Creating Brilliant Beginnings in Storytelling
What you'll learn
- Discover powerful techniques great storytellers use to craft brilliant beginnings.
- Discover storytelling elements that stimulate reader anticipation, suspense and engagement, inviting the reader into the story world.
- Understand the power of body language, dialogue, and narration in building intriguing characters.
- Understand techniques and elements used for the story world, whether the world be present-day, historic, mysterious, science-fiction, urban fantasy, or magical.
- Understand the powerful difference between "telling" and "showing".
- Discover why there are no absolute rules for brilliant beginnings.
- Analyze powerful elements in other storytellers' brilliant beginnings with instructor feedback, building the knowledge base for own growing skill in crafting brilliant beginnings.
- Craft stronger story beginnings to evoke curiosity and engage your audience.
Requirements
- The only requirement for enrolling in this course is a willingness to learn.
Description
I invite you to join me on a journey of discovery, exploring the art and craft of brilliant beginnings in storytelling. Storytellers write these opening words to draw readers across the threshold into the imaginary world of story.
For the reader, a brilliant beginning should…
- Make a promise about what kind of story this is (anticipation)
- Stir unanswered questions in the reader’s mind (curiousity)
- Contain power words that appeal to the reader’s emotions and curiousity, and
- Invite the reader to cross the threshold into the story world
Think about what happens to you as a reader, when you get hooked by the storyteller’s first few words?
When we—as humans—encounter something new, our limbic system’s “watchdog”—the amygdala—is designed to give us first impressions. In the same way a dog is perpetually sniffing out associations, this instinctive brain function is constantly on the lookout, scanning for the new, the unexpected, the unexplained.
Whether it’s a new movie, a new novel, or the appearance of a sabre toothed tiger in our territory, our brains are hardwired to make snap judgments. It’s a survival skill.
If you’re a storyteller, readers will judge your novel, your magazine article, your public speech on that first impression, those opening words and the way they’re presented. You want those first words to be intriguing, compelling—and authentically consistent with the rest of your story. Because if you don’t follow through on the rest of your story, your readers are going to be disappointed.
As storytellers we have a virtually unlimited number of talented mentors. If you’re writing the kind of stories you yourself would like to read, then you can’t do better than to study the authors of those books that fill you with anticipation with that first word … first sentence … first page.
I belong to a small writers group of multi-published authors called the pen warriors. 3 to 4 times a year we meet for weekend retreats to focus on the art and craft of storytelling. We’ve been meeting for 16 years! During one of those retreats we decided that we would each analyze the beginning of a book we loved, and post it on our blog.
After we finished our first round, we decided to do it again. And then a third time.
Thanks to my fellow Pen Warriors, Bonnie Edwards, E. C. Sheedy, Laura Tobias, and Gail Whitiker, these analyses are now available as part of this course.
I invite you to join our journey, to share our exploration of brilliant beginnings. Remember the role the reader’s amygdala plays in getting the reader to cross that threshold into story. I invite you, like a curious dog, to sniff the ground around those first words, sentences, and paragraphs in the beginnings we’ll study.
Look for power words and phrases that evoke images in your mind, questions in your brain, and emotions in your heart, words that stir the need to know more, the urge to shut out the world and turn the page, crossing the threshold into the magic of story.
Let’s have some fun together.
Vanessa Grant
Who this course is for:
- Storytellers who want readers to love their stories, but struggle with crafting a beginning that compells readers and listeners to want more.
- Anyone who enjoys discussing and analyzing the stories they read and hear.
Course content
- Preview04:33
- Preview03:36
Instructor
![Vanessa Grant](data:image/svg+xml,%3Csvg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 64 64"%3E%3C/svg%3E){kind=avatar}
- 4.2 Instructor Rating
- 35 Reviews
- 385 Students
- 2 Courses
“Storytelling and education have been my lifelong passions. I love facilitating learning for storytellers.” … Vanessa Grant
AUTHOR / STORYTELLER
Vanessa Grant began her literary career writing the column A Letter From Lucy Island Lighthouse for a small northern British Columbia newspaper. She later worked as a contributing editor for Sea Talk magazine and freelance commentator for CBC Radio Canada.
Her first novel was published in 1985 and she went on to write 32 more romance novels as Vanessa Grant (several while living on a sailboat in Mexico for two years) and three dark thrillers under the pseudonym Val Cameron.
Vanessa has been translated into 15 languages with over 10 million copies of her books sold worldwide. Her non-fiction book Writing Romance won the Under the Covers literary award and was described in a National Writer’s Monthly review as “by far the best writing book I have ever read”.
EDUCATOR
Vanessa has presented storytelling workshops for writers’ groups in Canada, the USA, Australia and New Zealand. She is also qualified as a Certified Professional Accountant, a Certified Forensic Investigator, an MBA, and holds a Post Secondary Instructor’s Diploma.
Vanessa recently retired from her career as a Professor of Accounting and Forensics at Vancouver Island University to work on her own teaching and writing activities.
Vanessa lives with her husband of forty-one years and their Siberian Husky, Winter, on British Columbia’s beautiful Vancouver Island.