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Ear Training Masterclass: Learn Music By Ear (Parts 1-3)
Bestseller
Rating: 4.7 out of 5(523 ratings)
6,732 students

Ear Training Masterclass: Learn Music By Ear (Parts 1-3)

Hear it. Identify it. Write it down. The complete ear training course for musicians who want to stop guessing.
Last updated 5/2026
English

What you'll learn

  • Notate rhythms by ear in 4/4, 3/4, 2/4, 6/8, 9/8, and 3/8 — including rests, ties, 16th notes, and triplets
  • Identify every diatonic interval by ear, both melodically (one note after another) and harmonically (both notes at once)
  • Take melodic dictation — hear a phrase and write it down accurately
  • Distinguish between commonly confused interval pairs (the ones that trip everyone up)
  • Use proven recognition techniques: familiar melodies, colors, numbers, textures — whatever sticks for your brain
  • Understand what Perfect Pitch actually is (and why you don't need it) versus the Relative Pitch every working musician uses
  • Build a daily ear training practice with hundreds of exercises and answer keys

Course content

38 sections284 lectures13h 8m total length
  • Introduction2:30
  • What is Ear Training?3:23

    Learn what ear training is, focusing on dictation and aural skills: hear chords and melodies, identify them, and write them down with traditional notation.

  • Why Do We Care About Ear Training?3:57

    Discover how ear training complements music theory and strengthens sight-reading across instruments. Learn practical techniques to hear, identify, and transcribe chords and melodies by ear, without perfect pitch.

  • What is Dictation?2:17

    Learn dictation basics by reviewing essential music notation, intervals, and diatonic triad harmony in major and minor keys, with emphasis on notes and rhythms.

  • This is a Skill that Takes Practice!2:48
  • My Tortured History with Ear Training2:12

Requirements

  • Basic music notation literacy (you can read a treble clef and identify note names and basic rhythms)
  • Basic music theory (major/minor scales, intervals by name)
  • Any instrument is fine — or no instrument at all; this is about your ears, not your hands

Description

You hear a melody. You want to play it. You can't.

Or you can play it, but you couldn't tell someone why it works.

Or you can tell them why — but if I played you two intervals back-to-back, you'd freeze.

Ear training is the skill that closes all three of those gaps. It's the difference between a musician who can copy what they hear and a musician who can understand what they hear and then do something new with it.

This course is the complete Parts 1, 2, and 3 of my ear training sequence — bundled into one masterclass.

What you'll be able to do by the end:

  • Notate rhythms by ear in any common time signature, including 16th notes, triplets, and compound meters (6/8, 9/8, 3/8)

  • Identify every diatonic interval by ear — both melodic and harmonic

  • Take dictation on melodies — write down what you hear, accurately

  • Tell the difference between commonly confused intervals (the ones that trip everyone up)

  • Use practical recognition techniques: familiar melodies, colors, numbers, textures — whatever sticks for your brain

What's actually in here:

  • Part 1: Rhythms. Notating rhythms in 4/4, 3/4, 2/4, plus 6/8, 9/8, 3/8. Rests, ties, 16ths, triplets.

  • Part 2: Diatonic Intervals. Major, minor, perfect — recognition systems that actually work.

  • Part 3: Melodies. Taking dictation on full melodic phrases, not just isolated notes.

  • Hundreds of practice exercises with answer keys. This is the part most ear training courses skip.

A note on Perfect Pitch:

You don't have it. Almost no one does. You don't need it. We use relative pitch — the same thing every working musician uses — and it's a learnable skill.

Why this course:

  • Practice, not just theory. Hundreds of exercises. You will get reps.

  • All three parts in one place. No upselling you to "Part 2" later.

  • 30-day money-back guarantee. If it's not working for you, get a refund. No questions.

  • I answer every question posted in the class, within 24 hours. Not a TA. Me.

Who I am:

Hi, I'm Jay. I'm a tenured university music professor with a Ph.D. in Music. I'm also a working composer and an active guitarist — so I use this stuff every day, in real situations, not just on a whiteboard. My theory and ear training courses have around a million students and a 4.7+ average rating.

Who this is for:

Musicians, songwriters, producers, performers, composers, and theory students who are tired of "almost" hearing the music. If you've taken (or are about to take) a college aural skills class — this is the most efficient way to get ahead of it.

Let's train your ears.

See you in Lesson 1. — Jay

Who this course is for:

  • Musicians, songwriters, and producers who want to play and write down what they hear
  • Performers and composers preparing for (or taking) a college aural skills or music theory course
  • Self-taught musicians who can play but can't yet transcribe the music they love
  • Students who've completed a music theory course and want to lock those concepts in through listening
  • Classical, jazz, and contemporary musicians at any level who want stronger relative pitch
  • Anyone who's ever heard a melody, wanted to play it back, and couldn't