
Explore the theory of barre chords with the E and A shapes and learn to use a full bar and half bar, keeping open strings in motion for smooth transitions.
Master four barre chords—F major, G major, B-flat, and C—using the D/E shape, understand octave differences and chord construction, while maintaining proper posture to avoid strain.
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Learn the key of F major, master three main chords: F major, B-flat, and C7, through simple barre and open-chord arpeggio exercises to improve left-hand technique.
practice exercise 2 prelude in f, focusing on f, b-flat, and c shapes with full and half bars; develop barre technique, finger flexibility, and alternate fingerings for f major chords.
Master the pivot finger half-bar study in F major by Carcassi, moving through C-7 with B flat and D minor shapes in 3/8 time, using four fingers across four frets.
Master Em and Am shape minor barre chords by moving the major shape across the sixth and fifth strings, and drill barre chords with the circle of fifths.
Master a two-octave c major scale and arpeggio on classical guitar, with fingering in the first position and a focus on the sharp sequence F#, C#, G#, D#.
Learn the B-flat major scale in two octaves on guitar, with the two-flat key signature, positions around frets five to eight, and the note-naming technique.
Explore the G harmonic minor scale across two octaves, compare it with the melodic minor and B-flat major signature, and practice guitar fingering in third and second positions.
Master the G melodic minor scale across two octaves, ascending with raised sixth and seventh, descending to natural notes. Apply movable pattern from second to third position on classical guitar.
Study the Largo from Dvorak's New World, practicing the B-flat major scale with scale-based fingerings, visualizing notes across frets five to eight to build memory and fluency.
Learn a classical guitar aria with a flowing bass line and shifting positions; master p i a fingering and quick pull-offs and hammer-ons.
Andante op. 60 no. 14 by Sor, focusing on right- and left-hand technique, grace notes, pull-offs, rest stroke vs free stroke, and a walking bass in 3/4.
Explore Ejercicio (valse) by Jose Ferrer, a London College of Music grade three piece. Learn arpeggio patterns in A minor in 3/8 with right- and left-hand technique.
Compare natural minor, harmonic minor, and melodic minor scales from original scale with the same key signature; harmonic raises seventh, melodic raises sixth and seventh ascending, then descends to natural.
Explore keys and key signatures by examining how major and relative minor keys share scales, how sharps and flats form signatures, and memorize the sequence to identify the key.
Learn how to find the relative minor of any major scale, noting they share the same notes and key signature, and apply two methods—up six degrees or back three notes.
Explore major chords as triads of the 1st, 3rd, and 5th degrees of the major scale, and learn how these shapes navigate the fingerboard on classical, acoustic, and electric guitars.
Explore the three principal chords in major and minor keys—the tonic, subdominant (IV), and dominant seventh (V7)—and the famous 1–4–5–1 progression in any key.
Explore how chord voicing rearranges notes from root to inversion, using the C major chord’s root, third, and fifth, and how second inversion alters the bass.
Explore how the dominant seventh is formed by adding a flattened seventh to a major triad, with C7 and G7 as examples, and connect this to key signatures.
Learn right-hand melody variations on two patterns, alternating between the second/third and first/second strings, using major and B-7 chords with a walking bass in the key of A major.
master the Forrest Gump feather theme in the key of G, part A, with a two-bar pulse, hammer-ons, bass movement, and transitioning from major to minor chords.
Explore the second part of the Forrest Gump fingerstyle piece, featuring hammer-ons, pull-offs, and the C major scale and G major scale, with hands split for practice.
Explore harmonic minor texture of 13 days in France, with F sharp key signature and chords like F sharp minor seven, B-7, G major seven, and C major seven.
It’s time to roll up your sleeves and start playing advanced classical guitar music. This is your 5th course in the series “ Classical Guitar Essentials”, and you are about to enter the advanced level.
Over the last four courses, we established a very solid base to build upon it. If you’ve been following the courses, this one will take you a few steps forward in your journey.
The first section is dedicated to studying the Bar chords, something all beginners struggle with and even some intermediate players. We will learn about the Major and Minor bar chords only, the rest will be covered in later courses.
In the second section, we are dealing with the technical work for Grade 3 of London College of Music. This is where you are right now, so you need to learn this. Knowing the scales and arpeggios of this grade gives you huge advantages and technical abilities to be able to play the music pieces.
Next, we dive into the repertoire of Grade 3 with three of my favorite pieces: Aria, Andante by Sor, and Valse. These pieces will test your skills and your bar chord abilities, and of course, prepare you if you want to take the real exam.
After this, I dedicated two sections to music theory. Learning where the minor scales comes from, what are the relative keys, and how chords are constructed and other theory stuff is part of being a musician. Don’t worry about it, I explain everything with ease and link it to stuff you already know.
Then we have something new, an entire section for the finger-style technique. I always thought that classical guitar is the father of the finger-style technique, so from now on every course we will have a section about that. This will enable you to play pop or rock songs like “Stairway to Heaven”, or Simon and Garfunkel songs with ease and joy, so don’t skip it.
Finally, I end the course with a Concert Piece called “13 Days in France” by Francis Lay, a beautiful melody with everything you learned about bar chords and fingerstyle in there.
It’s time to take action and join more than 7000 students who took my courses.
See you on the other side.