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Female Cyborg 3d Workflow Art in Cinema 4d, and Photoshop
Rating: 3.6 out of 5(11 ratings)
127 students

Female Cyborg 3d Workflow Art in Cinema 4d, and Photoshop

Learn how to do a 3d concept art in cinema 4d, bodypaint, and photoshop.
Created byArtisan Streamer
Last updated 4/2016
English

What you'll learn

  • Concept and Fully Render a Character in Cinema 4d.
  • Learn Cinema 4d
  • Create Hair and Cloth using Cinema 4d
  • Texture in Body Paint, and Photoshop

Course content

2 sections • 22 lectures • 4h 2m total length

  • Introduction1:16

    Artisan Streamer presents: Thomas King. Thomas is a freelance 3d artist that enjoys painting and creating mostly female 3d characters. His attention to detail is key to his success. In this course you will learn how to use Cinema 4d in your workflow to create a professional clean 3d render.

  • v_1_sculpting base mesh7:49

    Sculpting on a base mesh in Cinema 4d. Using your own base mesh to get a head start on your model.

  • v_2_quick and dirty hair9:15

    Learn how to make hair in Cinema 4d the quick way.

  • v_3_concepting suit9:44

    In this video we will concept the female's suit, cutting in some clean lines into our model

  • v_4 retopo9:04

    In this video we retopologize our suit we concepted in the previous video to give it clean geometry.

  • v_5_2 retopo_0211:06

    In this video we will finish up our retopology.

  • v_6_adding materials_17:23

    In this video we will go over how to add materials in Cinema 4d to our female cyborg character as well as performing light set up and some quick test rendering.

  • v_7_adding materials_210:09

    In this video we will continue adding material and painting our females face in body paint and finally in photoshop.

  • v_8_adding materials_39:26

    In this video we will finish working on getting our females face to look realistic and do some more renders and tweaks.

  • v_9_uvs12:31

    In this video we will work on creating UV's for our character.

  • v_10_hd sculpting 115:33

    In this video we will work on adding final high definition sculpting details on our females face.

  • v_11_hd sculpting 217:44

    In this video we will finish up sculpting the face, and start working on texturing.

  • v_12_skin materials10:18

    In this video we will paint in photoshop on our female face texture sheet and set up skin materials and lighting in cinema 4d.

  • v_13_skin materials_0211:25

    Skin materials finalized.

  • v_14 adding cloth15:00

    In this video we will create the cloth geometry, simulate the cloth, and finally sculpt in the folds.

  • v_15_final render19:35

Requirements

  • Basic Knowledge of what 3d is and how it works
  • . Basic UV and Texturing knowledge.

Description

This course is focused on creating female sci fi concept art in Cinema 4d, Bodypaint, and Photoshop. We will then bring our final model render into photoshop, to work on the final shot. (Note: The female base mesh used in this course comes shipped with Cinema 4d.) You should have some basic knowledge of Cinema 4d and 3d graphics in general, but if you don't there will be a crash course in the bonus section to help you get up to speed. By end of this course you will understand how to:

  • Sculpt in Cinema 4d
  • Create geometry
  • Retopologize your mesh
  • Cloth Simulation in 4d
  • Create hair in Cinema 4d
  • UV's in Cinema 4d
  • Add materials to your mesh in Cinema 4d
  • Texturing in Cinema 4d
  • Texturing in Bodypaint
  • Texturing in Photoshop
  • Rendering in Cinema 4d
  • HDR Setup in Cinema 4d


The last 6 videos of this course will give beginners a crash course into using Cinema 4d. So if you are new to Cinema 4d, the last 6 videos are where to start beginners will learn how to:

  • Set up custom UI
  • Adding geometry to the scene
  • Understand how Cinema 4d's sculpting tools work
  • Rendering
  • Hair Vertex Maps
  • Concepting with polygon pen tool

Who this course is for:

  • Anyone interested in making nice renders for a female sci fi character.
  • Anyone that wants to learn Cinema 4d.

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