
Getting to know the instructor and what the course will be about.
Compare editing and writing: editors work on another's argument to understand and present it accessibly, while self-editing demands time, space, and preserving the author's voice.
Explore the full spectrum of editing, from ghostwriting to developmental editing, highlighting the silent partner role, structure, and the primacy of clear narrative flow in shaping a text.
Identify the skeleton from A through E with an overflow document and postpone transitions, then decide what to include, trim, or relocate.
Balance essential and non-essential background, fact-checking, and exact quotes from credible journals (like the Lancet or Jama) to support arguments without overreach.
Craft engaging non-fiction by showing, not telling, removing weak openings and apologies, and guiding readers from point A to B to C with a confident, focused voice.
Develop your path to becoming a great editor by mastering developmental editing and the narrative arc, while learning to improve the reading experience for readers around the world.
If you want to master developmental editing, whether in your own work or editing someone else's, this is the course for you. The focus will be on non-fiction writing, but many of the points can be useful for editing fiction writing as well (I do both).
In this course, we will begin with an overview of all types of editing. Then we take a deep dive into developmental editing, where we will look at how to organize information, different ways to read the text, and techniques for creating a narrative flow out of any argument. Finally, we will touch on line editing and look at some classic blunders that make a piece less readable and how to avoid them.
After completing this course, you should be able to take any piece of writing, figure out its main flow, decide on the most compelling way to present the information, argument, or story, identify which details are most pertinent and/or interesting and which are superfluous or off-message, and decide how to put it all back together into a cohesive piece.
An editor is like a lawyer for the piece, and we want to do our best to make our clients come out looking as good as they can, including and especially if we are our own clients.