
Learn what ear training is, focusing on dictation and aural skills: hear chords and melodies, identify them, and write them down with traditional notation.
Discover how ear training complements music theory and strengthens sight-reading across instruments. Learn practical techniques to hear, identify, and transcribe chords and melodies by ear, without perfect pitch.
Learn dictation basics by reviewing essential music notation, intervals, and diatonic triad harmony in major and minor keys, with emphasis on notes and rhythms.
Relate each note to a reference pitch to identify intervals and melodies through practice in dictation tests, focusing on relative pitch rather than perfect pitch.
Explore true pitch, a guitar-based form of pitch recognition, and contrast it with perfect pitch; learn how timbre and relative pitch support chord identification and dictation practice.
Use a chromatic tuner to detect single pitches, with apps like Detune by D’Addario. Note that it's not ideal for fast melodies, but handy for identifying notes by singing.
Learn to use a tablet or phone for music notation and practice with apps like Notion and MuseScore, prioritizing a database of music to play with.
Use a metronome to hear the beat and emphasize the downbeat in four-four time. Practice tempo and note values, from eighths to sixteenths and triplets, using apps or devices.
Develop your ear training and aural skills by practicing a melody a day, using a melody book to write down tunes and identify intervals like major and minor thirds.
Find simple melody books or note sheets, play measures, and write them down to strengthen ear training. Use MuseScore files, repeat drills, and avoid memorization while anticipating future practice packs.
Practice identifying downbeats, on-beat notes, and rests in quarter- and half-note patterns, using MuseScore to verify notation and streamline steps into one motion.
The instructor demonstrates an ear training exercise by converting heard notes into slash and x notation, then reconstructing rhythms into half and quarter notes across four bars.
Add whole notes to fill each bar, using four-bar phrases indicated by three x's in a row, with no rests or ties for now, practicing simple rhythms.
Practice rhythm transcription by mapping five-bar measures, identifying whole, half, and quarter notes, and noting when to complete a bar; anticipate adding eighth notes.
Add eighth notes by subdividing quarter notes and listening for notes on and between beats. Use X for no note and a tick for a note between beats.
Practice identifying repeating patterns beat by beat to improve aural skills and pitch recognition, then write the pattern in the treble clef over four bars and copy it to confirm.
Transcribe the rhythm of a melody in treble clef across five bars, using a metronome and repeated passes to reinforce ear training and pattern recognition.
Focus on rhythm notation across measures, ties, rests, and note values, including odd rhythms, and plan to address pitch with actual melodies later.
Practice with pitch by listening for notes on and off the beat, identifying rests and tied notes across four treble clef bars, to sharpen ear training and aural skills.
Practice with pitch sharpens ear training by listening for downbeats and noting when notes occur or are tied, guided by the metronome through a 4/4 treble passage repeated three times.
Explore rhythm analysis through bar-by-bar exercises, recognizing quarter and eighth notes, ties and rests, and how big leaps and leading tones guide resolution.
Acknowledge that ear training and aural skills development are hard and take steady practice, building foundational listening skills as we approach 16th notes, triplets, and meters with daily, paced practice.
Learn to identify four common 16th-note rhythm patterns within a beat, enabling quick recognition and accurate notation by focusing on patterns rather than individual notes.
Practice trains rhythm transcription in treble clef by writing four bars using quarter notes, 16th notes, and one half note, with repeated listening for accuracy.
Analyze rhythmic patterns, including four 16th notes on beat three, quarter notes, and a half note, and practice precise counting from one to four.
Practice four 16th-note patterns, each heard once in the melody, to sharpen ear training and aural skills, with tempo variations and guidance on catching the next downbeat.
Practice guides ear training students to hear four bars in treble clef using quarter notes and eighth-note triplets, with guided pauses and repeated listen-throughs.
Practice with triplets and 16th-note patterns, including eighth-note triplets, eighth notes, quarter notes, and a half note, across four bars in 4/4 treble, with tempo reductions.
Explore common meter structures in ear training masterclass, identifying the pulse as the quarter note in 4/4, 3/4, and 5/4, and learn counting with 6/8 and other eight-denominator meters.
Practice in six-eight with a focus on dotted-quarter notes as the metronome marks the pulse, across five bars of treble clef; complete successive hearing attempts to advance.
Practice identifying and notating rhythms in six over eight, distinguishing from four over four, recognizing dotted quarter notes, and evaluating triplet feels in a dictation context.
Master rhythm and pitch through patterns like four, 56123, four, focusing on dotted quarter notes to anchor big beats, with practice on repeating bar structures.
You hear a melody. You want to play it. You can't.
Or you can play it, but you couldn't tell someone why it works.
Or you can tell them why — but if I played you two intervals back-to-back, you'd freeze.
Ear training is the skill that closes all three of those gaps. It's the difference between a musician who can copy what they hear and a musician who can understand what they hear and then do something new with it.
This course is the complete Parts 1, 2, and 3 of my ear training sequence — bundled into one masterclass.
What you'll be able to do by the end:
Notate rhythms by ear in any common time signature, including 16th notes, triplets, and compound meters (6/8, 9/8, 3/8)
Identify every diatonic interval by ear — both melodic and harmonic
Take dictation on melodies — write down what you hear, accurately
Tell the difference between commonly confused intervals (the ones that trip everyone up)
Use practical recognition techniques: familiar melodies, colors, numbers, textures — whatever sticks for your brain
What's actually in here:
Part 1: Rhythms. Notating rhythms in 4/4, 3/4, 2/4, plus 6/8, 9/8, 3/8. Rests, ties, 16ths, triplets.
Part 2: Diatonic Intervals. Major, minor, perfect — recognition systems that actually work.
Part 3: Melodies. Taking dictation on full melodic phrases, not just isolated notes.
Hundreds of practice exercises with answer keys. This is the part most ear training courses skip.
A note on Perfect Pitch:
You don't have it. Almost no one does. You don't need it. We use relative pitch — the same thing every working musician uses — and it's a learnable skill.
Why this course:
Practice, not just theory. Hundreds of exercises. You will get reps.
All three parts in one place. No upselling you to "Part 2" later.
30-day money-back guarantee. If it's not working for you, get a refund. No questions.
I answer every question posted in the class, within 24 hours. Not a TA. Me.
Who I am:
Hi, I'm Jay. I'm a tenured university music professor with a Ph.D. in Music. I'm also a working composer and an active guitarist — so I use this stuff every day, in real situations, not just on a whiteboard. My theory and ear training courses have around a million students and a 4.7+ average rating.
Who this is for:
Musicians, songwriters, producers, performers, composers, and theory students who are tired of "almost" hearing the music. If you've taken (or are about to take) a college aural skills class — this is the most efficient way to get ahead of it.
Let's train your ears.
See you in Lesson 1. — Jay