
Learn to draw the full figure of St. John the forerunner in diverse poses within orthodox iconography. Build rhythm in the camel hair garment and note placement toward Christ.
Learn to build a simple gesture to establish movement and rhythm in drawing, balancing mechanical structure with a flexible, rubbery feel to develop a natural sense of rhythm.
Practice creating a rhythm in a camel hair garment to convey movement in the full-figure drawing. The example shows Michael facing us, using rhythm to emphasize motion.
Learn to draw a sleeve with volume by shaping lines around the shoulder to render the arm, and explore an almost circular movement on the shoulder to convey depth.
Depict Saint John moving toward the icon of Christ in a desert ascetic pose, with foreshortened arm holding a scroll, a staff, and a mantle that shapes transverse relationships.
Learn to render the mantle and garment on a full figure by tracing its volume, curves, and hanging folds as the leg moves, showing how drapery falls and gathers.
Explore drawing techniques for the full figure in Byzantine iconography, focusing on depicting a camel hair garment, the hand, and the shoulder to convey form.
Master drawing the full figure in Byzantine iconography by detailing hands, a scroll, feet, garment, hair, and a staff, with cross and surrounding elements.
Master drawing the face in the Byzantine iconography full-figure series through a concise tutorial that guides continued practice and exploration.
Learn how Byzantine icons depict angels and archangels with wings, garments, staffs, spheres, and banners, and explore the hierarchy from seraphim to thrones in liturgical imagery.
Start with the wing’s basic structure from the shoulder and build it up in layers. Use warmer colors on the outer part and cooler colors at the end for contrast.
Master the basic structure for drawing Archangel Michael, mapping head position, shoulder height, a twisting torso, outstretched legs, wings, halo, and flowing garment.
Develop the full figure by refining basic form, shaping garments with twisting movement, volume, and gathered folds, while using a ruler to place staff in the St. John icon.
Study drawing the wings and face, adjust feather lengths and halo rhythm, and render Archangel Michael from a new angle to complete the full figure.
Learn to depict the full figure of warrior martyrs in Byzantine iconography, contrasting garments with roman military dress, adding armor details, weapons, and dynamic stances.
Establish the basic structure of the full figure by laying the axis line and width, then sketch a rough S-curve to convey movement before detailing.
Explore the full-figure garments, focusing on the breastplate, waist piping, and decorative patterns—transverse angles, scale patterns, circular tracks, and metal plates—along with the arms holding a spear and a sword.
Develop the full figure with volume, emphasize garments with a transverse pattern, and depict leather boots, then finish by drawing the face for a complete Byzantine iconography study.
In this course, Part 4 of Series 4, we will continue to draw full figure Saints and their garments, by putting into practice what was learned in the series on Garment Basics and Series 4 Part 1. We will study figures in dynamic poses.
In section one we will be studying the garments of St John the Forerunner and how to create rhythm in the camel hair garments.
In Section two we will learn to draw angels and their wings.
Finally, in Section 3 we will draw the garments of the soldier saints.
Required Materials: Pencil, paper and eraser.