
Develop your rhythms and dictation skills through daily practice, building relative pitch to hear, play, and write music quickly.
Explore ear training, aural skills, and dictation, focusing on recognizing sounds, identifying chords and melodies, and writing rhythms and pitch using traditional notation.
Ear training links applied theory to real music by identifying chords and melodies, boosts sight reading and instrument playing, and teaches practical listening techniques without requiring perfect pitch.
Master dictation by applying basic notation, recognizing intervals and triad harmony in diatonic major and minor keys, with focus on notes and rhythms.
Ear training is a skill that takes practice, like exercising the ear and brain muscles, so set a five-minute dictation goal and use the techniques taught here to build skill.
Join a candid ear training course that blends hard-won techniques from personal struggle with common teaching methods, recognizing that ear training is hard and requires persistent practice.
Explore what perfect pitch is and why myths surround it. Discover that you don’t need it; the course emphasizes relative pitch and language pitch differences.
Develop relative pitch by using a reference pitch to identify other notes, practiced through dictation exercises; focus on relative pitch, not perfect pitch, and improve with sustained practice.
Explore true pitch, a guitar-specific ability grounded in timbre rather than universal pitch. Learn to identify notes and chords by sound and develop relative pitch for dictation.
Learn practical, technology-assisted methods to verify rhythm accuracy in an online ear training course, including how to know when you are right and where you went wrong.
Focuses on rhythms in the first class, introduces practice tools, and outlines a multi-class plan, with pitch topics reserved for future videos.
Use a chromatic tuner to identify single pitches with apps like Detune on your phone; if a melody note is hard to hear, sing it and check with the tuner.
Use MuseScore as a full notation tool for ear training: play melodies, write them down, and verify with online files via the free desktop version, with tablet playback as needed.
Discover tablet music notation apps, with Notion for full composition on a tablet, and explore other readers like MuseScore, focusing on apps that provide a music database for easy practice.
Learn to use a metronome to hear the beat and downbeats, practice rhythms at slow to fast tempos, and distinguish notes on the beat from those between beats across meters.
Practice ear training with a melody a day, writing down tunes and comparing them to identify major and minor melodic intervals, using a book of melodies for daily work.
Discover practical ways to find and use melodies for ear training, from simple note-based exercises and sight-singing drills to MuseScore files and progressive practice packs.
A two-person practice game trains ear by identifying intervals and notes from a starting C, then expanding to two notes and chromatic/notation challenges.
Review notation basics for ear training, including treble clef, time signatures, diatonic keys with flats and sharps, rests, and identifying and writing rhythms from whole to sixteenth notes on piano.
Learn to transcribe rhythms by hand, focusing on quarter notes and half notes without regard to pitch. Use staff paper and pencil to map meter and rhythms, sharpening ear training.
Practice your rhythm dictation skills with a guided quiz focusing on quarter notes and half notes, using a metronome and MuseScore to listen three times and write the rhythm.
Mark a treble clef and four bars in 4/4. Listen for downbeats to align notes and then transcribe rhythms with quarter notes and half notes, refining with cleaner notation.
Mark the downbeat and on-beat notes, then identify gaps for rests to align notation with quarter and half notes. Practice with MuseScore and smoosh these steps into one motion.
Practice rhythmic ear training with a three-pass method that emphasizes downbeats, beat alignment, and thorough double-checking for half and quarter notes.
Listen to a treble-clef rhythm exercise with a one-bar count-in and metronome, hearing the piece three times to analyze downbeats and missing notes, pausing as needed.
The instructor demonstrates a rhythm transcription technique for ear training, using slash marks for heard notes and x's for rests, then converts to half and quarter notes in 4/4.
learn to add whole notes that fill an entire bar in four-bar rhythms, identify a whole note with three x's, and note that there are no rests or ties yet.
Practice with quarter notes, half notes, and whole notes in treble clef across five measures, listen in sequence, count in, and fill the last measure on the third listening.
practice rhythm transcription by listening for notes and rests, using slashes and x's to map five-bar measures, and identifying whole, half, quarter notes, and adding eighth notes.
Develop ear training and aural skills by adding eighth notes, locating on-beat notes and notes between beats, marking them with X for no note and a tick for a note.
Enhance rhythm ear training by practicing four bars in 4/4 using quarter notes, half notes, and eighth notes on treble clef, with a metronome guiding three listening attempts.
Identify rhythmic patterns by listening for recurring bars and using the x's and ticks method, then focus on two-bar patterns to simplify four-bar phrases and notice eighth-note groupings.
practice identifying rhythmic patterns by listening for a pattern, writing it down, and then confirming with a third listen, focusing on eighth notes and quarter notes.
Listen for patterns beat by beat to recognize repeating sequences in rhythms, then write and copy the pattern across all bars, reinforcing this approach with pitch patterns.
Learn to transcribe rhythm over melody, ignoring pitch to sharpen rhythm recognition, using a single pitch to reveal repeating patterns in familiar tunes like Mary had a little lamb.
Practice with pitch engages treble-clef five-measure drills, a metronome throughout, and guided listening numbered sessions to reinforce pitch perception while keeping the answer hidden.
Explore how to listen for repeating rhythms, recognize patterns like two eighth notes followed by a quarter note, and identify cadence and end patterns in melodies through practical ear training.
Practice writing the rhythm in treble clef across five bars with a metronome, counting each bar, and repeat through three iterations to sharpen rhythmic transcription.
Explore rhythm clues to analyze bar-by-bar rhythm patterns; learn to identify misplacements of eighth notes, focus on downbeats, and verify your rhythm after listening.
Count through rhythms to locate the true downbeats, identify beat three as anchor points, and practice with eighth notes, rests, and ties toward more complex patterns.
Advance ear training and aural skills by identifying rests and ties in rhythms, focusing on attack and pulses on beats one to four, using dots, ticks, and xs for rests.
Practice rhythm reading in treble clef, identifying three tied notes and three half notes, and notating rhythms with half, quarter, eighth, and whole notes, recognizing patterns and repeating measures.
Analyze rhythm patterns across measures, noting ties, rests, and note values like half notes and quarter notes; the lesson introduces odd rhythms and then adds pitches while focusing on rhythm.
Practice with pitch emphasizes identifying notes on the beat, recognizing rests and tied notes within four bars in treble clef to strengthen rhythmic pitch perception.
Walks through bar-by-bar rhythm exercises, identifying quarter notes on the beat, off beat eighth notes, and syncopation, and explains notating with ties or rests.
Practice with pitch by listening for downbeats and tied notes, noting beats with the metronome, while the melody rises and falls across five measures in four four.
Analyze rhythm patterns bar by bar, recognizing quarter notes, eighth notes, ties, rests, and mirror-image sections to train your ear, noting how leaps, off-beat notes, and leading tones guide resolution.
Push through difficulty with daily practice and patience. Learn to identify what to listen for and build skills step by step, covering 16th notes, triplets, and meters for ear training.
Identify four 16th-note rhythmic patterns—four 16th notes; two 16th notes plus an eighth; one eighth plus two 16th notes; and 16th note–eighth note–16th note—and practice recognizing them to notate rhythms.
Count the beat to tag on-beat events, count eighth notes with 'and', sixteenth notes with 'one e and a', and practice rhythms by feeling the pulse.
Practice focuses on rhythm transcription using quarter notes, 16th notes, and a single half note across four bars in treble clef; you’ll write the rhythms.
Practice ear training by tracing shifting rhythm patterns that begin with four 16th notes and progress toward longer values, counting across beats and downbeats to internalize timing and phrasing.
Practice your ear by listening for four 16th-note patterns, hearing each once in the melody, then slow the tempo and catch the next downbeat if you lose focus.
Explore rhythm patterns built from quarter, eighth, and sixteenth notes, count with one e and a, listen to the rhythm, and practice catching the downbeat before adding triplets.
Master how triplets compress three notes into the space of two, focusing on eighth-note triplets, counting, offbeat placement, and patterns that speed up within a beat.
Learn how to count triplets using unique syllables like 'tito' to reveal the four against three rhythm and create intentional rhythmic tension.
Practice four bars in the treble clef using only quarter notes and eighth-note triplets. Focus on ear training in rhythms, avoiding eighth, half, and sixteenth notes, with pauses between listen-throughs.
Analyze how the first two bars repeat, then explore multiple triplet groups leading to a high C, and practice mixing triplets with eighth and sixteenth notes in a melody.
Engage in a challenging practice that blends triplets, 16th notes, eighth note triplets, eighth notes, quarter notes, and a half note across four bars in four-four time, with tempo adjustments.
Analyze rhythm patterns across bars that vary quarter notes, eighth notes, and sixteenth notes, and identify triplets and conflicting rhythms to strengthen ear training.
Explore how the pulse defines meter in four four, three four, five four, and six eight, and how to track and notate rhythms.
Learn how eight-note meters use the eighth-note pulse and the dotted quarter note big pulse in six-eight, nine-eight, and twelve-eight, with anchors at one and four and metronome subdivision.
Engage in a hands-on practice session for the six eight rhythm, focusing on dotted quarter notes aligned with a metronome while hearing multiple attempts in treble clef.
Learn to identify and notate rhythms in six over eight, recognizing dotted quarter notes and potential triplets, and distinguish six over eight from four four in dictation contexts.
practice in six eight rhythms focused on dotted quarter notes and eighth notes in treble clef, with optional sixteenth notes, across five bars to sharpen ear training and aural skills.
Identify the rhythm by focusing on the big beats and the dotted quarter note, and recognize the repeating bar pattern four, five six one two three four for practice.
100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor.
Are you a music maker, performer, composer, or aspiring songwriter looking to up your game? This is the place to start.
Ear Training and Aural Skills is the practice of learning to play music by ear, learning to notate music by ear, and learning to understand music on a deeper level just by hearing it. In this class we are going to learn techniques for listening, analyzing, and notating music (writing it down) just by listening. Perfect Pitch is not required.
If you don't know me, I've published a lot of music theory classes here. Those classes have been really successful, and the number one request I've been getting from students is to make an Ear Training sequence of classes. So here it is! This series will have 6 parts:
Part 1: Rhythms
Part 2: Diatonic Intervals
Part 3: Melodies
Part 4: Diatonic Harmony
Part 5: Chromatic Melodies
Part 6: Chromatic Harmony
Each of these classes comes with about 4 hours of training, and a LOT of things to practice with. And of course, access to me with any questions you have at any time.
Here is a list of some of the topics we will cover:
Why Do We Care about Ear Training?
The Myth of Perfect Pitch
Relative Pitch
"True Pitch"
Using a Tuner and Metronome
Dictation Practice Quizzes
Notating Rhythms in 4/4, 3/4, and 2/4
Working with Pitch
Adding in Rests and Ties
Adding in 16th Notes
Notating Rhythms in 3/8, 6/8, and 9/8
Adding in Triplets
A whole lot of things to practice with!
And Much, Much, More!
My Promise to You:
I am a full-time Music composer and Educator. If you have any questions please post them in the class or send me a direct message. I will respond within 24 hours. And if you find this class isn't for you, I am more than happy for you to take advantage of the 30-day money-back guarantee. No questions asked.
What makes me qualified to teach you?
In addition to being a composer and educator, I also have a Ph.D. in music, I am a university music professor, and have a long list of awards for teaching.
But more importantly: I use this stuff every day. I write music professionally, I am an active guitarist, and I stay on top of all the latest techniques, workflows, and styles. As you will see in this class, I just love this stuff. And I love teaching it.
You will not have another opportunity to learn Ear Training in a more comprehensive way than this.
Let's get started!
See you in lesson 1.
All best,
Jason (but call me Jay...)