
Ear training links applied theory to real music by identifying chords and melodies, boosts sight reading and instrument playing, and teaches practical listening techniques without requiring perfect pitch.
Join a candid ear training course that blends hard-won techniques from personal struggle with common teaching methods, recognizing that ear training is hard and requires persistent practice.
Explore what perfect pitch is and why myths surround it. Discover that you don’t need it; the course emphasizes relative pitch and language pitch differences.
Learn to use a metronome to hear the beat and downbeats, practice rhythms at slow to fast tempos, and distinguish notes on the beat from those between beats across meters.
Discover practical ways to find and use melodies for ear training, from simple note-based exercises and sight-singing drills to MuseScore files and progressive practice packs.
A two-person practice game trains ear by identifying intervals and notes from a starting C, then expanding to two notes and chromatic/notation challenges.
Review notation basics for ear training, including treble clef, time signatures, diatonic keys with flats and sharps, rests, and identifying and writing rhythms from whole to sixteenth notes on piano.
Learn to transcribe rhythms by hand, focusing on quarter notes and half notes without regard to pitch. Use staff paper and pencil to map meter and rhythms, sharpening ear training.
learn to add whole notes that fill an entire bar in four-bar rhythms, identify a whole note with three x's, and note that there are no rests or ties yet.
Practice with quarter notes, half notes, and whole notes in treble clef across five measures, listen in sequence, count in, and fill the last measure on the third listening.
Develop ear training and aural skills by adding eighth notes, locating on-beat notes and notes between beats, marking them with X for no note and a tick for a note.
Enhance rhythm ear training by practicing four bars in 4/4 using quarter notes, half notes, and eighth notes on treble clef, with a metronome guiding three listening attempts.
practice identifying rhythmic patterns by listening for a pattern, writing it down, and then confirming with a third listen, focusing on eighth notes and quarter notes.
Listen for patterns beat by beat to recognize repeating sequences in rhythms, then write and copy the pattern across all bars, reinforcing this approach with pitch patterns.
Practice writing the rhythm in treble clef across five bars with a metronome, counting each bar, and repeat through three iterations to sharpen rhythmic transcription.
Push through difficulty with daily practice and patience. Learn to identify what to listen for and build skills step by step, covering 16th notes, triplets, and meters for ear training.
Count the beat to tag on-beat events, count eighth notes with 'and', sixteenth notes with 'one e and a', and practice rhythms by feeling the pulse.
Practice ear training by tracing shifting rhythm patterns that begin with four 16th notes and progress toward longer values, counting across beats and downbeats to internalize timing and phrasing.
Practice four bars in the treble clef using only quarter notes and eighth-note triplets. Focus on ear training in rhythms, avoiding eighth, half, and sixteenth notes, with pauses between listen-throughs.
Analyze rhythm patterns across bars that vary quarter notes, eighth notes, and sixteenth notes, and identify triplets and conflicting rhythms to strengthen ear training.
Explore how the pulse defines meter in four four, three four, five four, and six eight, and how to track and notate rhythms.
practice in six eight rhythms focused on dotted quarter notes and eighth notes in treble clef, with optional sixteenth notes, across five bars to sharpen ear training and aural skills.
100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor.
Are you a music maker, performer, composer, or aspiring songwriter looking to up your game? This is the place to start.
Ear Training and Aural Skills is the practice of learning to play music by ear, learning to notate music by ear, and learning to understand music on a deeper level just by hearing it. In this class we are going to learn techniques for listening, analyzing, and notating music (writing it down) just by listening. Perfect Pitch is not required.
If you don't know me, I've published a lot of music theory classes here. Those classes have been really successful, and the number one request I've been getting from students is to make an Ear Training sequence of classes. So here it is! This series will have 6 parts:
Part 1: Rhythms
Part 2: Diatonic Intervals
Part 3: Melodies
Part 4: Diatonic Harmony
Part 5: Chromatic Melodies
Part 6: Chromatic Harmony
Each of these classes comes with about 4 hours of training, and a LOT of things to practice with. And of course, access to me with any questions you have at any time.
Here is a list of some of the topics we will cover:
Why Do We Care about Ear Training?
The Myth of Perfect Pitch
Relative Pitch
"True Pitch"
Using a Tuner and Metronome
Dictation Practice Quizzes
Notating Rhythms in 4/4, 3/4, and 2/4
Working with Pitch
Adding in Rests and Ties
Adding in 16th Notes
Notating Rhythms in 3/8, 6/8, and 9/8
Adding in Triplets
A whole lot of things to practice with!
And Much, Much, More!
My Promise to You:
I am a full-time Music composer and Educator. If you have any questions please post them in the class or send me a direct message. I will respond within 24 hours. And if you find this class isn't for you, I am more than happy for you to take advantage of the 30-day money-back guarantee. No questions asked.
What makes me qualified to teach you?
In addition to being a composer and educator, I also have a Ph.D. in music, I am a university music professor, and have a long list of awards for teaching.
But more importantly: I use this stuff every day. I write music professionally, I am an active guitarist, and I stay on top of all the latest techniques, workflows, and styles. As you will see in this class, I just love this stuff. And I love teaching it.
You will not have another opportunity to learn Ear Training in a more comprehensive way than this.
Let's get started!
See you in lesson 1.
All best,
Jason (but call me Jay...)