
In this video you will learn the definition of counterpoint.
In this video you will learn the difference between simple and complex intervals. You will also learn how the horizontal affects the vertical and how to notate the intervals formed between two melodies.
In this video you will learn which intervals were considered consonant or dissonant during the Baroque period.
In this video you will learn about the four different types of melodic motion.
In this video you will learn the definition of the term voice. You will also learn the various ways in which one voice can move in relation to another voice and which types of relative motion are best suited for independent melodic lines.
In this video you will learn the definition of a cantus firmus and a brief history.
In this video you will learn the basic components for writing a cantus firmus.
In this video you will learn the various ways in which motion affects the cantus firmus.
In this video you will learn how to shape a cantus firmus through beginning, apex, and conclusion.
A summary for writing a cantus firmus.
In this video you will learn a brief overview of species counterpoint.
In this video you will learn the rules for beginning a first species exercise.
In this video you will learn the rules and guidelines for the middle of a first species exercise.
In this video you will learn the rules for ending a first species exercise.
In this video you will learn about spacing rules and various types of motion that should be avoided.
In this video you will learn the four voice types, their ranges, and their typical pairings in two voice counterpoint.
A summary of the rules and guidelines for first species counterpoint.
A list of tips to help in the writing of species counterpoint exercises.
In this video you will learn how to use the Art Infuser web site to check your work.
Exercises to be completed for first species.
In this video you will learn what defines second species counterpoint.
In this video you will learn the rules for beginning a second species exercise.
In this video you will learn the rules and guidelines for the middle of a second species exercise.
In this video you will learn the rules for ending a second species exercise.
In this video you will learn the rules for parallels in second species.
A summary of the rules and guidelines for second species counterpoint.
Exercises to be completed for second species.
In this video you will learn what defines third species counterpoint.
In this video you will learn the rules for beginning a third species exercise.
In this video you will learn the rules for which quarter notes may be consonant or dissonant in third species.
In this video you will learn about passing tones and double passing tones in third species.
In this video you will learn about the various types of neighbor tones in third species.
In this video you will learn the definition of a nota cambiata and the rules for writing one.
In this video you will learn the rules for ending a third species exercise.
In this video you will learn the rules and guidelines for parallels in third species.
A summary of the rules and guidelines for third species counterpoint.
Exercises to be completed for third species.
In this video you will be introduced to syncopation in fourth species.
In this video you will learn the rules for beginning a fourth species exercise.
In this video you will learn the rules for half notes in fourth species.
In this video you will learn about the three parts to a dissonant suspension.
In this video you will learn about eight possible dissonant suspensions in upper and lower voices. You will also learn which should be used more frequently and which to avoid.
In this video you will learn about consonant suspensions and why you need to use them occasionally.
In this video you will learn the rules for unisons and repeated pitches in fourth species.
In this video you will learn the rule regarding a series of same numbered suspensions and ways to avoid breaking this rule.
In this video you will learn the definition of breaking species and rules for when and why to break species.
In this video you will learn the rules for ending a fourth species exercise.
In this video you will learn the rules for parallels in fourth species.
A summary of the rules and guidelines for fourth species counterpoint.
In this video you will learn the definition of florid counterpoint.
In this video you will learn the rules for beginning a fifth species counterpoint exercise.
In this video you will begin learning some basic guidelines for mixing note values in fifth species.
In this video you will learn rules and guidelines for where long and short notes should be written in fifth species.
In this video you will learn the four rules for writing eighth notes in fifth species.
In this video you will learn the four ways in which you can decorate suspensions in fifth species.
In this video you will learn guidelines to make the melodic and rhythmic contour coincide.
In this video you will learn the rules for ending a fifth species exercise.
In this video you will learn the rules for parallels in fifth species.
A summary of the rules and guidelines for fifth species counterpoint.
In this video you will learn about the four major changes that result from the addition of a third voice.
In this video you will learn which types of triads are considered consonant in three voice counterpoint.
In this video you will learn the difference between complete and incomplete triads and rules for when to write them.
In this video you will learn rules and guidelines for doubling pitches in three voice counterpoint.
In this video you will learn the rules for consecutive identical intervals in first species for three voices.
In this video you will learn the rules and guidelines for spacing between the three voices.
In this video you will learn the rules for parallels in first species for three voices.
In this video you will learn the rules for beginning and ending a first species counterpoint exercise for three voices.
In this video you will learn the six possible arrangements of the three voices in second species.
In this video you will learn the rules for beginning and ending a second species counterpoint exercise for three voices.
Counterpoint is the art of combining two or more independent melodies. In this course, by award-winning composer Jonathan Peters, you will learn how to write counterpoint using a method called "species counterpoint". Many of the great composers of the past learned counterpoint through this method and also taught this method to their students.
This course covers all five species of counterpoint, each species following a certain set of rules that guide the learner through various aspects of the art. In the first half of the course, you will study two voice counterpoint (two simultaneously occurring melodic lines). In the second half of the course, you will study three voice counterpoint (three simultaneously occurring melodic lines).
There are hundreds of diagrams and audio examples, as well as quizzes and writing exercises for you to download and complete.
At the time of this writing, there is also an option to have your exercises automatically checked with counterpoint analyzing software. This is a free tool and a video tutorial is included on how to use this software.
Learning counterpoint can be a daunting undertaking. This course aims to make a somewhat difficult subject matter as straightforward and as easy to understand as possible.