
Welcome! You're going to learn a ton of valuable lessons in this course on Cubase. First, I'll take a minute to orient new students.
This course covers technical information, but this video orientation is meant to remind you that these technical features should inspire our creative process. At least, that is my intention for students taking this course :)
In this video, I'll outline some tips for getting the most out of this course. Each section has been carefully and thoughtfully assembled to help you learn quickly and effectively. By taking advantage of the course's many features is going to be critical to your overall success.
Find out how MediaBay can boost your productivity by organizing your content, samples and loops using tagging and favorites.
Learn tips for making sure you have your libraries properly installed and your audio preview properly configured. We’ll also discuss setting up control room headphone preview.
Customize your defined view for different media types, and learn to manage the tags and attributes in a way that is best for you.
Two search options are built into MediaBay - Logical and Attribute search. This is where you’ll start your quest for the perfect sound or preset.
We can modify how results and attribute filters are prioritized in our display. These customizations can greatly simplify your search process.
See how attribute searches and important preview features can make finding and assembling sounds easy with MediaBay.
Learn how to troubleshoot syncing problems that can occur when MediaBay loops aren’t matching the project tempo correctly.
Wrap-up this section and complete your own “class project” in order to consolidate what you’ve learned.
Gain some over-arching perspective on what Groove Agent SE 5 is capable of.
From sample editing to pattern and instrument pads, we’ll cover the essential tools at your disposal when loading, building or tweaking your drum sounds.
Finding the right kit is an essential step. This lesson describes the processes for efficiently finding, saving and managing presets and custom kits.
Dragging and dropping styles, parts, and MIDI patterns makes building a convincing drum part (with different musical sections) a breeze.
Drag, slice and save your own kit before using the independent styles to play back curated beat patterns over your own sliced kit!
Building a kit from one shots is also a great option - which we’ll cover in this tutorial.
Pattern pad interfering with hit pad
Let's wrap up this section and outline the details for this sections assignment.
Discover the benefits of using a chord track to simplify edits and song production.
Finding chords is easy in the chord editor and you’ll learn how to get started setting up an example chord progression in minutes.
Learn to use complexity. gap mode, cadence and common modes within the chord assistant to get intelligent suggestions when building chord progressions for your track.
There are several ways to get instruments to play the chords from your chord track.
Discover a powerful tool for non-pianists to record convincing piano parts based on their chord track using Live Transform.
It’s worth getting familiar with how chords are voiced differently on piano and guitar. Recognizing this fact helps you make the most of the chord track’s flexible voicing options.
Follow along as we transform a performance of Amazing Grace into a new key with a few clicks - using “Follow Chord Track”
Sometimes we like a particular loop and we want to build our chord track by extracting the harmony from the MIDI loop. In this lesson, you’ll see how easy that is to do!
I share some tips and troubleshooting lessons that I’ve learned that will enhance your experience with using a chord track.
Now, its time to setup your own chord track and use the features we've discussed to get familiar with this powerful compositional tool!
We’ll discuss why the arranger track is helpful and I’ll demo my arrangement workspace tips for working more efficiently with Cubase’s Arranger Track.
Learn how to define the parts of your arrangement using arranger events. These will be the building blocks of your final arrangement.
This lesson explains the steps you’ll take to activate, build and customize an arrangement (or multiple arrangements!).
Arrangement Chains represent your different arrangements. Learn to create, duplicate and rename Cubase’s Arranger Chains.
Learn how to include automation in your arrangement events.
Learn how chord tracks are applied within arrangement events and arrangement chains.
Arrangements can be “performed” in a live performance. Using the Jump Mode, you’ll see how you can customize playback for on the fly
Arrangement flattening offers useful options and this lesson explores your many choices for finalizing your arrangement.
Follow this lesson’s suggestion for a “final project” based on this section of lessons.
Optimize your workflow by taking certain steps and being aware of certain features including expand to fullscreen, root key and more.
We’ll start by searching Cubase’s Caleidoscope collection for samples and track presets that are made with Sampler Track in mind. We’ll also look at setting ranges, fades and using reverse.
One of the great advantages of Cubase’s track presets for the Sampler Track is that new students of sampling can learn sound design by studying presets (as we’ll do in this lesson).
The pitch and filter controls for Sampler Track are common tools for sampling that can be used to alter or correct pitch and timbral characteristics of your instrument.
The amp seems to be a very simple tool, but its implications are significant. The amp (in conjunction with its envelope) can control the ‘shape’ of your sampled instrument.
Pitch, Filter and Amp envelopes offer unique powers of sound manipulation. This lesson explores the common approach to using envelopes to craft our sampled instrument.
Sampler track is not a comprehensive sampler. Fortunately, layering is supported in Groove Agent and this lesson showcases this handy work around.
Having covered many valuable features of the Sampler Track, this lesson is designed to help summarize the features that stand out and are common to most sampling instruments.
Follow this lesson’s suggestion for a “final project” based on this section of lessons.
MediaBay is our first stop for finding and loading midi loops. This demo outlines a reliable workflow for building a foundation for our jazz track.
To start out, we want to identify our arrangement parts (events) and their length. With these identified, we can build out the beginnings of our non-linear arrangement.
Using Cubase’s Chord Track makes it easier to apply a complete harmony (including transpostion).
Groove Agent’s style editor and pre-programmed patterns for acoustic agent kits allows us quick and professional access to suitable drum intro/outro clips.
Using Cubase’s Sampler Track, we can reinforce the attack of our bass part by duplicating the Bass MIDI to a sampler track that is sampling a MediaBay loop.
The power of the chord track comes into its own when we engage “follow chords”. This lesson demonstrates how this feature conforms a MIDI part to the chords in our Chord Track.
It’s time to flatten the project and make any final tweaks to our arrangement.
Automation tweaks can be a great way to introduce variation and enhance your overall arrangement. This lesson provides some simple, but effective examples.
Cubase offers us simple bussing capabilities and accessible FX. These help us organize our mix and put the finishing touches on our audio.
Applying moderate multiband compression, maximizer and dither is often the final step before publishing or mastering a stereo export or stems.
Follow this lesson’s suggestion for a “final project” based on this section of lessons.
Cubase includes the EDM Toolbox loop set and it gives us a great start for loops (from MediaBay). We’ll also organize our tracks.
Placing loops on an arrangement (using Cubase’s Arranger Track) is easy. In this lesson we build the foundation for our track with an intro, breakdown, build up and drop.
Learn to write a solid chord progression for EDM with a switch from minor to major in the drop. This lesson uses the Chord Track and Halion Sonic to create a harmonic foundation.
Since beat agent kits don’t have the built in styles that acoustic agent kits have, Cubase gives us the Beat Agent MIDI Device that can be a great way to program beats or audition beat presets for our track.
Discover that Groove Agent makes layering samples easy… which is great for crafting a layered, beefy kick.
We’ll investigate using multiple snare samples to inject an unpredictable texture into our track.
In this lesson, we’ll look at using sidechaining and MIDI manipulation to turn our (extremely) simple MDI synth loops into a more engaging set of layered arpeggiated and gated patterns.
While our synths are in key, they don’t yet follow our chord track. In this lesson, we’ll conform our MIDI to the chord progression and find/fix some “wrong” notes.
Using samples, audio processing, automation and warping we’ll quickly add transitional sounds and parameter tweaks to keep our arrangement flowing…
Watch how EQ can be used to carve out sonic territory for each synth. We’ll also see how writing automation can add texture and add some finalizing compression for our stems export.
Follow this lesson’s suggestion for a “final project” based on this section of lessons.
We’ll use Cubase’s Arrangement Track to sketch out our track and establish our first Arrangement.
For a rock-style track, we’ll want Groove Agent and an Acoustic Agent kit. This lesson also illustrates the value of styles and the style editor for this genre.
From MediaBay to folder tracks, this lesson assembles, beat-matches and organizes our rock guitar and bass loops.
In this lesson, we’ll make adjustments to the intro, outro and arrangement chain in order to improve the flow of our track.
Hard panning, drum compression and side-chaining the Groove Agent kick are some of the mixing techniques we’ll cover in this lesson.
Here, we’ll explore parallel compression as a way to enrich our guitar tracks before continuing on to our pre-mastering phase.
Here, we’ll explore parallel compression as a way to enrich our guitar tracks before continuing on to our pre-mastering phase.
Finally, we'll wrap-up this section by outlining your next steps to consolidate what you've learned.
Access free bonus materials via the student portal to extend learning in Cubase, including mixing exercises with stems, a Groove Agent Kit, beat tool kit, and finger drumming drills.
This course is for beginners and intermediate home-engineers and producers who want to develop an extended skill set with Cubase. Specifically, this course includes training for:
MediaBay
Groove Agent SE
Chord Track
Arranger Track
Sampler Track
This course will show you exactly how to use the features in a practical way in your Cubase productions. Learning to use these features will speed up your workflow, make your productions more professional and allow you to get a lot more creative in the studio.
If you've upgraded Cubase (or you're a new user) and you've never learned to use these tools because they might appear confusing or unhelpful, then you are going to undoubtedly benefit from the lessons in this course! Get to know these tools and you'll never go back :)
Organize Cubase with MediaBay
MediaBay is one of the first tools that Cubase users overlook. But, here's a few of the reasons why everyone (no matter what styles of music you're making) should learn to set it up and use it correctly:
First, MediaBay brings everything under one roof. You may be looking for a sample and happen across a loop that you didn't know you had (or forgot :). Since MediaBay can track enormous amounts of different kinds of content, it is one of the best available tools for your file management... and it comes built-in - for FREE!
Next, MediaBay encourages producers to get organized. In this course I'll offer some tips for tagging and organizing your loops, samples and presets in bulk using the attribute inspector (a tool which doesn't even show up by default). How much time it takes to organize your content will be different for each student (depending on their library). Nonetheless, getting organized will help EVERY producer stay creative.
The MediaBay not only keeps you organized, it can play back loops in the context of your project... before you even drag it in! This means you can listen to thousands of options IN CONTEXT before you decide to add it to your project. It will follow the tempo, key and even start and stop with the main transport.
Demystify Groove Agent... FINALLY!
I've encountered many producers who let Groove Agent SE sit in their VST collection for ages without really using it. For some, it is because they don't need a drum machine (however, it is also a pretty powerful sampler!). For others, it is because they don't "get" it - I'll be the first to admit the user interface obscures the incredible power and flexibility of Groove Agent. Here are a few of the things you'll probably start doing once you've taken this course:
Have you ever wanted to compose an original drum track that sounds and feels like a human being actually played it? Of course you have - we ALL have. Groove Agent can do that easily... once you know how to use it. It's actually pretty easy and there are so many styles and kit choices to mix and match that (with the help of the attribute search) you'll find something for any project.
Are you a sampling fiend and you frustrated that the Sampler Track won't permit layered sampling? Well, Groove Agent SE does! Furthermore, you can just migrate any Sampler Track (envelopes and all) to a pad in Groove Agent with the click of your mouse!
Do you like the "idea" of a drum machine, but find it too fiddly to record the parts and get them into your project? Well, Groove Agents patterns can just be dragged into your project - right from Groove Agent. You don't have to route MIDI and hit record (although you can if you want :).
Do you wish you could freshen up your beats with fills and different types of complexity without having to manually tweak MIDI clips for days on end? Me too! That is why I use Groove Agent SE's Auto-Fill and Auto-Complexity modes to ensure that my drum parts sound and feel like they were actually played live. I can have my drum part finished (from scratch) in just a few minutes - human, well-mixed, professionally sampled - I'll show you how to do this and more...
Up Your Game & Write Better Chord Progressions...
The Chord Track has been around for a while, but it is under-recognized as a tool for every producer to be using! Not only will the Chord Track refine your harmonic skills, but it will allow you to work more flexibly with your MIDI - even reharmonizing MIDI that you've already recorded! Here are some of the highlights from the Chord Track lessons in this course:
For producers who need some help generating ideas for harmony and chord progressions, the Chord Assistant feature comes to the rescue. I'll show you how to identify complete chord progressions as well as finding chords that work well with the chord before/after any specific chord in your progression. You can use the Chord Assistant to explore different options based on "musical proximity" and make writing chords fun!
Discover the Live Transform feature which enables you to play a pattern on your MIDI keyboard that the Chord Track will "transform" in real time to match the chords in your chord progression. This is the best of both worlds - play the chords you want, even if you aren't a piano player (or your using a non-keyboard MIDI controller).
Did you know that you can extract chords from an existing MIDI part and create a Chord Track automatically? This only takes a few clicks to turn a MIDI recording into a Chord Track. We'll go over this step-by-step with a MIDI clip from Amazing Grace. You'll see how easy it is and then you'll start wondering why this isn't bigger news :)
One of the most valuable tricks in the Chord Track section is all about conforming MIDI parts (that are already recorded - like MIDI loops in MediaBay). With a few clicks, you can transform the MIDI to follow your chord track while keeping the original MIDI part's timing and performance nuances. Imagine that you record a piano player as MIDI. Then, a week later you decide to change one of the chords they played... Yep, that's actually easier than you might think...
Arrange, Re-Arrange, Repeat
This course includes a full guide to the Arranger Track - a paradigm-shifting approach to composing. This tool allows us to craft song sections (verse, chorus, drop, breakdown, etc.) and then tell Cubase how to plug them all together into a final production. The implications of this tool are massive and include the following scenarios:
Many producers have musical ideas that they want to use over and over. This workflow meant copying and pasting... until now. Some of the real-world uses for the non-linear compositional approach include:
Transition FX
Automation Snippets
Chord Progressions
Multi-part MIDI Harmonies
If you're a fan of Ableton Live's session view and scenes for live performance, then you should check out the Arranger Track which can operate live to play arrangement sections (exactly like Ableton Scenes). You can even bind them to keyboard commands and trigger your multitrack Cubase arrangement remotely on stage.
Not sure what the perfect arrangement of you track would be? How many choruses should we have? What will this bridge sound like in different keys? With the Arranger Track, you simply build your section and "Flatten" out as many projects as your heart desires. This is a powerful ally in the search for the perfect arrangement!
Sampling Made Simple and Playable
Cubase includes a dedicated track type that runs a simple, but powerful sampler - including loop modes, crossfades, pitch/filter/amp envelopes and much more. Sometimes you don't have the instrument you want... now you can make it on your own. Some highlights from the Sampler Track section include:
If you're a fan of Ableton's Simpler, then you'll recognize how all the features of the Sampler Track work. It is easy enough for newbies to use, but powerful enough to make great sampled instruments. We'll talk about instrument design, use cases for envelopes and filtering.
Want to learn sampling? That is a great idea - Cubase contains a very broad collection of Sampler Track presets that you can pick apart, analyze and learn from. It's like going to school for sampling (if you're into that sort of thing :).
While the sampling tools are powerful, the ability to treat a Sampler Track as an Instrument Track - like having a mixer fader, channel strip, inserts and sends - makes the Sampler Track intuitive. If sampling isn't your thing, then simply load up one of the awesome presets and just use it like you would a Halion Sonic patch :). There's very little investment, but also an awesome return. Have fun!
More Than a Walkthrough
While many courses focus on feature walkthroughs of software, this course concludes with not 1, but 3 case studies. Each case study builds a full track (rhythm, harmony, FX and mixing) in one of 3 specific (and totally unrelated) genres: Jazz, EDM and Rock. I've used Cubase for more than 15 years in both professional and personal projects I share my process and tips in these unique case studies to help you apply what you've learned in the first several sections of the course.
From searching MediaBay to Maximizing your finished track, each case study comes with 2 projects:
An arranger project - containing all the tracks and the arranger sections that we build throughout the case study.
A final stems project - containing the version of the arranger track that we "flattened".
Of course, you're always free to open the arranger project for each case study, make tweaks and "flatten" out your own original take.
Helpful Quizzes & Assignments
Many sections contain both a quiz and an assignment designed to help every student consolidate what they learn and provide a way to apply that knowledge in Cubase using the tools that we discuss throughout the course. There is a lot of overlap - so as the course moves along, so does the complexity of our creative work. For example, we'll use the Sampler Track in our Jazz case study, while we incorporate arpeggiators to enhance our EDM track. The use of Beat Designer in conjunction with Groove Agent is another great example of how we explore features in Cubase that are practical and actionable. The quiz will test your knowledge, while the assignments will get you applying what you've learned in a real-world context.
If you suspect that Cubase offers more than you know... you're probably right :). Cubase is a very deep DAW with powerful features that pros (like Hans Zimmer, Zedd, Paul McCartney, Kraftwerk, Glitch Mob, Meshuggah, New Order and Tiesto) use every day to produce. This course will expand your knowledge of these features and inspire you to get creative. I look forward to seeing you in the course!