
This intro is a brief introduction to the course that you are about to undertake.
As a fundamentals drawing course, we look at just a few of the techniques you need to become a realistic artist. This class is perfect if you are new to drawing and want to start simple and understand what it is that you are doing before we move onto any technically challenging drawing tasks like portraiture and nudes.
Throughout this course we will look at:
- 1, 2, 3 point perspective
- Shading
- Line direction
- Measuring
- Final group project
These skills can be used in any form of drawing after this course and it is really valuable to have this in your pantry.
In this lesson we will look at the most simplest form of perspective - 1 Point Perspective. Grab a pencil, piece of paper and a ruler, and let's look at how we can deconstruct this technique.
When we are learning how to draw we need to understand a lot of fundamentals in order to get us translating nature into a 2D surface.
Perspective is one of the core principles we need to master starting with a simple 1 point perspective. This video will take you through the step-by-step tutorial on how to draw a 1 point perspective that we classically see on train tracks, streets and buildings.
Start with a simple square or rectangle and draw your edge lines from the corners up into the vanishing point. Notice how you cannot draw a line cutting through that original square or rectangle, as we are imagining that this is going to be a solid shape, so there should only be 2 or 2 perspective lines to make the rest of the cuboid.
Follow the tutorial and see the difference when we draw the 2 point, and 3 point perspective!
A 2 point perspective is one of the most common perspectives we see. We usually see this when we are walking down a street and there is a junction in the road, which means the corner of the building is exposed. When we are inside a house and we look into the corner of the room, rather than the tunnel down a corridor.
It is called 2 points because there are 2 vanishing points on the horizon line. It means that every time we have an edge of the room, building or shape, the direction of the line originates from one vanishing point, and when the line is ready to change direction, for example, the corner of a building, then the line changes direction and heads towards the other vanishing point.
The vertical lines are always parallel to the paper and a 0 degree or 180 degrees. They never migrate from this angle.
Check out the video and attachment to see us put this to practise.
This is the final perspective that we are going to show you. This is something that you see when you look up in a big city and you have towering buildings above you. It looks as though the buildings are getting smaller and smaller as they get further away from us. You can imagine the tops of the buildings being pinched as they sit on a huge base at the bottom with you. Another way to imagine this view is if you put yourself into the perspective of a bird, looking down onto the earth and seeing the widest part of the building at the top. It looks as though the buildings are being cinched into a vanishing point in the centre of the earth. The construction of this viewpoint is more complicated than the others, so pay attention and try it yourself. It may take a couple of attempts but once it clicks, trust me, it's worth it!
Check out the video and attachment to see us put this to practise.
Shading is the most important element to any drawing practice and these lessons are important when you move onto painting too.
There are hundreds of different shades of grey between light and dark and we need to be able to recognise when there is a difference, and how we can replicate this onto the paper.
The best way to approach this drawing is to look at the vertical lines and learn how we can measure the gaps in-between to get the correct placement on our paper.
We use a very effective measuring technique where we have a base to refer back to. Sometimes it can become complicated when you are transferring what you measured from your picture onto your paper, so unless you have drawn sight size, which means if it is the exact same size of the image, you will need to release your measurements from the photograph and dictate what the size is on your own drawing. Once you have set that, you can use the same fraction ratio to measure across and get your vertical lines in.
Now that we have completed our vertical lines, it is time to add our horizontal lines to draw in the perspective, excuse the pun. Sometimes we struggle with getting the angles of our lines heading in the right direction, so we have devised a foolproof way to show you how to read a line direction, and how to transfer that onto your paper. We use a 'clock' system, where you associate the time of the hour hand, and make a decision as to how and where that line translates onto the paper. Check it out and give it a go.
In this session, we will be looking at how to add the figure and where to start. Sometimes when we have an object or a figure in the image, we can get lost as to where to start or how to place it. Here, I will show you have to add the figure, considering the negative space and the surrounding environment.
Now, we start to add some shading to help build the idea of depth and form. You may refer back to the shading demonstration in the previous video as we refer back to the value scale. Spend your time here looking and the average values (shades) and then see if you can push it further. Look at the dark shadows and see where they get darker and gradually lighter. It is these subtle differences in shading that really help to make our drawing dynamic and come to life.
In this final stage, look at how we can use the 2H pencil to refine and define the edges and shading. Take your time to watch the difference between the general shading that we did, and the refining effect of sketching on top with the harder pencil. You need to make sure that your pencil is always sharp, and you are filling in those tiny pockets of white that the paper has created.
Once you have done this, you should be left with a beautiful drawing, dynamic in every way.
The class project is aimed towards a final drawing using all of the skills we have learnt so far. Throughout the sessions, we will look at some fundamental theory, and how we can apply that to the drawing. As we work our way through each topic, we will then be applying it to our drawing which you can work on at your own pace or you can drawing along with me.
The drawing we are going to look at encompasses all of the topics that we will be looking at throughout the sessions such as line directions, shading, negative space and perspective. Once you master these basic skills, you can master anything!
Lesson 1
1 point perspective
Throughout this lesson, you will learn how to recognise what a 1 point perspective looks like and how we can construct our own.
Lesson 2
2 Point Perspective
Here we will notice the difference between a 1 point perspective and a 2 point perspective. The drawing construction is different and you will learn how to draw in this style and how you can see this in everyday life.
Lesson 3
3 Point Perspective
A 3 point perspective is not a common vision we will see unless we look up to tall buildings. It is a slightly more difficult construction, however, it is very useful to know when you are drawing anything!
Lesson 4
Shading
Take a moment to look at the value scale and try the exercise to see if you can shad in the subtle shades of grey from black to white.
Lesson 5
Project - Vertical Lines & Measuring
Now we will begin our project and look at an easy way to measure our drawing using a base measurement that we always refer back to. Using this measurement means that our drawing will be in proportion and half way there to success.
Lesson 6
Project - Horizontal Lines & Line Direction
Yep, you guessed it, we will be looking at the horizontal lines! We will be looking at the 'clock' measuring system so we can translate lines from what we see on the photograph to our own drawing.
Lesson 7
Project - The Figure
This lesson we will look at the outline of the figure before we begin the fun stage of shading! Looking at the silhouette we will see how we can place it on the drawing in the correct position.
Lesson 8 - Shading
Begin shading in your drawing to really build the idea of form. Refer back to our shading video if you want to understand values again, and try to see the subtle differences between dark, and dark dark!
Lesson 9 - Refine & Define
Using your 2H pencil, go over the whole thing to smooth out the texture of your drawing and refine the edges and the shading. This should bring everything together to make your drawing powerful and dynamic.