
Learn fiction writing fundamentals 101 by copying and close reading, then analyze Sarah J Maas to extract lessons and synthesize them into your own story in her style.
Explore fiction writing by defining fiction and the novel. Compare fiction to other media and show how novels immerse readers through describing both the world and the characters' inner experiences.
Apply analysis and synthesis to a single opening chapter: take apart the writing to learn its parts, then synthesize them into your own writing in that style.
Explore the opening scene of the court and roses through a first-person narrator, highlighting survival, sensory detail, inner monologue, foreshadowing, and show-don't-tell writing.
Builds action from scene description into a real event, introducing a major complication with a silent wolf. Uses inner monologue, breath, and the arrow as symbolism to heighten tension.
In this lecture, analyze how Fail's character unfolds through the event of meeting a direwolf; she fights, shows bravery, and demonstrates competence by skinning the wolf.
Identify the inciting incident and related events, such as midway turning points, crisis, climax, and resolution, showing how each chapter reveals character and propels the fantasy adventure.
Explore how structure and content shape fantasy scenes by separating location, action, and emotion, and apply show don't tell techniques to vivid character experiences.
Explore Kurt Vonnegut's single best piece of writing advice: every sentence reveals character or advances the action, shaping immersive fiction.
Explore how narrative point of view and scene work together in fantasy writing, from first-person and third-person close to external narrators, with scenes perceived through a character.
Blend the outer world of action and sensory detail with the character's inner thoughts and emotions. Maintain balance to prevent reader confusion and alienation, guiding immersive fiction.
Explore how exposition and progression illuminate fantasy writing by revealing village hierarchy, family dynamics, and the character's evolving responses to a wolf.
Learn how style and voice define fantasy writing, balancing sentence length and diction across narrator and character perspectives, and apply analysis to craft your own scene.
analyze and synthesize fiction writing by examining character, event structure, narrative scene, exposition, progression, and inner and outer voice to draft and refine a novel.
Learn how to transform a rough first draft into a polished second draft through structured analysis and notes, boosting morale while balancing character consciousness, scene detail, and narrative progression.
A mistreated stable boy finds a rare book and a mysterious wizard who teaches him to read, naming him Falcon and revealing reading as power.
Analyze a chapter from a writer you admire to learn lessons on character, event, structure, and voice; synthesize your own chapter in that style and apply workshop practice.
Fiction Writing 101
Learn to write like YOUR favorite writer.
You don’t learn to write fiction just by taking classes. You learn to write by reading the writers you love.
Fiction Writing 101 is an introduction for beginner students new to writing and for those struggling to get published.
This short and simple course shows you powerful techniques to get you started writing fiction...in the style of your favorite writer.
understand the real reasons we love to read fiction (HINT - Immersion!)
learn to Analyse and Synthesise short pieces of writing by top writers
build a toolkit of essential skills for fiction writers including Narrative & Scene, Style & Voice, Inner Monologue & Outer Worldbuilding.
And the best piece of writing advice...EVER!
Part One: Introduction
One of Damien’s students is in love with Sarah J Maas and wants to write just like her. We look at why we love to read fiction - immersion.
Part Two: Analysis
A deep reading of The Court of Thorns and Roses by Sarah J Maas and analysis of her key strengths as a writer.
Part Three: Writing Toolkit
Building a toolkit of writing skills based on the analysis of Sarah J Maas that you can apply to your own fiction writing.
Part Four: Synthesis
Damien writes his own opening chapter based on Sarah J Maas and invites you to learn by completing the exercise of Analysis and Synthesis.
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Damien Walter teaches The Rhetoric of Story and Writing the 21st Century Myth to over 35,000 students worldwide. His stories and non-fiction have been published with the BBC, Guardian, Independent, Oxford University Press, Wired, Buzzfeed and many more.