
Explore key moments in English and American poetry, from early poets to modern voices, through guided readings of poets' lives, representative works, motifs, and discussion questions.
Explore the elements of poetry, including voice, tone, meter, rhyme, imagery, and figurative language. Analyze works by Crane, Plath, Browning, Pound, Dickinson, and Williams to see imagery, symbol, metaphor.
Explore Geoffrey Chaucer's Canterbury tales as a frame narrative that satirizes clergy and social types through a gullible, ironist narrator, anticipating postmodern concerns about storytelling.
The lecture examines Spenser's theoretical asceticism and sensuous garden, revealing the tension between divine nature and mutable life, and its influence on Keats, Coleridge, and Stevens.
Explore Shakespeare's tragedy through the divided mind and negative capability, tracing Hamlet, Lear, and Macbeth to mortality, language, and the theater's stage of fate.
Explore John Donne as inventor of the metaphysical conceit, blending erotic and religious imagery through extended paradoxical metaphors that challenge high and low, sacred and secular in love and devotion.
Marvell's to his coy mistress and the mower as death and lover collide erotic desire with metaphysical reflection, exploring body-soul dialogue, mortality, and the unity of emotion and intellect.
Explore George Herbert's sacred devotion and his place among metaphysical poets, analyzing gustatory imagery, religious and erotic motifs, and the temple's precise conceits in devotional poetry.
Examine Milton's Satan as a tragic hero in Paradise Lost, tracing overreach, doubt, and the epic’s biblical tragedy while comparing to Shakespearean heroes and Milton's Eden imagery.
Explore William Blake's vision of heaven and hell, innocence and experience, and the energy of good and evil, including the tiger and chimney sweeper.
Examine how Samuel Coleridge fuses Christian redemption with diabolical poetics in Kubla Khan and the Rime of the Ancient Mariner, exploring purgatory, imagination, and divine versus satanic energies.
Explore Wordsworth's ambivalent view of nature as nurse and guide, paired with its fallen, historical indifference. Trace how memory and self-conscious poetry expose nature as healing yet mirage.
Shelley dramatizes destructive-creative energy and disillusionment through skylark, west wind, and triumph of life, framing art as both destroyer and preserver.
Keats explores the priesthood of the mortal world by staging the tension between immortality and transience, via ode to a nightingale, negative capability, and the sensuous eve of st. agnes.
Byron's Don Juan uses postmodern irony, pairing a sharp rhyme scheme with narrative conflict to explore eros, satire, and the tension between form and content.
Analyze the lady of Charlotte as a solipsistic artist archetype, contrasting Wordsworth and Shakespeare, and linking the poem’s tears and melancholy to Freud’s psychology and Keats’s negative capability.
Examine Robert Browning's dramatic monologue and the atomized self shaping psychological portraiture. Analyze how the poems reveal moral hypocrisy, self-deception, and the conflict between art and duty.
Explore Thomas Hardy’s fatalistic outlook against the dark Dorset landscape, and examine decline of religious faith and the darkling thrush as a counterpoint to despair.
W. B. Yeats evolves from a romantic lyricist to an occult visionary, merging Irish myth, symbolist imagery, and modernist craft to explore art, mysticism, and civilization.
Explore how T. S. Eliot turns past fragments into a modern myth through fragmentation and intertexts, shaping Prufrock, Waste Land, and Four Quartets with allusions to Dante and Shakespeare.
Discover Dylan Thomas's cosmic significance of human anatomy, where the unity of life and death unfolds through nature imagery, romantic language, and a perverse form such as Villanelle.
Explore how Walt Whitman, the great unifier, redefines the self as a cosmic multitudes in Leaves of Grass, uniting body and soul through democracy, openness, and eastern and western influences.
Explore Emily Dickinson's poetry through anxiety, nothingness, and the experience of being, as the speaker confronts mortality, the open, and pure being, with dashes, auditory imagery, and intimate landscapes.
Explore how Ezra Pound redefines poetry by treating translation as invention, forging modern poetics through imagism, free verse cantos, and cross-cultural juxtapositions from Chinese, Japanese, and classical sources.
Explore Marianne Moore's modernist collage of allusions that satirizes marriage and treats borrowed language and imagery as the raw materials of poetry.
William Carlos Williams shifts from European modernism to a distinctly American poetics, rejecting Pound’s Eurocentric stance, embracing direct, everyday life in verse, and experimenting with meter.
Elizabeth Bishop’s poetry juxtaposes the quotidian and the catastrophic with precise, fantastic imagery. The lecture explores how everyday scenes, like waiting rooms and urban landscapes, carry moral and emotional undertones.
Wallace Stevens shows imagination replacing God, shaping reality. He tests this through the snow man, the emperor of ice cream, and the idea of order at Key West.
Explore Robert Frost's traditional folklore and hidden vision of darkness, his modern, spoken-language style, and the ambiguity and irony shaping universal themes in New England.
Explore Robert Bly's underground imagery and taoist poetics, highlighting eastern philosophy, archetypes, buddhism, and the dance of death, destruction, and rebirth in his nature-infused poetry.
Allen Ginsberg's manifesto of the Beat Generation channels Whitman, jazz rhythm, and countercultural revolt to celebrate free speech, visionary consciousness, and raw, candid poetry.
Robert Lowell's confessional poetry, shaped by a Calvinist outlook and private turmoil, confronts death and sin through Edwardsian imagery and spider motifs.
Explore Sylvia Plath's affinity with Edward Munch's symbolist painting, as the lecture links black and white and red and black to mindscape, emotion, and the transformative power of poetry.
Explore how Merwin's poems embody eastern philosophy and politics, synthesizing the 'third body' of man and nature, and conflating poetic and cosmic origin with attitudes toward death.
This course is based on a graduate course I taught in America and in China. It provides a guide reading to 32 major English and American poets. It can be used by both advanced undergraduate and graduate students, and poetry-lovers for learning English and American poetry at great depth and with considerable breadth. It meets the 11-week graduate course schedule, with a unit of about three poets taught in one week. The first part of the book is introduction to the elements of poetry: voice, rhyme and meter, image, choice of words, sentence diction, structure, figure of speech, etc. The second part is on English poets, including Chaucer and Elizabethan poets Spenser and Shakespeare, Metaphysical poets such as Donne, Herbert, Marlowe, Romantic poets such as Blake, Wordsworth, Coleridge, Byron, Shelley and Keats, late Victorian poets Tennyson and Hardy, modernist British poets such as Yeats, Eliot, and Dylan Thomas. The third part is on American poets, including 19th century poets Whitman and Dickinson, early 20th century modernist poets Ezra Pound, Marianna Moore, William Carlos Williams, Elizabeth Bishop, Wallace Stevens, the traditionalist Robert Frost and underground imagery poet Robert Bly, Beat generation poet Allen Ginsberg, Confessional Poets Robert Lowell and Sylvia Plath, and the recently deceased poet laureate W.S. Merwin. On the study of poets, there are usually three sections: the first section provides preliminary discussion questions on the poets, so the learners can have these questions on mind when watching the lecture, and this part is also the practice part of the lecture. The second section provides a general introduction and analysis of the poet’s life and work, the third section includes selective reading of their representative poems and detailed guide reading of each poem.
In the study of each poet, besides the general introduction and analysis, there is usually a highlighted motif about that poet, as indexed below:
Section I
Introduction of the Course
Elements of Poetry
Section II
English Poets
Chaucer, Spenser and Shakespeare
1. Geoffrey Chaucer: Implicit Ironist and Gullible Appreciator of All Vitality
2. Edmund Spenser: Theoretical Asceticism and Sensuous Garden
3. William Shakespeare: Tragedy, Divided Mind and Negative Capability
Metaphysical Poets and John Milton
4. John Donne: The Inventor of Metaphysical Conceit
5. Andrew Marvell: The Mower as Death and Lover
6. Herbert: The Banquet of Sacred Devotion
7. John Milton: Satan as the Tragic Hero
Early Romantic Poets
8. William Blake: The Visionary Marriage of Heaven and Hell
9. Coleridge: Christian Redemption and Diabolical Poetics
10. William Wordsworth: Divinized and Fallen Nature
Later Romantic Poets
11. Percy Shelly: Rhapsody of Destructive-Creative Energy and Disillusionment with Rousseaurian Nature
12. John Keats: Priesthood of the Mortal World
13. George Gordon Byron: The Ingenious Ironist and the Postmodern Text of Don Juan
Late Victorian Poets: Tennyson, Browning and Hardy
14. Alfred Lord Tennyson: The Melancholy of Solipsistic Artist
15. Robert Browning: Dramatic Monologue and Atomized Self
16. Thomas Hardy: The Tragedy of Will-to-Live
Early 20th Century Modernists: Yeats, Eliot and Dylan Thomas
17. W.B. Yeats: From the Romantic Lyricist to the Occult Visionary
18. T.S. Eliot: Making Past Fragments into Modern Myth
19. Dylan Thomas: The Cosmic Significance of Human Anatomy
Section III
American Poets:
Whitman and Dickinson
1. Walt Whitman: The Great Unifier and Cosmic Self
2. Emily Dickinson: Anxiety, Nothingness and Being
Early 20th Century Modernists
3. Ezra Pound: Translator as Inventor of Modern Poetics
4. Marianna Moore: "Real Toad in an Imaginary Garden"
5. William Carlos Williams: From European Modernist Art to a New American Poetics
6. Elizabeth Bishop: The Juxtaposition of the Quotidian and the Catastrophic, the Precise and the Fantastic
Stevens, Robert Frost and Robert Bly
7. Wallace Stevens: The Necessary Angel of Imagination vs Zen Poetics
8. Robert Frost: Traditional Folklore and Hidden Vision of Darkness
9. Robert Bly: The Underground Imagery and Taoist Poetics
The Beat Generation, Confessional Poets and Merwin
10. Allen Ginsberg: Manifesto of the Beat Generation
11. Robert Lowell: Confessional Life study and Calvinist Outlook
12. Sylvia Plath: Affinity with Edward Munch's Symbolist Painting
13. W.S. Merwin: Taoist and Zen Buddhist Influence and “The Third Body” Sensibility