
In this lecture, I introduce myself and explain why I'm best placed to give this course. By the end of it, you'll understand that this course condenses everything I've learnt from reading thousands of submissions to top book agents into a pragmatic guide full of hints and tips, while also explaining what it takes to make it as a writer at the top level. Above all, I want to support you to become a resilient writer who believes in themselves and their work.
This lecture outlines exactly what you'll learn in the course. It explains how I've created it to help you avoid the most common mistakes and pitfalls I see when people submit to literary agents and are ultimately rejected.
This lecture defines being traditionally published, explaining how traditional publishing and self-publishing differ, as well as explaining terms like 'Big Five Publisher'.
This lecture focuses on the importance of the literary agent in being traditionally published by a major publishing house. By the end of it, you will understand what a literary agent does, how the roles of a publishing house and a literary agent differ, and why you should be wary of Vanity Publishers.
In this lecture, we define genre and explain its importance as a promise to the reader that everyone in the publishing chain is committed to upholding. By the end of the lecture, you'll understand what agents are looking for in your submission when it comes to genre.
In this lecture, I explain what 'comp' titles are and why they're so important to agents. I'll also explain why not reading enough is one of the most common mistakes I see in writers submitting to agents.
By the end of this lecture you will have an understanding of why the hook is one of the most important things to get right when writing a novel. I'll take you through all of the steps in the publishing process which use your hook and help you gain an understanding of what makes a killer hook through activities and resources which you can then apply when working on your own hook.
In this lecture, I take you through a step-by-step process for creating your agent shortlist. I'll provide you with a list of agents and their websites, as well as the resources recommended by top agents on how to find them. By the end of this lecture, you will have created an agent longlist, which I will then help you whittle down to your shortlist. You'll also fill out my spreadsheet template which will set you up with a step-by-step guide on how to approach agents.
This lecture helps you avoid one of the most common mistakes I've seen while reading thousands of submissions for book agents: submitting before you're ready. This lecture will support you to take the time you need when preparing for the submissions process so that you don't scupper your chances at the final hurdle. I'll provide you with a checklist that takes you through "How to Know You're Ready to Submit".
This is a practical lecture which guides you through preparing to submit. By the end of it you'll have created your own Cover Letter and Synopsis using my templates and insider tips. You'll also be able to download a guide to Troubleshooting Your Writing Sample, based on some of the common mistakes I see.
This lecture gets real and talks to you about the one thing everyone in the publishing industry knows but perhaps isn't always totally transparent about: you will get rejected at many points in your writing career. As such, it's essential that you examine your relationship with rejection. By the end of this lecture you will understand that rejection is inevitable and nothing to be ashamed of, and we will have worked on reframing your mindset into a growth mindset that looks for the learning opportunities in every rejection.
This lecture looks at the importance of building resilience when undertaking the marathon process of writing and publishing a novel. By the end of the lecture you will understand why it's resilience that will see you through to the end of publishing your novel when other forms of motivation have failed. I also guide you through understanding why your story is so important and matters deeply to the world and how knowing this helps you build resilience. .
Do you dream of seeing your book on shelves in major bookstores, published the traditional way?
Breaking into traditional publishing feels like trying to open a locked door. Most writers don't know how to find a book agent, what agents actually want, or how to write a submission package that gets noticed. This course changes that.
Sarah Revivis Smith, a literary reader with nearly ten years of experience, has read thousands of submissions from writers just like you. She's worked with literary magazines, top literary agents, and authors published by Big 5 publishers, and she's discovered writers in the submissions pile who've gone on to win the Costa Short Story Prize, the Betty Trask Prize and be nominated for the Women's Prize for Fiction. She has a good idea of what agents reject, and why.
In this comprehensive course, you will:
Understand what a book agent does and how the publishing industry really works
Learn what agents are looking for in: genre, hook, "comp titles," and more
Build a personalised shortlist of agents best suited to your novel
Use Sarah's proven templates to write a compelling cover letter and synopsis
Populate an Agent Approach Spreadsheet to manage your submission process
Reframe rejection as a learning tool and build long-term resilience as a writer
The course is designed around short, dense, action-focused lectures made to be watched in one sitting so you can immediately apply what you've learned. Every activity is hands-on, guiding you to actually build your submission package rather than just theorising about it.
This course is for you if:
You have a completed novel (or nearly completed) and are ready to query agents
You've been querying without success and want to know what's going wrong
You're serious about traditional publishing and want expert insider guidance
Stop guessing. Start submitting with confidence.