
Learn how buildings, landscapes, and objects in Byzantine iconography support composition through rhythm, line, and projection, uniting elements with the viewer to express harmony and the unity of Christ.
Explore how to compose buildings to create rhythm and projection, using diagonal lines and relative perspective to study their top-down world view, with Dymchurch as a reference.
Explore how light reveals details of buildings and city scenes, with the lighter side facing the viewer and lighting that does not follow a single direction.
Apply composition principles to landscape elements, mountains, water, and trees, using rhythm, movement, and light to unite scenes and reveal a transverse perspective in iconography.
Create a transverse X composition, place mountains on the left and right, align river banks with them, and use light to project forms toward the viewer, opening the scene.
Layer lines so the left line sits in front of the right, drawing the viewer in; keep mountains simple with jagged edges, add shadows, and consider colored paper with highlights.
Explore rhythmic landscape construction in Byzantine iconography, detailing hills, rocks, a cave, and trees, with rhythmic leaves, gloss, and water that create depth and viewer-facing forms.
In this series we will be studying buildings and landscape elements as well some of the basic rules of composition.
In the previous tutorials we have studied figures and have seen the importance played by rhythm in creating the sense of both movement and stability as well as harmony and unity. Now we are going to look at the environment that surrounds the figures.
In this first tutorial we will be starting off with buildings and objects. Now you might be thinking why would I need a tutorial about drawing buildings as they are so simple to draw, but buildings and objects in Byzantine iconography are not simply shapes nor do they try to portray a realistic or historical setting where the event took place. It is important to understand WHY we draw these elements in the way that we do because they play a very important role in the rhythm and movement of an icon.
Just a figure is drawn and painted in a manner that projects it off the surface into the same time and space as the viewer, the same thing applies to buildings and other objects. So what we’re going to be doing is seeing how what at first seems like simple lines and shapes are used to do this.
In the first tutorial we will study how the basic rules of composition are applied to buildings and objects and how rhythm, the transverse principle and vertical perspective are used to project the forms out towards the viewer. In the second tutorial we will see how all this applies to landscape elements like mountains, rivers and trees.
Required Materials: Pencil, paper and eraser.