
Explore cyanotype 101, a quick guide to mastering the blue photography process from a to z, with expert Marijana and narration by Mike Rogers.
Explore the cyanotype blue process, an affordable, beginner-friendly alternative photographic printing method. Learn step-by-step from coating paper to sun exposure and water development, plus historical context from Herschel and Atkins.
Explore creative uses of cyanotype art as decor, including framing, toning, and selecting materials like paper, wood, textile, and glass to enhance color and mood.
Learn to make cyanotype prints from scratch using the blue alchemist kit, mixing light-sensitive A and B solutions, coating paper with nonmetal tools, and safe handling.
Choose objects and negatives to create cyanotype prints, including photograms, natural motifs, and flowers; learn to press or arrange items, capture textures, and achieve rich blue tones.
Explore the cyanotype process in part 5: set up a darkroom, coat paper, expose with sun or UV, and develop, wash, and dry prints.
Explore cyanotype tricks to darken prints with a hydrogen peroxide bath, then bleach and toning to achieve varied colors and contrast.
Preserve cyanotype prints by thorough rinsing, careful flattening, and optional Renaissance wax finishing, then archive with acid-free storage, proper framing, and protective sleeves to prolong life.
Meet Mariana, a photographer and economy student who explores analog technologies and alternative printing, fell in love with cyanotype two years ago, and now shares her practical experience with others.
It is easy to make a picture. Right? Think again. Of course, in today world, pictures are everywhere and tools for making them are available to everybody. This is a good thing, of course. That was in the inception of photography and still is one of the main goals of this medium; ability to record and remember for everybody. This book takes you to the time when photographs were not easy to make; time when in order to make a photograph, you should have a knowledge of chemistry, medicine, geology, optics, physics, astronomy. When photography was not the right, but luxury; when it was not done with the click in the split of second, but it was slow work by hand.
Cyanotype, Dive into the Blue Process, is a book that speaks about, for a long time now commercially obsolete but beautiful photographic process, the Cyanotype. The book is not intended for scientific research, advanced or professional photographic artwork. The book is intended for the starters in alternative photo processes and professional that could use simplification of the process. It is the summary of the experiences in working with this alternative process. However, this does not mean that the workflow is not complicated and it should be followed step by step. This book will cover all those steps needed to get educated and proficient in creation process.
Today you can purchase every chemical needed for the creation of the cyanotype already premixed, even already presentenced paper. In that way you just need to put the negative, or the object we want to make a photogram of, and just expose it to the light. In this book you will find not just the chemical needed to make the solutions for mixing the your own magic lights catching potion, but also the reasons to do so.
The cyanotype, the simplest among alternative photographic processes is made with combination of two, easy to get, chemicals. They have to be mixed in proper order and amounts for formula to work. These instructions should be followed strictly; however there is always space to experiment. Once the chemicals are separately mixed, they are also mixed together, and they become light sensitive. Once you have a light sensitive emulsion, you can start your work. In this book, we describe step-by-step, tool-by-tool, how do you get to this step and what you could expect. Everything else is left to you, your intuition, interests and creativity.
For us, it was very important to perceive our work, so we taught it would be for you too. After you are done with creating, it is important to save your work, that is, to archive and present it in the right way. At the end of the book, its last chapters, you can find the sub-chapters that will explain the process of archiving and presenting, such as: flattening you prints; you can learn how to protect it from moisture and too much sun; how to mat your own work, and couple of different ways of framing your print.
And believe me, if we could do it you can do it too