
Ear training made easy introduces E training, a step-by-step method to train your hearing through listening and singing, using tone levels and syllables to recognize notes by ear.
Begin ear training with the fifth tone level, using tone syllables, singing with the piano, and repeating to solidify scale sense with do as the central reference pitch.
Explore the tone step fa by playing and singing the fa scale, listening to scale movements up and down, and noting how mi to fa gap shapes melody tension.
Master ear training with a simple method, guiding you through singing and playing the scale and the crucial third pitch’s relation to do. Practice reading melodies and compare with piano.
Master the tone la step through scale-based ear training, read and sing the melody, and compare with piano to develop tonal perception embedded in musical context.
Practice the tone step ti method by listening, singing, and matching scale tones with tone syllables, and learn how the leading tone creates tonality around the tonal center.
Practice a tone-step re ear training method by playing and singing on the second pitch, then read and sing melodies and compare with piano for tonal feel.
Perform self-tests to recognize notes by ear and their scale positions, play the root note, sing with the closest syllables, and practice reading and singing melodies to develop internal hearing.
Explore fantasy and improvisation by treating tones as characters, using tone levels, seven steps, and music rules, with Tabla and Cerruti box apps to accompany melodies that end on de.
Music is relative; pitch relationships stay constant across keys. Use notation that shows absolute pitch and key signatures to explore melodies across all twelve pitch classes.
Learn to train your ear with step-by-step melody dictation, starting with three notes, using do-re-mi solfege, rhythm notation, and practice exercises to write melodies from memory.
Develop ear training through melody dictation with four tone steps, using do re mi fa and evolving scale patterns. Download files, record six melodies, and sing along.
Practice melody dictation using five tone steps, from do to so, listen and sing along, and record six melodies starting from any initial note.
Learn melody dictation using six tone steps to identify and reproduce scales starting from any note. Listen, see the scale, and optionally improvise as you practice six melodies.
Practice melody dictation using seven tone steps (do re mi fa so la ti), listen and sing along the scale, prepare, download files, and work through six melodies.
Explore five intermediate levels within the 12-tone octave using honeycomb-style notation to connect the seven basic notes do re mi fa so la ti and the 12 semitone divisions.
Develop ear training skills through the tone step fi, practicing with piano feedback and tone syllables fee, so, la, and do, while matching pitch and singing.
Explore the tone step and how a small difference shapes melody and mood, highlighting major and minor contrasts and the reading and singing exercise.
Explore a nine-step ear training method emphasizing la to de sequences, up and down scales, and play-and-sing exercises for accurate pitch.
Explore the tone step Se/Le as the intermediate pitch, named Phee or said, then practice scale patterns up and down and study the tritone's dissonant tension and resolution.
Practice tone steps using solfege syllables do, re, mi, ri, and more to read, sing, and scale up and down, including reading and singing exercises without a piano.
Practice the tone step between doe and ray, a core ear training technique, identify the intermediate step, then read, sing, and dictate melodies, including a German Christmas song.
Learn the tone step si in ear training through scale up and down, singing exercises, and stepwise cues that serve as memory aids guiding the next practice.
Explore how intervals shape harmony by hearing two notes, octave spacing, and drone accompaniment, and practice identifying interval qualities through listening and singing with keyboard or voice.
Practice ear training by playing and singing the do and so of the major scale, listen for and identify the fifth, a stable, harmonious interval with a 3:2 ratio.
Explore ear training for recognizing the third through playing, singing, and listening to scales, and explain major and minor thirds with five-to-four and six-to-five ratios.
Explore the sixth interval within the octave, identifying major and minor sixths, and hear how tones relate and sound together, guided by the five to three frequency ratio.
Explore the fourth interval by listening and playing scales up and down with doh and fa, including simultaneous doh and fa, and how hearing links musical relationships.
Explore the seventh interval by listening to scales up and down, practicing play and sing, noting its dissonant character, its resolution toward the root, and frequency ratios 15:8 and 9:5.
Listen to scales up and down, play and sing intervals like major second and minus second, and learn how a second dissonance resolves via frequency ratios 9:8 and 16:15.
Explore the tritone through active singing and playing patterns, from fa and te to five, and hear how the tritone resolves in major intervals with notation and dissonance.
Test yourself 2 trains the ear, recognizing and singing scale steps, using a do column visual aid while practicing with eyes closed or away from the keyboard.
Master polyphonic dictation with a two-part melodies approach, practicing large notes at slow tempo, prioritizing high notes, and hearing musical movements as a unit while analyzing upper and lower voices.
Explore how chords form triads from major scale steps and roman numerals, identify major, minor, and diminished qualities, and understand chord progressions and harmonic relationships in Western music.
Explore seven harmonic worlds by listening to chords, recognize the tonic and dominant, and understand a three-part harmonic progression from tonic to dominant back to tonic.
Transcribe song dictation by listening for melody and chord progression, notating melody first or chords with roman numerals, and identifying tonic and dominant in a French folk tune.
Engage in ear training rooted in Schenker and Zuckerkandl theory with a simple, singing-based method to recognize seven tonal steps and hear, feel, and name tonality.
Ear Training Made Easy with a simple method
Do you want to train your ear so that you can write down a melody you hear and play it back?
Ear training is the foundation of the musical language.
Therefore, if you want to speak the musical language, the first thing you should do is train your ear.
After Completing This Course You Will Be Able To
You will learn how to play a melody that you hear by ear and then write it down.
You will be able to recognise, name, and sing the musical ABC and the tone steps by ear.
You will be able to recognise intervals by ear and learn to classify them in a system.
You will quickly be able to sing the notated melodies based on the instructions.
Course Description
Which way can you develop your ear?
You don't have to play an instrument to train your ear.
The best way to learn is to sing along.
This way, you are actively involved in the learning process and learn more effectively and quickly.
Because you program your hearing for sound patterns and retrieve them by singing.
If you already play an instrument, you can start building your ear now!
Try this method, and you will notice how well your hearing develops.
You will perceive music with different "ears."
I will show you several graphics that will improve your hearing.
In addition to ear training, you will also learn to understand the musical staff and read music from scratch.
For a better understanding at the end of each chapter, there is a notated melody, which you then sing.
This way, you can apply the knowledge you have learned right away!
This is a goal-oriented course that naturally builds your musical ear.
This is what you will learn:
You will learn how to train your ear so that you can write down a melody you hear and play it back.
You will be able to recognize, name, and sing the musical ABCs, the tonal steps by ear.
You will be able to sing the notated melodies in a short time, following the instructions.
You will be able to recognize intervals by ear and classify them in a system.
Why Learn with me, Janos Klotz?
I'm just someone who was curious and found something great. So I was able to learn about the discoveries of the excellent Austrian music researcher H. Schenker. He has recognised meaningful connections in music like no one else.
So I have written three books on music theory based on his insights and my complementary ideas.
This enables me to pass on something essential about music to you here and now.
Discover the path to music understanding with me.
Who Is This Course For?
For people who want to train their ear so that they can write down a melody they hear and play it back.
For people to discover reading music and singing from sheet music.
Requirements:
Be able to sing or hum a simple nursery rhyme or folk song.
A smartphone/tablet is required.
Love and interest in music.
This is what you get:
A practical method that shows you how to build your ear effectively and quickly.
You will get step-by-step instructions that you can implement immediately.
You will be able to tryout notated melodies using the instructions in just a short time.
Start the course now!