
Master a structural approach to drawing dogs from memory or reference, using perspective, roughing in forms, and study with a rotating plastic dog skeleton and varied photo projects.
Embrace mistakes as fuel for improvement and adopt a constructive, incremental drawing approach. Use any paper and a pencil or digital tool, study real dogs, and practice patiently to progress.
For course project, study photographs of muscular dogs and draw the dog focusing on proportions and volumes, then reconstruct from 90-degree and three-quarter views using rib cage and pelvis blocks.
Build three-dimensional drawings using perspective by constructing boxes, leaning forms, and punching holes through shapes. Master vanishing points, eyeline, ground plane, and interlocking volumes to create coherent, scalable compositions.
Build a very basic dog from three head-length blocks on a ground plane, using a Rubik's cube as the body, neck, legs, and head.
Construct a dog from three-head proportional framework by dividing boxes for the chest, back, legs, and tail, then refine with foreshortening and triangular ears to achieve dog-like form.
Explore how folding, bending, and twisting govern dog poses by using a spine with two stiff boxes and a flexible middle, guiding pose analysis and reference shapes.
Advance from the three-cube dog drawing to a narrower angled block, add a squishy middle, neck and head, and refine shoulders, rib cage, and legs for versatile poses.
Refine a simple blocky dog into more doglike mannequin shapes by shaping the rib cage, pelvis, neck, head, and legs while tracking orientation with blocks.
Draw two dogs at play by building proportions from a reference cube. Shape the necks, rib cages, pelvis, and shoulder blades, refining with mannequin box forms for lively, overlapping poses.
Draw a boxy dog and transform it into a simplified skeleton, focusing on proportions, the rib cage, pelvis, spine, and limbs.
Explore dog anatomy with a quick primer on the three-part leg system, front triceps head and back calf tendons, and a flexible spine like a rubbery plank.
Learn how the dog's skeleton shapes its surface form, guiding pose, proportions, and muscle layout from spine and pelvis to limbs and surface contours.
Explore drawing a boxer dog skeleton from multiple perspectives, using rotating plastic models and telephoto and wide-angle lenses to observe perspective distortion and practice sketching from varying angles.
Analyze a tricky scratching pose by breaking the dog into chest and pelvic blocks, spine, shoulders, and limbs; reconstruct it from angles for drawing dogs with or without reference.
Analyze how a standing dog shifts weight to the lifted leg and tilts the pelvis. Use blocks to show the pose, guiding drawing with ribs, shoulder blades, and toe pads.
Practice contour lines to think volumetrically about dogs, marking where rib cage behind shoulder widens, where thigh and neck thicken, and where Achilles tendon shows, using three-quarter photos.
Apply the box method to transform circles into structured features, using axis lines to locate ears, jaw, and muzzle, so you can draw dogs from difficult angles.
Explore extreme perspective by drawing a box and a dog's head, comparing close-up exaggeration with distant views, and practicing perspective distortion using wide-angle and fisheye analogies.
Use reference to study dogs from different angles, analyze shapes, and loosen up your lines while focusing on key anatomy, shading, and light to bring life to your drawing.
Explore how dog facial expressions derive from key features—eyes, nose, mouth, ears, and eyebrows, revealing snarls, smiles, yawns, and howling by tracing muscles and skull structure.
Use a box as a three-dimensional guide to learn dog skull forms, sketch from memory, and refine anatomy like eye sockets and molars through repeated practice.
Compare and capture breed differences by studying proportional cues and key features, then apply it to drawing greyhounds and bull terriers in three-quarter angle poses.
Explore how a dog walks, focusing on synchronized left and right limbs, the timing of lift-off and ground contact, limb angles, and the transition toward trotting.
Learn how a dog trotting coordinates diagonally opposite legs in unison, with mirrored thigh and foot angles, while forelimbs and hind limbs alternate contact and lift off for forward motion.
Explore canine locomotion through the canter and rotary gallop, where front and back legs work together at speeds faster than trotting, with feet leaving the ground in a rotating sequence.
Explore loose doodles of dog locomotion, emphasizing parallel limb bones via the triceps and calf tendons while bearing weight, and keep the neck and ears playful and adjustable.
Learn quick dog figure drawing from front three-quarter and rear three-quarter views, focusing on thigh, lower leg, and foot angles, the near leg’s straight line, and the far leg’s curvature.
Explore camera height and tilt to arrange multiple dogs in a frame, using the center of frame and horizon line to fit everything.
Study dog anatomy and poses with visual aids—foam and wood blocks, a clay-like sculpting model, and a 3d-printed skull—to visualize three-part legs and the fourth-part stabilizer, calf muscle.
Practice memory-based life drawing by observing a subject, then recalling and sketching it from memory. Use markers or pencils and learn from repeated attempts with a wandering dog.
Improve your ability to draw dogs by exploring perspective and anatomy, with or without reference. Enjoy practicing to boost confidence and fun in your art.
This is a structural approach to drawing generally, while drawing dogs in particular. Once learned and mastered, you will be able to draw dogs doing anything, from any viewpoint, whether or not you have visual reference of the angle you need.
This course is for students who are already comfortable drawing, and also serious about upping their drawing skills to a more professional level.
This course is not limited to drawing dogs. You can apply the structural approach to drawing anything at all. Dogs are, however, the example subject in this course.
If you are not yet comfortable drawing forms such as boxes in perspective and in relationship to each other, I would recommend spending some time getting comfortable with that.
Before you tackle complex subjects it would be advisable to have a good comfort level with the basics of form and some understanding of perspective.
If you look at the lesson titles you'll see that there's a lot covered here besides just learning to draw a basic dog from different angles. The importance of making mistakes first, and recognizing and avoiding them in future cannot be over-emphasized. It's the absolute essential key to progress.
The approach to drawing covered in this course is not something you'll absorb by watching it through a couple of times. You'll need to take it slowly, and allow the principles to soak in through understanding, and through repeated and thoughtful practice.
It becomes a way of thinking about the world around you.