIS FALLS - Shot Design
02:40

LOWER LEWIS FALLS - POST PRODUCTION #1

- *Using Adobe ADOBE LIGHTROOM, PHOTOSHOP & NIK COLOR EFFECTS PRO;

- Choose your shot;

- First steps... Adult Blacks & Whites;

- Adjusting Shadow, Highlights, Contrast, Clarity, Vibrance & Saturation

- "Photo" --> "Edit in Photoshop"

- Command "J" , create layer;

- Spot Healing Brush

- Nik Color Effects Pro filter explained;





Part 3 - LOWER LEWIS FALLS - Post Production #1
13:39

LOWER LEWIS FALLS - POST PRODUCTION #2

- Editing tonal ranges (LIGHTROOM);

- Vibrance, Saturation adjustments;

- "Painting" for image spot editing;




Part 4 - LOWER LEWIS FALLS - Post Production #2
14:34
+ Section 9 : CASE STUDY - OUTLET FALLS
3 lectures 27:40

OUTLET FALLS - A WINTER PHOTO EXPLORATION

- Snow & ice as photographic elements;

- Meditative, subdued imagery approaches;

- Be prepared with appropriate winter gear and footwear.

Part 1 - OUTLET FALLS - Winter Photography
03:19
OUTLET FALLS - Post Production Fixes

- Correcting the horizon line in LIGHTROOM,

- Using ADJUSTMENT LAYERS,

- Adjusting CURVES & VIBRANCE,

- Creating a GRADIENT SKY Layer;

- SKY REPLACEMENT techniques

Part 2 - OUTLET FALLS - Post Production #1
17:03
OUTLET FALLS - POST PRODUCTION #2

- More editing photographic elements;

- Spot Healing Brush Tool;

- Lasso Tool & Content Aware edits;

- Clone Stamp Tool

ASSIGNMENT - Try editing one of your own images by removing elements you would prefer not be in the photograph. Show someone and see if they can spot your edits.

Have fun!






Part 3 - OUTLET FALLS - Post Production #2
07:18
+ Section 10 : CASE STUDY - PALOUSE (White River Falls & Palouse Falls)
2 lectures 24:59

PALOUSE FALLS - Shooting a CONTRASTING LANDSCAPE

- Assessing the landscape and shooting options;

- Field work with the variable Neutral Density filter



Part 1 - PALOUSE - In the Field...
05:24

WHITE RIVER FALLS - Painting Light into a Shadow in LIGHTROOM

- Workflow Explained

ASSIGNMENT -

- Find 2 - 4 images in Camera RAW with flat lighting and poor contrast;

- Using techniques discussed in this lecture try to improve the image and maximize the tonal range, color palette and saturation;

- Have fun!


Part 2 - PALOUSE - Post Production
19:35