
Study basic folds and drapery in Byzantine iconography, and learn how line, rhythm, and light create volume to project the figure and shape perspective.
Study basic garment folds and how fulcrums create dynamic lines that project toward the viewer. Compare fan-like and accordion folds, and vary drapery endings to avoid monotony.
Explore how increasingly complex faults create curved, martian forms in garment folds, with capes showing inner triangles that stretch horizontally or vertically while keeping proportion along the fault axis.
Study the works in iconography to get a feel for how they use line and rhythm, and apply these insights to your own work without copying old icons.
Explore hanging folds in two-point garment drawing for Byzantine iconography, comparing straight and curved axes, gravity and fabric resistance between suspension points, while learning to break lines for rhythm.
Explore hanging folds by tracing deepest folds to shadows in tablecloths and bed covers, and note how the cloth of a holy man bears the face of Christ.
Study hanging folds and garment dynamics by tracing how fabric falls over the arms and body in dynamic poses, using deepest folds as guides.
Explore hanging folds in Byzantine garment drawing, including cloaks, sleeves, and draped fabric. Learn to render highlights that follow the folds but avoid drawing them into the sketch.
Explore the depiction of hanging folds in Byzantine garment basics, from tunics and cloaks to waist and knee drapery, with emphasis on fabric flow, pattern, and axis.
Learn to create garment volume in iconography by using line rhythm and color, breaking curved lines to lift folds off the surface, with sleeves and limbs as examples.
Develop volume in garment drawing by using curved lines to suggest folds, the shoulder, and fabric drape, avoiding hanging lines to emphasize the cloth's fold.
Create volume with line by analyzing outlines, folds, and shoulder-to-arm placement in Byzantine iconography. Learn line rhythm and the transpose technique to guide the viewer and define body parts.
In this course we will be laying the foundation for drawing garments.
In the first section we will be learning to draw basic folds and progress from simple to more complex forms.
In the second section we will be looking at hanging folds and various ways that they are used in icons and will study some examples by master iconographers.
In the theirs section we will learn how to create volume with line and will study an icon from the Comnene Period to see how it is done.
In an upcoming series we will be studying the garments of various saints to put this into practice.