
Learn to compose icons using rhythm and the transverse principle through examples of Theotokos and Christ, embracing poses, curved axes, and halo conventions.
Master the basic structure of Theotokos and Christ icons by planning head proportions and neck length. Adjust arm positions and angles to achieve composition while leaving space for the hailer.
Join details to form the structure, adjust the face and forehead, and use rhythmic folds to guide the eye to the face and head covering, shaping the arm and hand.
Master the details of the Theotokos and Christ icon by refining lines for continuity, then rendering the face, garments, feet, and hands with careful adjustments.
Draw the Theotokos with three stars signifying her ever virginity, and create equal halos top and sides, then add inscriptions and adjust by distance or a photo.
In Series 9 of the Byzantine Iconography Drawing Tutorials we will be putting together everything that we have learned in the previous series by learning how to compose icons. Everything in this series builds on what has been taught in the previous eight series of tutorials so it is important that students have completed the previous Series. In particular, they need to have completed the tutorials in Series 1 Drawing the Face, Series 2 Drawing the Half Figure, Series 3 Garment Basics, at least parts 1 and 3 of Series 3 drawing the Full Figure, Series 5 Drawing 3/4 Figures, Series 6 Drawing Seated Figures and Series 8 Drawing Mountains and Landscapes.
We will start off the Series by composing an icon of two figures (Theotokos and Christ) then a figure in a landscape setting (Prophet Elijah) and finally figures in a setting with buildings (the Annunciation).
In Part 1 of this Series we will start off learning how to compose an icon of the Theotokos Glykophilousa (Sweet Kissing). We will study various icons of this composition and see how rhythm is used in them. Then we will create our own composition of the Glykophilousa style icon. I will explain what I'm thinking as I create the basic structure and rhythm of the icon, before we move on and fill in all the details of the icon.
Required Materials: Pencil, paper and eraser