
Learn drawing for animation and storyboards by outlining the course, with tips on paper and photoshop workflow. Master characters, backgrounds, sequences, perspective, shots, patterns, and a final storyboard project.
Discover practical tips for drawing storyboards on paper, using pencils, pens, charcoal, and tracing with lightboxes or window tracing, plus light construction lines to prep panels.
Learn a quick paper drawing workflow for pirate characters, from rough gesture sketches and varied line work to scanning, tidying up in Photoshop, and preparing for digital coloring.
Scan your artwork with a Mac scanner, adjust color and dpi, and save to documents. Import to Photoshop, rotate 90 degrees, tweak levels or curves, then redraw or paint underneath.
Set up a Photoshop workspace for character drawing in storyboards and animation, following conventions and techniques, with layered workflow and a toned background for drawing on the top layer.
Explains shape language as a shorthand for stylized character design in animation and storyboarding, using circles, squares, and triangles to convey personality, balance, and variation.
Practice drawing dynamic poses to convey action, emotion, and acting for storyboards, animation, and illustration. Build from basic shapes into structured hips and shoulders, and apply three-quarter perspective and balance.
Learn to convey emotion in storyboards with simple facial cues. Sketch quick eyes, eyebrows, and mouth shapes to depict happy, sad, angry, fright, and laughter, then apply to a character.
Practice drawing posing to explore a character’s physical dynamics, building a pose sheet of rough, dynamic poses and a neutral pose to inform future storyboarding.
Explore conventions of drawing characters for storyboard art and animation, including shape language, strong poses, emotion, anticipation poses, and silhouettes learned from peers.
Block in backgrounds to visualize scenes and explore compositions for storyboarding. Use rough tones and shading in Photoshop to plan environments, from woodsman cabin to pirate interiors, before detailing perspective.
Master one-point and two-point perspective for storyboards using horizon lines, vanishing points, and grids to manage depth, angles, and scale, while aligning shots with story points.
Develop depth and scale for storyboard drawing without rigid grids, using simple elements, framing, and two-point perspective; emphasize foreground lines, avoid tangents, and apply atmospheric perspective cautiously in line work.
Analysing student backgrounds, this lecture reviews farm scene drawings, offers feedback, and explores depth through overlapping elements and perspective concepts like horizon lines, vanishing points, verticals, tangents, and scale checks.
Translate scripts into efficient storyboards using given layouts and model sheets, drawing quickly and accurately across angles and poses with basic camera guidance.
Explore the six essential shots for visual storytelling, from establishing and wide shots to long, medium, and close-ups, including extreme close-ups, and examine camera angles like high, low, and Dutch.
Master professional storyboard techniques by applying directors' tips on dialogue dynamics, over-the-shoulder shots, wider action cuts, and dutch angles to strengthen visual storytelling and character relationships.
Analyze how students sequence storyboards, stage action, and choose shots to convey narrative and emotion. Explore beat boards, thumbnails, and camera setups to study pacing and power dynamics.
Hi! Thank you for checking out Drawing for Storyboarding. This is a fun, engaging course that will teach you how to draw for Animation Storyboards.
First, you’ll learn how to draw characters - how to draw good expressions and poses
From there, you’ll learn the best approaches to drawing suggested backgrounds for your boards - from rough blocking, to adding perspective, and how to draw depth and space in your panels.
You’ll also learn the best practices for story artists - these are the top directors’ tips and I’ll share them with you so that you know what is expected of professional story artists.
I’ll also share with you some sample storyboards of other students in the course series - this is going to be an amazing opportunity for you to not only see diverse examples of different styles of drawing; but importantly, to see how fellow students are approaching their assigments, and working.
There is an opportunity in this course to complete assignments and exercises for each of the topics covered; plus at the end, the class project for this course is to take a page of script and storyboard it out entirely yourself. I’m going to give this project to you as though you were working for a studio - so you’ll get model sheets and layouts, as well as the script and then it’s over to you to put everything that we’ve covered in the course into practice.
This course is a supplement to my successful storyboarding courses:
Learn to Storyboard for Film & Animation
and
Advanced Storyboarding Techniques
Both those courses cover in depth everything you need to know to about storyboarding - the technical aspects, the filmic language and the nuts and bolts of communicating your ideas for a story visually.
This course takes all of those concepts and principles and dials down into the actual process of drawing.
This course is aimed at beginners, so you don’t have to have taken the other storyboarding courses in the series - you could use this as a starting point in fact. If you have taken the other courses in the series, this is going to bump you up to the next level and ensure that you are able to draw fast, fluid, efficiently.