
Begin by training your ear to identify notes in the C major scale for beginners with no prior knowledge through consistent daily practice. Listen with headphones and practice 10–15 minutes.
Explore terminology for ear training: the seven notes (C D E F G A B), staff notation with treble clef, time signatures, and note durations from whole to quarter notes.
Practice the C note in exercise one by listening repeatedly with a metronome, using headphones, and optionally singing, to reinforce ear training and sound-to-notation sight reading.
Practice identifying notes by listening to a C note played as whole notes and two-beat notes across three repetitions, then read along while you listen.
Practice ear training by counting the notes in three repetitions of the C note, including whole notes, half notes, and quarter notes, and determine that eight notes are played.
Practice ear training by listening to four notes and identifying whether each is the C note or a different note, with repetition and the option to rewind.
practice ear training by identifying and writing the sequence of c and d notes through listening and repeating, while reading along as the notes are played.
Practice ear training by listening to four notes in the key of C and identifying the sequence C, D, D, C through focused repetition in exercise six.
practice reading note values and identifying C notes while listening to whole notes, focusing on rhythm figures, and reinforcing ear training through repeated exercises and downloadable pdfs.
Practice exercise 8 focuses on C and D notes, identifying note values and repetitions; read while you listen, go at your own pace, and repeat to build confidence.
Practice ear training by identifying notes played on c and noticing rhythmical figures. Start with whole notes, name the notes, then add rhythmic figures at your own pace.
Add exercise number 10 to practice C and D notes, including whole, half, and quarter notes, with three repetitions to read, sing, and focus on the notes.
Reflect on your progress in ear training for the very beginner vol.1, and commit to consistent practice, repeated ear and written exercises, while sharing feedback to improve content.
Practice begins with exercise one in ear training for the very beginner vol.1, introducing note e after c and d and guiding naming notes and reading rhythms through three repetitions.
Build ear training by identifying notes c, d, and e in exercise 2, using hold notes and repeats to reinforce reading and listening, focusing on rhythm without quarter notes.
Practice c, d, and e notes by reading and naming them, and training rhythm with quarter notes and whole notes, reinforced through repetition at your own pace to boost listening.
Identify the missing rhythmic figure in exercise 4 by comparing whole notes, half notes, and quarter notes (4, 2, 1 beat) and read the notes with your eyes.
This ear training exercise for beginners guides you to recognize rhythmic values and name notes—quarter, half, and whole notes—through repetition and the downloadable PBF.
Identify the rhythmical figure missing from exercise six, a reading activity that uses only quarter notes and other notes, with repetition and a read-along.
Practice C, D, and E notes while identifying the notes and rhythmical figures, using three repetitions and focusing on half notes.
Ear training for beginner, exercise 8 practices quarter notes, half notes, and hold notes, with counting and reading figures; answer: C E B C D E D C C C.
Practice exercise nine in ear training for the very beginner vol.1, listening for notes with skips, identifying named notes, and finishing on D after C, with three repetitions.
Exercise 10 finishes this chapter by practicing the C, D, and E notes; download and print the PDF and practice with the audio files to improve, next class follows.
Practice exercise one in chapter three to train ear and visual memory by reading along as c, d, e, and f are played in treble clef, focusing on rhythmic values.
this exercise covers exercise two, focusing on repeated notes, naming notes and rhythmic values, and singing aloud while you listen; practice at your pace with three repetitions, including f note.
Practice reading e-f notes and listening to the sound of moving from f to c and from c to f, with repetition to memorize the intervals and notes.
Practice exercise four reinforces playing note F and other notes, guiding you to notice note values and repetitions. Examine second and third measures and the table from C to E.
Practice exercise five guides you through rhythmic values, repeated notes, and playing the F note four times with no skips, easier than the previous exercises for ear training.
Enhance your ear training with exercise #6, repeating it three times and reviewing the answer as you practice, with access to additional material for ongoing improvement.
Practice exercise seven emphasizes recognizing the order of notes and avoiding confusion from repeating notes while moving up or down, with the CNF note played three times.
Focus on exercise 8, listen carefully to the notes and the changes across repetitions, and try it again to confirm the answer.
Practice exercise nine focuses on the interval between c and f, identifying rhythmical figures, noting repetitions such as a a a, and tracking f e c at the fourth measure.
Practice exercise 10 at the end of this section, revisiting the new notes with downloadable audio files to reinforce your ear training and rhythmic values.
Introduce ear training exercise 1 for beginners, adding G to C and F, and practice naming notes and rhythmic values from C to G—the first five notes of major scale.
Practice identifying and naming notes G, C, E, F, and G as you work through exercise two, repeating the sequence and confirming you can read and recall note names.
Practice ear training exercise three by notating C, D, E, F, G with rhythm, while only playing C and G and tracking repetitions as pitch moves from C to G.
practice ear training by reading notes and rhythmic values, with repetition patterns; in exercise 4, play c and e in measures 1–2, then g in measure 3, and repeat.
Practice all the notes c, e, f, and g in exercise five, with three plays and reading the notes, including skipping from c to e to g.
Practice ear training with notes c d e f g and rhythm patterns, following three repetitions to hear the pattern c e g across measures.
Practice whole, half, and quarter notes with c d e f g to strengthen ear training for beginners, reading notes and rhythmic values across repetitions.
Practice identifying the notes and rhythmic values in exercise 8, focusing on the repeating pattern from earlier lessons, especially the second and third measures with quarter notes.
Practice reading and playing the C D E F G notes in exercise nine, using short repetitions, small stepwise jumps, and a return to the ending notes.
Practice exercise 10 by reading, singing, and repetitively playing C, D, F, and G notes to reinforce ear training and understanding melodies and note relationships.
Add the note a to the c d e f g sequence, guiding students to name the note, identify its rhythm, and repeat exercise one.
Practice ear training by following the line of notes, playing the sequence c d e f g and the new note appearing in the third measure; repeat three times.
Practice exercise #3 in ear training for the very beginner vol.1 emphasizes spotting a new note that appears only once, through three repetitions and a four-beat whole note reading.
Practice exercise 4 trains you to identify a special interval among C, D, E, F, G, A, then descend from G to C with three repetitions.
Review exercises to practice notes, read, name, and sing while following the line, focusing on rhythmic values and the interval from C to G to A with three repetitions.
Identify the missing notes in exercise six by listening to the notes we have been practicing and reading them across three repetitions.
practice exercise seven reinforces playing all notes with three repetitions in the key of g and a, and highlights the interval between c and g.
Practice exercise 8 by focusing on quarter notes and half notes, noting which notes are played or omitted, and using repetitions to reveal the target notes.
practice exercise nine focuses on detecting the missing note and learning the new note, reinforcing listening skills through repetition and following the notes.
Practice exercise 10 reinforces notes c d e f g h and the a–c interval, repeats the sequence, and encourages reviewing earlier chapters to build confidence.
Practice exercise number one in ear training, adding the B note to the C D E F G sequence, with self-paced, progressive repetition to reinforce ear and visual note-reading.
In exercise two, students read notes and rhythmic values while the instructor plays, write down the note names for three and two repetitions, reinforcing reading and listening.
Practice recognizing a new note and its rhythm through three repetitions, following the notes as I play an A, and counting how many times the new note appears.
Ear training for the very beginner vol.1: exercise four guides you to listen to and follow the notes, with three repetitions starting from C to Z.
practice this ear training exercise through the C D E F G A B notes, using three repetitions while listening and following with the eyes to master the sequence.
Exercise six builds early ear training by identifying intervals, writing notes, and repeating patterns like c e g and g b g b, with attention to f g ab.
Practice ear training exercise seven by writing down the notes and following a sequence from line to line, repeating three times to reinforce pitch recognition.
Practice exercise eight focuses on reading and hearing notes C, G, and B, adding a higher octave note, with three repetitions to reinforce sight-reading, pitch awareness, and note naming aloud.
Practice exercise nine trains note reading and pitch values by playing notes C through B with three repetitions while reading the notes aloud as you play from C to G.
Practice exercise ten to wake your ear through the next C after C D E F G A B, reading notes while I play, and tips on using this material.
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Do you want to be able to identify the notes?
Do you want to improve your musical ear?
This course has been created specially to develop your musical ear, being able to recognize the notes of our musical system. If you want to start developing what is called "Perfect Pitch" this ear training course is for you.
Through practical videos you will start recognizing the notes, each exercise has its visual and auditive reference for a better understanding. In this course you will find:
Progressive exercises, adding one note at a time.
More than 60 exercises
Downloadable PDF, one per chapter.
Downloadable audio files per each exercise.
A brief introduction to the terminology that is used in this course.
This course has more than 3000 students already enrolled and has 4.08 stars review from 5 possible in Udemy, this is what students are saying about this course:
"The tutor is very good at explaining the timing and the beats in the bar. She also has a diagram to explain the layout of the beats whilst the sounding of the beats are been done. So far I would recommend this course but have to complete this course to give a fuller picture. " (4.5 stars)
"As a beginner it's easy to follow and understand." (4 stars)
"Easy to understand" (5 stars)
Enroll in this course today and enhance your musical trianing. If you have been playing music for many years and if you want to understand better what you play this course is for you.