
Develop ear training and aural skills through rhythms, dictation, and relative pitch in a six-part course, with daily practice and practical listening strategies.
Learn what ear training is, focusing on dictation and aural skills: hear chords and melodies, identify them, and write them down with traditional notation.
Discover how ear training complements music theory and strengthens sight-reading across instruments. Learn practical techniques to hear, identify, and transcribe chords and melodies by ear, without perfect pitch.
Learn dictation basics by reviewing essential music notation, intervals, and diatonic triad harmony in major and minor keys, with emphasis on notes and rhythms.
Develop ear training by practicing daily with the techniques provided, treating the brain and ear as muscles that strengthen through five minutes of dictation each day.
Define perfect pitch as hearing a note or chord and naming its notes, then state this course focuses on relative pitch and that you don't need perfect pitch.
Relate each note to a reference pitch to identify intervals and melodies through practice in dictation tests, focusing on relative pitch rather than perfect pitch.
Explore true pitch, a guitar-based form of pitch recognition, and contrast it with perfect pitch; learn how timbre and relative pitch support chord identification and dictation practice.
Discover how to know when you’re right in online ear training, using self-check methods and technology to diagnose rhythm errors and guide effective practice.
Master how to develop rhythms in ear training with a focused first class on rhythms, while promising future practice on pitch and broader aural skills across multiple parts.
Use a chromatic tuner to detect single pitches, with apps like Detune by D’Addario. Note that it's not ideal for fast melodies, but handy for identifying notes by singing.
Discover how MuseScore supports ear training by playing melodies, turning them into written notation, and verifying accuracy, with desktop free access and tablet limitations.
Learn to use a tablet or phone for music notation and practice with apps like Notion and MuseScore, prioritizing a database of music to play with.
Use a metronome to hear the beat and emphasize the downbeat in four-four time. Practice tempo and note values, from eighths to sixteenths and triplets, using apps or devices.
Develop your ear training and aural skills by practicing a melody a day, using a melody book to write down tunes and identify intervals like major and minor thirds.
Find simple melody books or note sheets, play measures, and write them down to strengthen ear training. Use MuseScore files, repeat drills, and avoid memorization while anticipating future practice packs.
Engage in a two-person ear training game that teaches note identification and intervals, starting from C and progressing to chromatic note challenges and two-note intervals.
Explore music notation fundamentals by reviewing treble clef staff, time signatures, and rhythm notation, and practice identifying and writing rhythms using whole, half, quarter, eighth, and 16th notes with rests.
Focus on rhythm by writing single-note exercises by hand on staff paper with a pencil, identifying meter and using quarter and half notes to build ear training skills.
Practice a first dictation quiz in ear training, listen to a metronome and a rhythm of quarter and half notes, then write down the rhythm across three times.
In the ear training masterclass, attempt no. 1, the instructor demonstrates setting up treble clef and 4/4, marking four bars, listening for downbeats, and notating beat-aligned notes with clean notation.
Practice identifying downbeats, on-beat notes, and rests in quarter- and half-note patterns, using MuseScore to verify notation and streamline steps into one motion.
Apply three-pass listening to an ear training exercise: count measures, consider time signature, and focus on half and quarter notes, marking downbeats with notes or X, then verify.
Engage in treble clef ear training across four bars, with a one-bar count-in and metronome, listening three times to analyze downbeats and missing notes.
The instructor demonstrates an ear training exercise by converting heard notes into slash and x notation, then reconstructing rhythms into half and quarter notes across four bars.
Add whole notes to fill each bar, using four-bar phrases indicated by three x's in a row, with no rests or ties for now, practicing simple rhythms.
Practice ear training with quarter, half, and whole notes in treble clef across five measures, counting in, and refining your last-measure fill through multiple listenings.
Practice rhythm transcription by mapping five-bar measures, identifying whole, half, and quarter notes, and noting when to complete a bar; anticipate adding eighth notes.
Add eighth notes by subdividing quarter notes and listening for notes on and between beats. Use X for no note and a tick for a note between beats.
Practice rhythm recognition with a 444-measure exercise using quarter, half, and eighth notes set to a metronome; listeners identify patterns across three attempts and pause between attempts.
Explore pattern recognition in ear training by listening for repeating bars, using x's and ticks to annotate rhythms, and reducing four-bar phrases to two-bar patterns.
Practice ear training by listening for pattern on first pass, identifying it; on second pass determine minimal elements (eighth notes and quarter notes only); on third pass confirm.
Practice identifying repeating patterns beat by beat to improve aural skills and pitch recognition, then write the pattern in the treble clef over four bars and copy it to confirm.
Focus on rhythm by analyzing melodic patterns while ignoring pitch, using a single pitch to reveal rhythm cues and build ear training and aural skills.
Practice pitch identification in treble clef through five-measure drills, a continuous metronome, and guided listening attempts to reinforce aural skills.
Enhance ear training by listening for repeating rhythms and patterns, recognizing two eighth notes followed by a quarter note, and understanding cadence with a whole note ending.
Transcribe the rhythm of a melody in treble clef across five bars, using a metronome and repeated passes to reinforce ear training and pattern recognition.
Advance ear training and aural skills by analyzing rhythm cues: compare the first two bars, identify the fourth bar's unique eighth notes, and practice aligning downbeats with counting.
Count through each measure to identify the downbeats and beat three, recognizing when eighth notes occur. Practice rests and ties to build more complex rhythms and reinforce anchors for accuracy.
Identify rests and ties in rhythm by focusing on attack and beat pulse. Use dots for notes, ticks for eighths, and xs for silences, then convert to traditional notation.
Develop rhythm reading and notation skills in treble clef by identifying three tied notes and three half notes, distinguishing half notes from ties, and analyzing repeating measures and patterns.
Focus on rhythm notation across measures, ties, rests, and note values, including odd rhythms, and plan to address pitch with actual melodies later.
Practice with pitch by listening for notes on and off the beat, identifying rests and tied notes across four treble clef bars, to sharpen ear training and aural skills.
Walk through bar-by-bar rhythm analysis, identifying quarter-note on-beat pulses, off-beat attacks, and subtle syncopation. Learn to notate rhythm clearly, with attacks, ties, rests, and various bar constructions.
Practice with pitch sharpens ear training by listening for downbeats and noting when notes occur or are tied, guided by the metronome through a 4/4 treble passage repeated three times.
Explore rhythm analysis through bar-by-bar exercises, recognizing quarter and eighth notes, ties and rests, and how big leaps and leading tones guide resolution.
Acknowledge that ear training and aural skills development are hard and take steady practice, building foundational listening skills as we approach 16th notes, triplets, and meters with daily, paced practice.
Learn to identify four common 16th-note rhythm patterns within a beat, enabling quick recognition and accurate notation by focusing on patterns rather than individual notes.
Master counting rhythms by aligning notes to the beat, learn eighth-note and sixteenth-note patterns, and practice 'one e and a' and 'and' counts to identify rhythms.
Practice trains rhythm transcription in treble clef by writing four bars using quarter notes, 16th notes, and one half note, with repeated listening for accuracy.
Analyze rhythmic patterns, including four 16th notes on beat three, quarter notes, and a half note, and practice precise counting from one to four.
Practice four 16th-note patterns, each heard once in the melody, to sharpen ear training and aural skills, with tempo variations and guidance on catching the next downbeat.
Learn rhythm patterns across bars using quarter, 16th, and eighth notes, plus triplets, with counting cues like one e and a and down beats, then reproduce from memory.
Explore how triplets squeeze three notes into the space of two, focusing on the eighth-note triplet. Identify off-beats, compare triplets to two eighth notes, and practice counting with sixteenth-note accelerations.
Count triplets using distinct syllables like one Tito two Tito to hear four against three, feel the offbeat tension, and practice embedding triplets in melodies.
Practice guides ear training students to hear four bars in treble clef using quarter notes and eighth-note triplets, with guided pauses and repeated listen-throughs.
Explore rhythm with triplets, then create melodies mixing eighth and sixteenth notes, leading up to a high C in ear training practice.
Practice with triplets and 16th-note patterns, including eighth-note triplets, eighth notes, quarter notes, and a half note, across four bars in 4/4 treble, with tempo reductions.
Identify and compare rhythmic patterns across bars, recognize triplets and triplet-like figures, and practice challenging rhythms with patience to solidify ear training skills.
Explore common meter structures in ear training masterclass, identifying the pulse as the quarter note in 4/4, 3/4, and 5/4, and learn counting with 6/8 and other eight-denominator meters.
Learn how eighth-note pulse meters like 6/8, 9/8, and 12/8 use dotted-quarter beats, group rhythms in threes, and apply anchor points for accurate dictation and subdivision.
Practice in six-eight with a focus on dotted-quarter notes as the metronome marks the pulse, across five bars of treble clef; complete successive hearing attempts to advance.
Practice identifying and notating rhythms in six over eight, distinguishing from four over four, recognizing dotted quarter notes, and evaluating triplet feels in a dictation context.
Explore practice in six-eight time, focusing on dotted quarter notes and eighth notes in treble clef, across five bars, with guided listening exercises.
Master rhythm and pitch through patterns like four, 56123, four, focusing on dotted quarter notes to anchor big beats, with practice on repeating bar structures.
You hear a melody. You want to play it. You can't.
Or you can play it, but you couldn't tell someone why it works.
Or you can tell them why — but if I played you two intervals back-to-back, you'd freeze.
Ear training is the skill that closes all three of those gaps. It's the difference between a musician who can copy what they hear and a musician who can understand what they hear and then do something new with it.
This course is the complete Parts 1, 2, and 3 of my ear training sequence — bundled into one masterclass.
What you'll be able to do by the end:
Notate rhythms by ear in any common time signature, including 16th notes, triplets, and compound meters (6/8, 9/8, 3/8)
Identify every diatonic interval by ear — both melodic and harmonic
Take dictation on melodies — write down what you hear, accurately
Tell the difference between commonly confused intervals (the ones that trip everyone up)
Use practical recognition techniques: familiar melodies, colors, numbers, textures — whatever sticks for your brain
What's actually in here:
Part 1: Rhythms. Notating rhythms in 4/4, 3/4, 2/4, plus 6/8, 9/8, 3/8. Rests, ties, 16ths, triplets.
Part 2: Diatonic Intervals. Major, minor, perfect — recognition systems that actually work.
Part 3: Melodies. Taking dictation on full melodic phrases, not just isolated notes.
Hundreds of practice exercises with answer keys. This is the part most ear training courses skip.
A note on Perfect Pitch:
You don't have it. Almost no one does. You don't need it. We use relative pitch — the same thing every working musician uses — and it's a learnable skill.
Why this course:
Practice, not just theory. Hundreds of exercises. You will get reps.
All three parts in one place. No upselling you to "Part 2" later.
30-day money-back guarantee. If it's not working for you, get a refund. No questions.
I answer every question posted in the class, within 24 hours. Not a TA. Me.
Who I am:
Hi, I'm Jay. I'm a tenured university music professor with a Ph.D. in Music. I'm also a working composer and an active guitarist — so I use this stuff every day, in real situations, not just on a whiteboard. My theory and ear training courses have around a million students and a 4.7+ average rating.
Who this is for:
Musicians, songwriters, producers, performers, composers, and theory students who are tired of "almost" hearing the music. If you've taken (or are about to take) a college aural skills class — this is the most efficient way to get ahead of it.
Let's train your ears.
See you in Lesson 1. — Jay