
Trace the evolution of crucifixion imagery in Byzantine iconography from early concealment to later, twelfth-century forms, noting orthodox calm and the inscription 'the king of glory'.
Set up the basic figure with a baseline and horizontal line, then position the head, raised shoulders, and lifted arms, refining the torso with a curved hip, as in tutorials.
Analyze how a curved line divides into three parts, echoing the burial of Christ with an upright form, while cloth wraps the waist and hangs down to emphasize angular relationships.
Examine how inscriptions on Byzantine crucifixion icons label the king of glory and how abbreviated forms convey meanings around the face of Christ.
Explore studying an angel in Byzantine iconography, emphasizing a frontal upper body and twisted lower body in the second tutorial of series seven.
Define the basic figure by outlining the line angles of the upper body, raised shoulders, arms above the head, a frontal torso, dynamic leg movement, halo and wings.
Drape the cloth over the shoulder to reveal a transparent relationship with the body, then use line to model the leg and stomach, building volume.
Draw the arms and hands, reveal part of the palm and fingertips, and render the halo and wings, with cloth billowing over the shoulder using see type polls.
Develop the hair and face to complete a flying angel figure, and continue practicing this Byzantine iconography drawing tutorial.
Series 7 is the final series in which we will be studying figures. In this short series we draw two additional full figures. In Section 1 we will study the figure of the Crucified Christ and in Section 2 we will draw a flying angel in a complex dynamic pose where the upper figure is in a frontal position and the lower part of the figure is twisted.
Required Materials: Pencil, paper and eraser.