Best Tajweed course, All Tajweed from scratch to advanced

Practice Qalqalah by bouncing the sound on five letters with sukoon, using the Coca-Cola analogy to avoid stopping and instead shake the syllable.

Explore ghunnah examples in tajweed, applying nasal prolongation of noon and meem with shadda to two beats, with Quranic usage illustrated by verses like the beginning of Surat An-Naba.

unlock the four reading rules for noon sakinah and tanween, including their written forms such as fatiha ten, castra ten, dolma ten, and their pronunciation.

Master izhar, the clear pronunciation rule in tajweed, by pronouncing noon sakinah and tanween clearly when followed by the six throat letters.

Explore extra idh-har examples showing how to pronounce noon sakinah and tanween clearly before izhar letters such as ha and hamza.

Learn idgham merging in tajweed: merge noon sakinah or tanwin into following letters with rona or without, using six edrom letters and raw or lam rules, plus absolute izhar mutlaq.

Apply ikhfa, the hiding of nun sakinah or tanwin, when followed by any letter other than izhar, edrom, or kulab; choose heavy or light runner based on the following letters.

This lecture provides extra examples on ikhfaa, showing when noon sakinah and tanween require hiding with heavy or light letters and how to apply fat after noon and tanween.

Examine meem sakinah, a meem with no haraka or sukun, and apply ikhfaa, idgham, and idh-har rules, with examples showing when to hide, merge, or read clearly.

Explore extra examples of meem sakinah rules, including merging after meem and how a following bear affects pronunciation, with practical tips to hide meem sakinah and extend two beats.

Explore the mad concept in tajweed, identifying the three mad letters—alif, wow, and ya—and distinguish between mad and lene letters through examples.

Explore madd tab'i, the natural/original mad, a basic long vowel counted as two beats when not preceded or followed by hamza or sukoon, using aleph as example.

Explore med iwad, the substitute madd, which replaces final fathar ten with an aleph when stopping, giving two beats; the lesson presents examples and notes end-of-word exceptions.

Explain madd aarid, an occasional madd caused by a sukoon at end of a word when stopping; stretch it to two, four, or six beats, with examples from surah al-fatiha.

Explains madd (med lazim) in tajweed, defining original sukoon after med letters and distinguishing med lazim kelim from med lazim hafi with six-beat and two-beat rules for al mukhtar.