
Learn how to depict bishops in the full figure by detailing bishop garments—the white baptismal inner robe, the omophorion shoulder covering, the neck-stole, and a gospel book.
Establish the head-to-foot baseline and rough outlines to build the basic figure. Apply one-and-a-half head proportions for body and arms, and raise shoulders for elderly saints.
Learn to depict the full figure with the omophorion and phelonion, including how the gospel book is held and whether the hands are covered, while assessing reverent iconographic canons.
Explore the drawing of the full figure in Byzantine iconography, noting cuff details, relaxing gesture, and how crosses appear within vestment forms.
Explore drawing the full figure in Byzantine iconography, detailing the Sticharion, Epitrachilion, Epigonation, face, tassels, and lines along the robe to reflect rank and hierarchy.
Learn to draw full figure in Byzantine iconography by outlining form and placing circles. Apply the cross pattern on Sakkos and Polystavrion with a grid and shading for lifelike detail.
Learn to draw the full figure with priest and bishop vestments, comparing ancient and contemporary monk and bishop iconography, focusing on rhythm and function over photographic likeness.
Explore the basic structure for drawing the full figure in Byzantine iconography, outlining one-and-a-half head proportions, shoulder placement, the gospel book held at an angle, and the supporting leg.
Learn how to draw the phelonion, focusing on arm drapery and hanging folds, building basic forms, and using corner-originating lines to depict depth and folds behind the foreground.
Develop precise figure drawing in Byzantine iconography by aligning lines, positioning the knee and hanging falls, and refining the sticharion, epitrachilion, and epigonation before adding upper details.
Draw the cocoa starting just above the head and align the hair with a perfect halo circle, ensuring harmony between the head and the halo.
Develop the face drawing techniques for saints in Byzantine iconography, focusing on figures and priestly vestments, while continuing the full-figure study.
Introduce the deacon in Byzantine liturgy, detailing the white tunic and vestments, the Zion collection box, and the deacon’s ministry of serving the community during liturgical entrances.
Sketch Saint Stephen with an s-shaped axis to convey movement, three-quarter view, and arm and head proportions, while using simple deacon vestments and flowing folds for rhythm.
Explore how to render sticharion and orarion garments by modeling hanging folds, rhythm lines, and decorative bands, with emphasis on red cloth, knee placement, and creating void and structure.
Draw the full figure by refining the shoulder, removing underlying forms, and shaping hanging folds to bring the subject into clear, cohesive composition.
Draw the hand holding a censer with three chains and three bells, focusing on accurate detail and proportional rendering in the full figure.
Explore how to render the face and details in the full figure, focusing on deacon's vestments within Byzantine iconography.
In this course (Part 2 of Series 4) we will continue to draw full figure Saints and their garments, by putting into practice what was learned in the series on Garment Basics.
In Section 1 we will be studying the bishop's vestments including the phelonion and the sakkos.
In Section 2 we will be studying the garments of priests and hieromonks and will draw the contemporary Saint Amphilochios of Patmos and discuss the difficulties that arise in drawing contemporary saints.
Finally in Section 3 we will learn how to draw the deacon's vestments.