
An overview of the content and the skills you will learn in this course.
In this video you are taken step by step through a demonstration of the compass and straight egde construction of an eightfold composition. Use the step by step pdf file (attached to this lecture as a resource) to help you through its stages.
Equipment needed: Paper, 2H pencil, compass, ruler, eraser, fineliners or colouring pencils/pens
For a final piece, you may want to redraw the pattern at a different scale in order to tile it. This lecture will help you plan this final piece, by showing you the options and calculations needed.
No equipment needed.
In this lecture, I demonstrate how to trace the pattern.
Equipment: The original construction, tracing paper, masking tape, ruler and a sharp 2B pencil.
In this lecture, I demonstrate how to transfer the pattern to watercolour paper (I use 300gsm rough paper)
Equipment: The traced pattern on tracing paper, masking tape, watercolour paper, ruler, a sharp 2B pencil and spoon.
In this lecture, I demonstrate how you can use a range of watercolour pencils and aqua brush to add colour creating a final piece with a softer finish.
Equipment: Transferred pattern on watercolour paper, watercolour pencils, aquabrush and tissue.
In this video you are taken step by step through a demonstration of the compass and straight egde construction of second eightfold composition. Use the step by step pdf file (attached to this lecture as a resource) to help you through its stages.
Equipment needed: Paper, 2H pencil, compass, ruler, eraser, fineliners or colouring pencils/pens
In this lecture, I demonstrate how to trace the pattern.
Equipment: The original construction, tracing paper, masking tape, ruler and a sharp 2B pencil.
In this lecture, I demonstrate how to use the original pattern/tracing of outline to create a weave on tracing paper.
Equipment: The original construction/outlined pattern, tracing paper, masking tape, ruler, eraser and a sharp 2B pencil, plain paper.
In this lecture, I demonstrate how to transfer the pattern to watercolour paper (I use 300gsm rough paper). By repeatedly transferring it we can create a fuller final piece.
Equipment: The traced pattern on tracing paper, masking tape, watercolour paper, ruler, a sharp 2B pencil and spoon.
In this lecture, I begin the process of adding colour - using watercolour paints. The first stage is applying a wash.
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes and pot of water
In this lecture, I prepare the watercolour.
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes and pot of water
In this lecture, I paint the pattern using watercolour paints.
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes and pot of water
In this lecture,we complete the final piece by checking the piece and making final touches. Then add a metallic outline to create a 3D effect
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes, pot of water, metallic pen and ruler.
In this video you are taken step by step through a demonstration of the compass and straight egde construction of the third eightfold composition. Use the step by step pdf file (attached to this lecture as a resource) to help you through its stages.
Equipment needed: Paper, 2H pencil, compass, ruler, eraser, fineliners or colouring pencils/pens
In this lecture we look at options for the final piece, choosing the shape to be outlined or choosing to tile it with a square unit tile.
No equipment needed.
In this lecture, I demonstrate how to transfer the pattern to watercolour paper (I use 300gsm rough paper).
Equipment: The traced pattern on tracing paper, masking tape, watercolour paper, ruler, a sharp 2B pencil and spoon.
In this lecture, I paint the pattern using watercolour paints - going for a more intense finish with the same watercolours.
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes and pot of water
In this video you are taken step by step through a demonstration of the compass and straight egde construction of the forth and eightfold composition. Use the step by step pdf file (attached to this lecture as a resource) to help you through its stages.
Equipment needed: Paper, 2H pencil, compass, ruler, eraser, fineliners or colouring pencils/pens.
In this lecture, I demonstrate how to trace the whole pattern.
Equipment: The original construction, tracing paper, masking tape, ruler and a sharp 2B pencil.
In this lecture, I demonstrate how to trace a quarter of the pattern.
Equipment: The original construction, tracing paper, masking tape, ruler and a sharp 2B pencil.
In this lecture, I demonstrate how to transfer the pattern to watercolour paper (I use 300gsm rough paper)
Equipment: The traced pattern on tracing paper, masking tape, watercolour paper, ruler, a sharp 2B pencil and spoon.
In this lecture, I demonstrate how to transferand tile the pattern to watercolour paper (I use 300gsm rough paper)
Equipment: The traced pattern on tracing paper, masking tape, watercolour paper, ruler, a sharp 2B pencil and spoon.
In this lecture, I demonstrate how to transfer and tile the pattern to watercolour paper (I use 300gsm rough paper)
Equipment: The traced pattern on tracing paper, masking tape, watercolour paper, ruler, a sharp 2B pencil and spoon.
In this lecture, I demonstrate how we can begin with an outlined pattern before we add colour.
Equipment: The transferred pattern, ruler and waterproof fine outliner pen in sepia, black or dark brown.
In this lecture, I paint the pattern systematically using watercolour paints using shades of green and blue.
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes and pot of water
In this lecture,we complete the final piece by checking the piece and making final touches. Then add a metallic outline to create a 3D effect
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes, pot of water, metallic pen and ruler.
In this lecture, I paint the pattern systematically using watercolour paints.
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes and pot of water
In this lecture,we complete the final piece by checking the piece and making final touches. Then add a metallic outline to create a 3D effect
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes, pot of water, metallic pen and ruler.
In this lecture, I paint the pattern systematically using watercolour paints.
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes and pot of water
In this lecture,we complete the final piece by checking the piece and making final touches. Then add a metallic outline to create a 3D effect
Equipment: Transferred pattern on watercolour paper, tissue, watercolour paints, pipette, palette, brushes, pot of water, metallic pen and ruler.
In each of the four Sections you will learn to construct a different Islamic Geometric Pattern using a compass and ruler.
Section 2: An Itimud Ud Daula Pattern - The Mausoleum Walls
Section 3: A Bou Inania Pattern - The Wooden Jaali
Section 4: An Alhambra Pattern - The Static Geometric Rosette Variation
Section 5: A Moroccan Pattern - The Classic Zellige
These patterns each have a different underlying grid all based on one circle being divided into eight. Once the pattern is constructed, you will see how to trace, transfer and tile the pattern in to a bigger composition.
I will also provide alternative tilings and variations so that you can create a final composition of your choice. I will complete each unit by showing you how I use watercolour pencils and paints on watercolour paper to create a final colourful composition for each unit.