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Draw Dogs With or Without Reference
Rating: 5.0 out of 5(2 ratings)
134 students

Draw Dogs With or Without Reference

A structural approach to drawing generally, and drawing dogs in particular. Draw dogs doing anything, from any viewpoint
Last updated 12/2024
English
English [Auto],

What you'll learn

  • A structural approach to drawing generally, and drawing dogs in particular.
  • Once learned and mastered, you will be able to draw dogs doing anything, from any viewpoint, whether or not you have visual reference of the angle you need.
  • This course is for students who are already comfortable drawing, and also serious about upping their drawing skills to a more professional level.
  • You can apply the structural approach to drawing anything at all. Dogs are, however, the example subject in this course.

Course content

1 section32 lectures4h 13m total length
  • Introduction1:52

    Master a structural approach to drawing dogs from memory or reference, using perspective, roughing in forms, and study with a rotating plastic dog skeleton and varied photo projects.

  • Course Requirements3:15

    Embrace mistakes as fuel for improvement and adopt a constructive, incremental drawing approach. Use any paper and a pencil or digital tool, study real dogs, and practice patiently to progress.

  • Course Project4:47

    For course project, study photographs of muscular dogs and draw the dog focusing on proportions and volumes, then reconstruct from 90-degree and three-quarter views using rib cage and pelvis blocks.

  • The Basics of Structural Drawing16:16

    Build three-dimensional drawings using perspective by constructing boxes, leaning forms, and punching holes through shapes. Master vanishing points, eyeline, ground plane, and interlocking volumes to create coherent, scalable compositions.

  • Construct a VERY Basic Dog6:30

    Build a very basic dog from three head-length blocks on a ground plane, using a Rubik's cube as the body, neck, legs, and head.

  • Construct a FAIRLY Basic Dog16:09

    Construct a dog from three-head proportional framework by dividing boxes for the chest, back, legs, and tail, then refine with foreshortening and triangular ears to achieve dog-like form.

  • Folding, Bending and Twisting11:05

    Explore how folding, bending, and twisting govern dog poses by using a spine with two stiff boxes and a flexible middle, guiding pose analysis and reference shapes.

  • Modified Boxes10:53

    Advance from the three-cube dog drawing to a narrower angled block, add a squishy middle, neck and head, and refine shoulders, rib cage, and legs for versatile poses.

  • Mannequin Shapes8:30

    Refine a simple blocky dog into more doglike mannequin shapes by shaping the rib cage, pelvis, neck, head, and legs while tracking orientation with blocks.

  • Constructing Two Dogs Playing13:12

    Draw two dogs at play by building proportions from a reference cube. Shape the necks, rib cages, pelvis, and shoulder blades, refining with mannequin box forms for lively, overlapping poses.

  • Unboxing the Skeleton13:16

    Draw a boxy dog and transform it into a simplified skeleton, focusing on proportions, the rib cage, pelvis, spine, and limbs.

  • Introducing Anatomy4:41

    Explore dog anatomy with a quick primer on the three-part leg system, front triceps head and back calf tendons, and a flexible spine like a rubbery plank.

  • The Skeleton and Surface Form8:41

    Learn how the dog's skeleton shapes its surface form, guiding pose, proportions, and muscle layout from spine and pelvis to limbs and surface contours.

  • A Rotating Skeleton From Different Perspectives1:15

    Explore drawing a boxer dog skeleton from multiple perspectives, using rotating plastic models and telephoto and wide-angle lenses to observe perspective distortion and practice sketching from varying angles.

  • Pose Analysis - Scratching10:22

    Analyze a tricky scratching pose by breaking the dog into chest and pelvic blocks, spine, shoulders, and limbs; reconstruct it from angles for drawing dogs with or without reference.

  • Pose Analysis - Leg Lift5:19

    Analyze how a standing dog shifts weight to the lifted leg and tilts the pelvis. Use blocks to show the pose, guiding drawing with ribs, shoulder blades, and toe pads.

  • Contour Lines3:27

    Practice contour lines to think volumetrically about dogs, marking where rib cage behind shoulder widens, where thigh and neck thicken, and where Achilles tendon shows, using three-quarter photos.

  • Boxes vs Round Shapes5:58

    Apply the box method to transform circles into structured features, using axis lines to locate ears, jaw, and muzzle, so you can draw dogs from difficult angles.

  • Extreme Perspective3:56

    Explore extreme perspective by drawing a box and a dog's head, comparing close-up exaggeration with distant views, and practicing perspective distortion using wide-angle and fisheye analogies.

  • Use Reference, but Don't Be It's Slave13:07

    Use reference to study dogs from different angles, analyze shapes, and loosen up your lines while focusing on key anatomy, shading, and light to bring life to your drawing.

  • Expressions and Facial Muscles15:51

    Explore how dog facial expressions derive from key features—eyes, nose, mouth, ears, and eyebrows, revealing snarls, smiles, yawns, and howling by tracing muscles and skull structure.

  • Learning Complex Forms11:54

    Use a box as a three-dimensional guide to learn dog skull forms, sketch from memory, and refine anatomy like eye sockets and molars through repeated practice.

  • Drawing Different Breeds16:40

    Compare and capture breed differences by studying proportional cues and key features, then apply it to drawing greyhounds and bull terriers in three-quarter angle poses.

  • Locomotion - Walks5:15

    Explore how a dog walks, focusing on synchronized left and right limbs, the timing of lift-off and ground contact, limb angles, and the transition toward trotting.

  • Locomotion - Trotting6:23

    Learn how a dog trotting coordinates diagonally opposite legs in unison, with mirrored thigh and foot angles, while forelimbs and hind limbs alternate contact and lift off for forward motion.

  • Locomotion - Canter and Gallop6:15

    Explore canine locomotion through the canter and rotary gallop, where front and back legs work together at speeds faster than trotting, with feet leaving the ground in a rotating sequence.

  • Locomotion - Loose Doodles2:29

    Explore loose doodles of dog locomotion, emphasizing parallel limb bones via the triceps and calf tendons while bearing weight, and keep the neck and ears playful and adjustable.

  • Some Things To Look Out For9:07

    Learn quick dog figure drawing from front three-quarter and rear three-quarter views, focusing on thigh, lower leg, and foot angles, the near leg’s straight line, and the far leg’s curvature.

  • Fit It All In Using Camera Height and Tilt8:59

    Explore camera height and tilt to arrange multiple dogs in a frame, using the center of frame and horizon line to fit everything.

  • Visual Aids4:44

    Study dog anatomy and poses with visual aids—foam and wood blocks, a clay-like sculpting model, and a 3d-printed skull—to visualize three-part legs and the fourth-part stabilizer, calf muscle.

  • Life Drawing From Memory3:10

    Practice memory-based life drawing by observing a subject, then recalling and sketching it from memory. Use markers or pencils and learn from repeated attempts with a wandering dog.

  • Conclusion0:22

    Improve your ability to draw dogs by exploring perspective and anatomy, with or without reference. Enjoy practicing to boost confidence and fun in your art.

Requirements

  • You will need to be comfortable making LOTS of mistakes
  • You'll need something to draw with, and LOTS of something to draw on. If using pencil and paper, use the cheapest paper you can find, rather than a nice sketchbook.
  • You'll need lots of patience. This process takes time to get good at. It can't be rushed.
  • You'll need a dog, or some dog reference. Videos, photos etc.

Description

This is a structural approach to drawing generally, while drawing dogs in particular. Once learned and mastered, you will be able to draw dogs doing anything, from any viewpoint, whether or not you have visual reference of the angle you need.

This course is for students who are already comfortable drawing, and also serious about upping their drawing skills to a more professional level.

This course is not limited to drawing dogs. You can apply the structural approach to drawing anything at all. Dogs are, however, the example subject in this course.

If you are not yet comfortable drawing forms such as boxes in perspective and in relationship to each other, I would recommend spending some time getting comfortable with that.

Before you tackle complex subjects it would be advisable to have a good comfort level with the basics of form and some understanding of perspective.

If you look at the lesson titles you'll see that there's a lot covered here besides just learning to draw a basic dog from different angles. The importance of making mistakes first, and recognizing and avoiding them in future cannot be over-emphasized. It's the absolute essential key to progress.

The approach to drawing covered in this course is not something you'll absorb by watching it through a couple of times. You'll need to take it slowly, and allow the principles to soak in through understanding, and through repeated and thoughtful practice.

It becomes a way of thinking about the world around you.

Who this course is for:

  • Intermediate. You're comfortable drawing and want to learn a reliable method for drawing things from your imagination or memory or from reference, but be able to draw it from different viewpoints than you have in front of you. All the best storyboard artists and illustrators I ever met are able to do this.