
Explore drawing hands from memory in Byzantine iconography, focusing on raised-hand blessing and Christ-gesturing poses, and learn how these gestures convey a Greek and Roman visual language.
Explore half-figure drawing by using the face oval as a guide for hand proportions, with three quarters of a face off the head and fingers divided into three segments.
Learn to draw a raised hand in Byzantine iconography, with the palm toward the viewer, grasping a gospel book while fingers emerge and suggest a cross or spear.
Learn to depict half-figure hands with adaptable holding positions, from quill to medicine box with a spoon, and finger poses, using consistent hand-holding styles.
Explore techniques for drawing hands holding a scroll in Byzantine iconography, ensuring proper finger placement and space around the object, with multiple perspectives to show hands emerging from behind.
Explore the blessing gesture in Byzantine iconography, comparing open-hand and angled 'k' forms, detailing finger positions, nails, and turning the hand for expressive half-figure portraits.
Master the half-figure hand in Byzantine iconography by drawing layered lines, dividing the composition into three squares, and shaping fingers and nails along a guiding semicircle.
Draw a hand holding a spear by aligning three squares in a line to establish the head and three fingers, then refine the overall form and consider the spear's hole.
Master the basic structure of a frontal half-figure in Byzantine iconography by building the head and body proportions and then adding arms, hands, and facial features step by step.
Begin by outlining the half-figure to set proportions, note arm width from finger to elbow and the oval face, then develop lines and forms to imply movement and folds.
Explore how to draw the frontal half figure within Byzantine iconography, linking gospel book imagery to emotional expression.
Explore the frontal half figure in Byzantine iconography, drawing the half-figure as taught in the series.
Learn the 3/4 half-figure in Byzantine iconography, focusing on composition with figures on either side of Christ, including apostles, archangels Michael and Gabriel, and prophets.
Master the 3/4 half figure drawing within Byzantine iconography as part of the Byzantine iconography series 2, lesson 4.2.
Explore drawing the 3/4 half-figure in Byzantine iconography, focusing on line work and gaze direction to develop a coherent composition.
In this series of lessons we will progress from what we've learned in the first series on Drawing the Face to learning the basics of constructing the half-figure. In the first two sections we will start by learning to draw hands in several different gestures. In the third section we will study the front facing half figure and in the fourth the 3/4 pose.