
Short introduction of the beginners Djembe drum course.
Learn the basics of the djembe from Mali, West Africa, including proper posture, breathing, and the two main sounds—base and tone—for a balanced, enjoyable playing experience.
Master basic djembe rudiments by counting and playing rhythmic patterns like one two three four and one and two and three and four, while coordinating right and left hands.
Master basic djembe rhythms by practicing face-to-face patterns, alternating right and left strokes, guided by Tony's cues and enthusiastic vocalizations such as 'big' and 'yeah'.
Learn a djembe drum pattern through a sequence of right and left hand strokes, performed in a face-to-face drumming setup, designed for beginners.
Practice a basic djembe rhythm in drum part 3 by following a tum tum sequence of right and left strokes to improve hand coordination.
Practice the right and left djembe strokes in a face-to-face rhythm drill, drum part 4, building rhythm accuracy and pattern fluency for beginners.
Practice drum part five with a repeated right-left rhythm, including tom-tom accents and coordination to stay on time.
Practice a foundational djembe drumming pattern in drum part 6, emphasizing the right and left hand strokes to build rhythm and coordination for beginners.
Ten-minute personal practice track for beginner djembe drumming, featuring continuous tick sounds to guide rhythm and tempo.
Explore the essential bell part that underpins 44 West African rhythms, and train your listening to lock into four-four timing, support fellow musicians, and maintain beat.
Practice 30 minutes, twice a week, split into 15 minutes of rudiments with a metronome, and 15 minutes of rhythms one three six, using clapping and vocalizing to embody beat.
Test your djembe skills as you learn proper posture, breathing, and hand positions to produce bass and tone; practice basic rudiments and rhythms with guided play along.
Master rhythms one through six on the djembe by adding the slap to bass and tone. Explore closed and open slaps, Mali-inspired phrasing, and forward timing that drives groove.
Kita Soli's ks 2 full lesson teaches bass, tone, and slap—the three main sounds of the djembe—and shows the correct hand positions, bearing edge contact, and wrist drop.
Develop beginner djembe technique through face to face rhythms, combining right and left hand patterns with bass and tone sounds to build foundational drumming skills.
Beginner djembe drumming lesson teaches coordinating left and right hands, counting the downbeat, and shaping bass tone, bass slap, and tone patterns, with Tom Waits inspired grooves.
Learn basic left-right djembe patterns built on tom-tom bass cues, including slide right variations, to develop rhythm and timing for beginner djembe drumming.
Develop djembe fundamentals by practicing tone and bass tone in a recurring right-left-right-right pattern, building consistency across the ks2 4 of 6 sequence.
Learn basic djembe patterns in the Kita Soli beginners course, including left and right strokes and bass tones, with various tone cues to guide rhythm.
Explore basic djembe patterns using bass tones, slap, and tom tom bass to hear rhythm and tone. Start with breathing and follow the beat, moving right and left.
Explore dun solo technique on the djembe, mastering open and closed tones, stick handling, and bell rhythm, then practice variations that remove or double strokes for dynamic solos.
Expand practice to one hour, twice weekly, split into four 15-minute parts—rudiments tone, rudiments slap, rhythms one through six with slap, and improvisation—grounded in tempo and downbeat, with embodiment through clapping and vocalizing.
Count, breathe, and feel the djembe tempo to lock in rhythm, using spoken cues to connect mind, tongue, and body, while bass variations support the main groove.
Discover how to add a base layer to the six rhythms, increasing bass and fullness to fill out the groove when playing with fewer drummers.
Develop foundational djembe skills through rudiments, tone control, and rhythm patterns such as one and two and three and four, with focused practice for beginners.
Master the base layer of the beginners djembe set, linking bass and other parts in an eight-beat cycle, and connect rhythm to popular music through mindful practice.
Explore beginner djembe technique by practicing tone and bass sounds with right and left hands, as part of ks3 1 of 6 in Kita Soli, beginners djembe drumming.
Learn beginner djembe patterns using bass and tone strokes, with right and left hand sequences, building soft bass sections and rhythmic cadences for ks3 drumming.
Explore beginner djembe drumming rhythms, focusing on bass and tone patterns, right-left hand alternation, and slap bass techniques in a ks3 3 of 6 sequence.
Learn bass techniques in djembe drumming, including bass tones, slap bass, and space based bass tones, while coordinating left and right hand patterns and three four counting.
Master bass tone concepts, pace, and slap bass techniques highlighted in ks3 part 5 of 6 for Kita Soli / Beginners Djembe Drumming.
Explore beginner djembe drumming by mastering bass, soft bass, slap bass, face tone, and other tones to convey rhythm and faith-based musical expression.
In dun solo 2, learn the main rhythm on the djembe with a large and a small stick to produce open, closed, and bell sounds, then add variations and improvise.
Structure a one-and-a-half-hour practice routine twice weekly: 30 minutes rudiments, 30 minutes rhythms with the bass player, and 30 minutes improvisation that returns to the theme and downbeat.
Test your skills by playing along with us in Kita Soli / beginners djembe drumming, featuring pop rhythms.
Kita Soli / Beginners Djembe Drumming
Welcome ! So glad you are considering to take my course.
What to expect:
When it comes to drumming there are 3 fundamental building blocks:
1. Technique
2. Timing
3. Tempo
We will refine our personal and group understanding of these concepts through playfully exploring a variety of rhythms.
Without lengthy explanation the drum will guide you to the peace you seek. There is no rhythm without presence, when that presence becomes evident energy and ecstasy follow. However nothing worth doing is easy so expect to work your body and mind in the pursuit. Then watch with wonder as your skills progress, your perceptions sharpen, and your body strengthens. This practice will improve your memory, coordination and overall brain function. On a musical level your sense of timing, tempo, and swing will be greatly improved. Beyond technical understanding you will also be shown how to improvise based on your own intuition. To play this type of music takes a communal effort. The more we drum together the more we see how the interconnection of each of our individual rhythms create one larger singular rhythm. The skills derived from communal drumming when applied to other community efforts greatly improve their efficiency and lend a light touch to ones efforts.
The skills taught in this class are universally applicable to all music. No previous experience needed. Simply show up with an open heart and eagerness to learn.
The lessons are slow paced with lots of details to assist you in getting the parts and building confidence as you go
Party Time !
Let it go! Shake off the worries of the day and hit the djembe.
Community
Enthusiasm
Co-creation
Empowerment
Kita Soli invites you back to yourself. Dance and play with your friends and community to the sound of this friendly rhythm.
Everyone is invited
Play alone, with friends, at a drum circle, during a open mic or at a gig. Kita Soli goes well with all types of common time music. This is a cornerstone rhythm everyone can benefit from learning.
Once you know Kita Soli you are the party. What are you waiting for, get started !
Origin
Kita, Mali
Kita is a town and urban commune in western Mali. The town is the capital of the Kita Cercle in the Kayes Region. It lies on the eastern slope of Mount Kita (Bambara: "Kita-kulu"), known for its caves and rock paintings. Today, the town is known for its music, its annual Roman Catholic pilgrimage and its role as a processing center for the surrounding cotton- and peanut-growing region. Kita lies on the Dakar-Niger Railway and is the largest transit hub between Bamako (112 miles) and Kayes (205 miles). In the 2009 census the urban commune had a population of 48,947.[1]
In November 1955, Kita became a commune of average exercise. On March 2, 1966, Kita became a commune of full exercise. The town grew in the 1990s around the cotton industry, but this has since declined.
About the rhythm Kita Soli
This is a fun rhythm similar to Djansa a very popular rhythm also from Kaye. It is a 4/4 rhythm with a celebratory feeling. It is a crowd pleaser, always good for any party atmosphere.
I chose this rhythm as the basis for my beginners course because I noticed at some point in my progression as a musician that the feeling of Kita Soli was in the vast majority of popular music styles running from Rock, Hip-hop, Pop, Jazz, electronic music, Country, Kirtan, and drum circles. Everyone was playing Kita Soli but didn’t know it. It was in fact one of the very first rhythms I learned in my early days at drum circles. This rhythm is encoded in our musical DNA. Young and old will recognize it on a body level and rock to the beat when heard. Seeing that it was what everyone was trying to play anyways I decided to expand on the theme. Here you will find a total of 24 variations on the root Djembe sole part from the rhythm Kita Soli. Enjoy !
What’s covered:
Section 1
Intro
Get to know your Djembe
Rudiments
Full Lesson
Rhythms 1 - 6 recorded in 5min downloadable shorts
Practice instructions
Test your skills and play along with me
Section 2
Intro
Rhythms 1-6 full instructional lesson introducing the slap sound
Rhythms 1 - 6 recorded in 5min downloadable shorts
Dun Dun Solo instruction
Practice instructions
Test your skills and play along with us
Section 3
Intro
Rhythms 1-6 full instructional lesson introducing the Bass layer
Rhythms 1 - 6 recorded in 5min downloadable shorts
Dun Dun Solo instruction
Practice instructions
Test your skills and play along with us
My story:
It is a miracle that I am here at all.
My life was heading in a direction of total catastrophe. My environment was incredibly abusive and so my life was a living hell. Filled with depression, and anxiety I was on the brink of suicide. Then I found the drum.
Drumming literally saved my life.
It allowed me to release and express my pent up emotions.
I was not musician material, I had no concept of music. I had no concept of anything except hate, rage, and depression. The drum didn’t mind, she invited me to strike and express it all.
My very first instruction came from my Mother, she approached me one day as I was frantically beating my drum in the back yard of my family home. She sat with me and explained that to play music I had to understand and implement the down-beat. It took me a couple years of frantically beating my drum before those words began to sink in.
I played because I had to, it was medicine, it was church, it was also family. My life revolved around it.
The drum guided me, providing me with a level of trust I had yet to encounter with any person or modality. She gave me a purpose, even if no one else knew. Playing the drum connected me to the rhythm of life.
Over time it released me from my emotional / mental burdens revealing to me that there is a choice ever present:
to be humble and let go to the rhythm of life it’s self or to cling to my own interpretations and stories. She reintroduced me to my inner drum, my heart
This is a success story but not your typical type of success. I was suicidal, filled with toxic hate and shame. I was literally in hell.
Playing the drum saved my life, healed my mind, regulated my emotions, connected me to loving community, reconnected me with my heart, and brought hope to me through revealing that magic does exist
It can do the same for you. You don’t need to be a musician to experience these types of breakthroughs. You just need to show up and hit the drum.
I hope this message meets you well
Timothy