
Learn how to prepare an egg tempera solution by separating yolk, creating an emulsion with vinegar, filtering out membranes, and combining with dry pigments for portrait painting.
Discover a very limited yet effective egg tempera palette, featuring titanium white, cadmium reds and yellows, iron oxide red, vermilion, cobalt blue, and other toxic pigments to handle safely.
Learn essential brushes for portrait icon painting, including Collins key and synthetic round brushes for faces and clothes, square brushes for gilding and large areas, and controls for base colors.
Identify the plywood board prepared with calcium carbonate and rabbit skin glue as the tempera and gold leaf painting surface, and decide to make it yourself or buy it online.
Practice egg tempera techniques with simple exercises to build brush control, blending, and line work typical of iconography, using transparency and value to model color.
Master a limited tempera palette to create a portrait, starting with black-and-white underpainting, then building clothes and background with ProPlus base colors and rapid blending.
Learn to build a portrait from a green-brown base for the face and hair, then layer facial features and shadows through careful observation using tempera, guided by a reference photo.
Apply the first light on the face using a pink-toned flesh palette and feathered blending with in-between colors to build form in tempera portraits.
Learn to paint portraits with the second light and highlights, building volume through transparent layers and back-and-forth blending. Practice observation and tempera techniques inspired by Botticelli.
Learn to paint the mouth and eyes by observing tones and shapes, integrate them with the skin using layered reds, blues, and glazes to maintain lifelike likeness.
Paint hair with layered light and bright highlights using a controlled palette while observing a reference. Embrace studio practice, art history, and personal creativity over copying to develop your work.
Study how to paint portraits like a master by examining Botticelli's Portrait of a young man in part 1.
Part 2 of the crash course to learn how to paint portraits like a master weaves story and ethos through diverse references, including Yousafzai, Sarah Vaughan, and Elvis Presley.
In this course I teach how to paint in the style of the old masters, by painting two portraits of the great painter Sandro Botticelli. I explain the process step by step, from how to do the underpainting on a white gessoed surface, to painting the various layers of shadow and light and thus reveal the volume and beauty of a painted portrait, and to its completion with painting hair and clothes. Along I share information on the appropriate pigments and brushes, and the use and treatment of color. You will understand how the palette of a painter works and what are some best practices when we are in the studio. This course will teach you how to paint amazing portraits by using this technique, and thus enrich your artistic skills. By the end of this course you will be able to understand the concepts of painting in a rich visually style and apply these techniques not only on paintings referring directly to the old masters, but also to your own artistic practice. This course will help you understand what visual interest/richness means when we are painting portraits and give you the keys to achieve this level of expertise yourselves. I use and extensively describe the performance of egg tempera, but this course can be absolutely work perfectly for artists who use acrylics or gouache as their medium.