
In this lecture, students will be welcomed to the class and we'll walk through what we're going to create and learn in the class.
Here, we'll learn about all the materials we'll need for the class. The materials list is also downloadable and printable in this section, along with the reference photo students will need on hand.
In this lecture, we'll go through how to draw your initial image on canvas with pencil.
Here, we'll learn and practice squeezing out colors, including which colors to start with for this class, how much to squeeze and where, and how to care for your paint tubes.
In this lecture, we'll orient ourselves to a positive mindset for the class in order to have a joyful and relaxing experience.
Here, we'll mix the lightest red for the background and include tips on mixing for success, neatness and accuracy, as well as making enough paint to last the duration of the painting.
In this lecture, we'll mix the medium red for the shadowy areas of the background.
Here, we'll mix the darkest red for the most intense background shadows.
In this lecture, we'll paint in the lightest red in the background, focusing on just getting the color where we see it in a smooth and rich layer.
Here, we'll put the medium red where it appears in the photo.
In this lecture, we'll add the darkest reds to the background, covering the remaining background white space completely.
Here, we'll add plain Titanium White into the lightest red areas to set ourselves up for success in brightening them after our background dries.
In this lecture, we'll go back and blend and adjust as needed while our paint is wet.
Here, we'll mix the very lightest creamy white for the local (or main) color of the eggshell.
In this lecture, we'll mix the light purpley-reddish color for the form (or main) shadow on the eggshell.
Here, we'll mix the dark purpley-greyish-blue core (or darkest) shadow for the eggshell.
In this lecture, we'll mix two versions of dull red for the reflected lights on the bottom left of the eggshell.
Here, we'll paint in all the colors for the first layer of the egg.
In this lecture, we'll blend and adjust all the egg colors we painted in the previous lecture.
Here, we'll walk through how to clean up after a painting session, including how to properly clean, store and care for your brushes to ensure their longevity.
In this lecture, we'll wrap up this painting session by discussing how and where to let your painting dry, and how to tell when it is dry.
Here, we'll orient ourselves to what we're going to do in order to apply the second layer of paint on the egg.
In this lecture, we'll paint the second layer on the eggshell to enhance color richness, opacity, and adjust anything that we weren't satisfied with on the first layer.
Here, we'll orient ourselves to what we're going to do in order to apply the second layer of paint on the background.
In this lecture, we'll enhance the background lights by applying a very transparent coat of red.
Here, we'll enhance the background mediums by applying a second coat of color which will increase opacity and the richness of our color. We'll also adjust any areas we weren't satisfied with in the first layer.
In this lecture, we'll put a second layer of the darkest red in the darkest areas and adjust them as necessary.
Here, we'll enhance the background lights further by removing some of the wet paint.
In this lecture, we'll adjust the background darks as needed.
Here, we'll add the brightest highlight on the eggshell, as well as adjust anything that remains necessary.
In this lecture, we'll talk about how and where to sign your painting if you choose to do so.
Here, we'll enjoy walking through all the techniques we learned and skills we gained today. Thank you so much for joining me on this creative journey.
In this course, we will work from start to finish to create a beautiful, realistic oil painting of an egg on bright red cloth. We will begin by prepping our work area, talking about materials and how to use them, discussing a positive mindset and drawing our image in pencil.
Next, we will mix all our colors for accuracy to match our photographic image and discuss having a good quantity to last between painting sessions, which may be up to a week or more apart. Then we will put our first layers of oil paint on, starting with the background, then moving onto the egg. We will apply the paint on the background in a rudimentary way, then go back and refine and blend the colors. We will do the same with the egg.
From here, we will break for several days to a week or more...as long as it takes for our first layer to completely dry. Then we will apply our second layer for increased opacity and richness of color, as well as a new opportunity to blend and adjust colors, textures and edges as we see fit. Finally, we will make finishing touches, sign our paintings and enjoy the feeling of having new knowledge and experience with this incredibly versatile medium.
Specific skills you will gain in this class are how to:
mix colors to match the colors in a realistic reference
mix enough paint so that you're less likely to run out
manage your palette space for cleanliness and control to limit frustration
create an effective underpainting
layer over your underpainting for richness, opacity and texture
apply paint for different textures
layer oil for richness and texture
create different shadows and highlights
identify different shadows and highlights as they fall on a three-dimensional object
Thank you so much for joining me on this journey. Enjoy!