
Explore the Cubase workspace and customization, then record a full song with acoustic and electric guitars, drums, bass, piano, pads, and vocals, followed by editing, mixing, and mastering.
Learn to set up your audio interface in Cubase, choose ASIO driver, and optimize buffer size to balance input/output latency and system stability for fast music production.
learn how to set up inputs and outputs in cubase, including naming vocal mics, routing to mono and stereo tracks, and configuring audio connections for your interface.
Set your record file format in Cubase to balance quality and storage. Record at 44.1 kHz and 24-bit, then render to 16-bit wave or 24-bit MP3 as needed.
Navigate the Cubase project zone to add, remove, and rename audio or instrument (VST/MIDI) tracks, assign inputs via studio audio connections, and adjust visibility, mute, solo, and record.
Explore the right zone toolbar for managing VST instruments, adding, replacing, or removing tracks, and editing them in the rack with meters and media options.
Explore the Cubase mix console, configure displays and visibility, then link channels for synchronized faders with suspend and absolute modes; use quick link and snapshots to compare mixes.
Learn to create and manage marker tracks in Cubase to visualize where song sections begin, assign names like intro, verse one, and chorus, and customize marker colors for quick navigation.
Expand Cubase color palettes by adjusting track and event colors and enlarging presets to 32 colors and four tints for a pastel-friendly workspace.
Explore how Cubase versions differ and how VC instruments, such as Groove Agent and Halion Sonic, shape your tools; upgrade to the Elements level and consider student versions for access.
Set up a Cubase project from scratch, record a foundational guitar track for a simple worship song, layer key instruments, edit for great takes, and mix, master, and export.
Organize your production with clear charts and planning center, ensuring arrangements, lyrics, and instrumental parts are transposed and shared for seamless collaboration.
Explore how external outboard tube microphone preamps deliver warmer, fuller sound and richer saturation, often outperforming built-in interface preamps for pro-grade recordings.
Set your metronome to 70 BPM, choose a time signature like 4/4 or 3/4, and adjust the click pattern, count-in, bars, and custom sounds for recording.
Record a rough vocal take in cubase to build a vocal guide over the instrumental track, then apply processing and reverb. Learn to link channels with a VCA for balance.
Save parts with distinct names or dates, use linear and cycle recording with markers for intro, verse, and chorus, and perform multiple takes with basic comping.
Explore MIDI comping methods in Cubase, from the built-in comp tool to a manual audition workflow across lanes, building a master take with sustain and velocity control.
Learn to edit piano MIDI velocity and other CC controls by adjusting individual notes or in bulk, using drag, double-click input, and relative changes across selections.
Learn to record drum tracks with a MIDI keyboard while exploring themes of faithfulness and the goodness of God expressed in song.
Edit midi drums by switching to a drum map and editing notes in the drum editor, then quantify with grid snapping and velocity adjustments for a natural, precise drum track.
Learn to configure audio inputs and buses for recording electric guitars in Cubase, set up mono and stereo guitar tracks, and arm recording with click and markers.
Record electric guitars in Cubase 12, 13, and 14, and complete a full song production for your next track.
Comp and edit electric guitar takes in Cubase using cycle recording and markers. Audition, mute, and apply crossfades, then duplicate for left-right stereo to tighten the performance.
Using Variaudio
Clean up and align all tracks in cubase by setting a common start time, snapping to the grid, trimming gaps, and applying fades to ensure on-time starts and endings.
Learn fundamental volume automation in Cubase, drawing precise changes with the pencil tool and Alt, and manage read and write modes with group faders or VCA tracks to control dynamics.
get a behind-the-scenes look at the shadow of your wings project, featuring piano foundation, automation on the lead violin, double-tracked guitars, muting decisions, and exporting for mastering in Cubase.
Explore a real Cubase project from rough takes to comping and organizing input tracks, exporting for pre-mastering and mastering with a multi-band compressor on the master bus.
Welcome to the latest Cubase Essential Training Course!
You are going to learn how to use Cubase by recording an entire song!
This course will cover versions 12, 13, 14, 15 onwards! If you have versions 10 & 11 that's fine too. The majority of the teachings are applicable!
After years of producing music for artists and myself, I have found that there is no better way to teach someone how to use Cubase than by leading them through the production of an entire song.
This course is the real deal!
Think of it as you doing a personal 1-on-1 internship with me in my studio as I walk you through how to setup Cubase, tell you the most important controls, then take you through the process of recording and mixing every single instrument all the way to the final stages of mixing, mastering, and exporting your final track.
The course is intended to teach you the most important and fundamental controls and features of Cubase and how to use them to complete a full song production by showing and leading you through the ACTUAL PROCESS.
By the end of this course, you should feel equipped an empowered to use Cubase to record your own songs and albums and release them to the public.
No stone is left unturned for the beginner or intermediate user. Everything from setting up your tracks, to recording, comping, editing, pitch correction, EQ, Compression, Reverb, etc. is covered in this course.
My goal here is to help take someone who is completely new to Cubase and transform them to the point of a relatively high level of competence so they are able to release their own music with confidence.
I hope you enjoy this course, its my honor and privilege to show you how the whole process works.
Have fun learning and recording!
Blessings,
Mark