
Getting to know the instructor and what the course will be about.
Embrace the editor's identity and become the piece's lawyer, like a makeup artist for clarity, saving authors from themselves and making the piece readable for the average reader.
Compare editing and writing: editors work on another's argument to understand and present it accessibly, while self-editing demands time, space, and preserving the author's voice.
Explore the full spectrum of editing, from ghostwriting to developmental editing, highlighting the silent partner role, structure, and the primacy of clear narrative flow in shaping a text.
Apply an eight-pass editing workflow from a quick read through to proofing, using comments, restructuring, and seamless transitions to shape a clear narrative arc.
Learn how nonfiction has a narrative arc: establish a clear argument from A to B to C to D, convey the editor's guiding star, and ensure author excitement and clarity.
Discover how to identify and articulate the narrative arc using the imagined interlocutor technique. Gain control of material and focus the main argument.
Identify the skeleton from A through E with an overflow document and postpone transitions, then decide what to include, trim, or relocate.
Apply Angie's principle to editing by foregrounding the core idea and trimming the writer’s thought process, while considering inverted structures that lead with payoff to engage readers.
Balance essential and non-essential background, fact-checking, and exact quotes from credible journals (like the Lancet or Jama) to support arguments without overreach.
Craft engaging non-fiction by showing, not telling, removing weak openings and apologies, and guiding readers from point A to B to C with a confident, focused voice.
Identify and cut four stylistic peeves—argument by adjective, irrelevant appeal to authority, cynicism, and irrelevant information—to strengthen credibility and reader experience through decisive editing.
Use one or two technical terms to frame a piece, translate non-English terms, and avoid overwhelming readers with jargon; introduce, explain, and contextualize terms to add meaningful spice.
Refine line editing by converting passive to active constructions, tightening sentences, and removing extraneous phrasing, all while preserving meaning and narrative nuance and avoiding automatic, uncontrolled edits.
Improve readability and the reading experience through developmental editing, benefiting authors, readers, publishers, and editors—and demonstrating editing as a service with wide impact.
Develop your path to becoming a great editor by mastering developmental editing and the narrative arc, while learning to improve the reading experience for readers around the world.
If you want to master developmental editing, whether in your own work or editing someone else's, this is the course for you. The focus will be on non-fiction writing, but many of the points can be useful for editing fiction writing as well (I do both).
In this course, we will begin with an overview of all types of editing. Then we take a deep dive into developmental editing, where we will look at how to organize information, different ways to read the text, and techniques for creating a narrative flow out of any argument. Finally, we will touch on line editing and look at some classic blunders that make a piece less readable and how to avoid them.
After completing this course, you should be able to take any piece of writing, figure out its main flow, decide on the most compelling way to present the information, argument, or story, identify which details are most pertinent and/or interesting and which are superfluous or off-message, and decide how to put it all back together into a cohesive piece.
An editor is like a lawyer for the piece, and we want to do our best to make our clients come out looking as good as they can, including and especially if we are our own clients.