
Choose and set up watercolor landscape materials, including 140-pound cold-pressed paper in 11 by 15 and 13 by 10 sizes, plus a John Pike palette and essential brushes.
Set up your watercolor workspace for efficient painting by arranging a right-handed palette, dual water reservoirs, and a drying towel to manage water and prevent spills.
Learn to mix watercolor washes using thin, transparent 'tea' and thicker 'milk and honey' textures, and use the finger test to gauge the right consistency.
Create a simple gradated sky in watercolor using a wet-on-wet wash on pre-washed paper, with controlled pigment and subtle color variation.
Build a gradated sky and cumulus clouds using cerulean and ultramarine blues with careful water control, light source considerations, and soft edges to create depth and atmospheric distance.
Learn to build a gradated sky with cumulous clouds using layered washes, color lifting, and subtle dry brush to create depth, shadows, and distant trees.
Master multilayered sky techniques in watercolor landscape, blending ultramarine, cerulean, turquoise, and grays to shape clouds and distant land using ocher and sienna.
Create a watercolor, multi-layered, stormy sky with wispy clouds using damp brush lifts for movement and dimension, then layer land with greens and shadows.
Learn to paint a soft sunset with reflections by creating a low-light sky, silhouetted landscape, and a water surface that mirrors yellows, violets, and blues.
Learn to paint a wintry landscape with a cool palette, pale sky, and soft snow using wet-on-wet techniques. Explore warm and cool primaries, variegated washes, and mindful drying for atmosphere.
Learn negative space painting to reveal the sky by painting around shapes, using turquoise and cerulean with greys and ochre, then add trees and shadows for depth.
Learn to paint an approaching storm with a watercolor landscape: create distant clouds with washes and glazes, embrace accidents, and build a moody sky.
Learn layered watercolor techniques to render stormy skies with warm accents and soft edges. Build depth by bleeding and blending while salvaging imperfect light and distant land.
Master nocturnal sky landscapes by painting a moonlit sky with layered, wet-on-wet washes, balancing dark values and a subtle moon while suggesting hills and trees in watercolor.
Study master works by Sego and John Singer Sargent to analyze sky gradations, variegated skies, and the use of warm and cool colors, plus watercolor techniques for landscapes.
Explore watercolor sky techniques through variegated washes, dry and wet applications, and edge control to create depth, texture, and atmospheric cumulus clouds.
Practice sky painting with a two-minute, pauseable reel that helps you describe and analyze techniques, then apply them to your watercolor landscapes. Select ten sky studies and paint from notes.
Robert's take demonstrates variegated sky techniques in watercolor, using prewashed paper, wet-on-wet layers, and a palette of blues, violets, yellows, and reds. Also explores negative-space painting and cloud layering.
Advance your skies in the watercolor landscape workshop with a second practice reel featuring a two-minute sky drill and a 10-second warning. The instructor shares approaches to painting these skies.
Master advanced watercolor skies through layered variegated washes on prewashed paper, building gray-blue to yellow ochre and pink tones, using negative space to reveal backlit clouds.
Robert explores sky painting in quick watercolor studies on 13 by 10 half sheets, using variegated washes of cerulean, cobalt, crimson, and yellows. He emphasizes light washes and negative-space clouds.
Master watercolor landscape techniques by layering warm and cool washes to sculpt clouds, blend blues with pinkish reds, and hint at tannish green land while honoring watercolor's imperfect nature.
Watercolor landscape workshop teaches creating nocturnal skies with layered washes, clouds, and the moon using cerulean blue, turquoise, grays, and selective color mixing, while drying between layers.
Create small studies for each image to explore watercolor techniques, color and brushwork, and your own style, focusing on the medium rather than copying nature; post your final sky project.
Refine watercolor landscapes by sharpening cloud shapes, adding weight to storm clouds, avoiding top-edge cropping, and using cooler blues with selective warm accents for depth.
Assess student sky paintings for color, contrast, and depth, guiding how to build sky and land volume, avoid symmetrical cropping, and use watercolor techniques like wet-on-wet and bleed.
Master watercolor landscape tree painting with an impressionistic, loose style, focusing on edge quality and the symbol of a tree, using stumbling brush technique and overhand grip.
Learn to paint trees in watercolor by adjusting water, loading the brush, and using stumbling strokes and pressure for an organic impression of trees.
Learn watercolor landscape tree painting using alternative brushes on dry paper. Vary pressure, avoid symmetry, and keep outer shapes loose while exploring brush sizes for canopies and shadows.
Explore bristle brushes, including hog's hair and synthetic bristles, suited for acrylics and possibly oils, to craft loose trees, grasses, and foliage in a watercolor landscape.
Learn to paint watercolor landscapes of trees using color layering from light to dark. Employ wet-in-wet techniques with varied brushes to create earthy greens, textures, and atmospheric foliage.
Learn watercolor landscape techniques for painting trees with layered washes, crumbling brush strokes, and color mixing (browns, ambers, greens, blues) to build trunks, dead trees, foliage, and shadows.
Learn to paint colorful trees with wet-in-wet layers, building vibrant value with reds, yellows, cobalt blue, and burnt sienna while controlling light, shadow, and branches.
Explore winter trees in watercolor by using varied brushes, light washes, and a two-layer approach to reveal leaf silhouettes and skeletal branches.
Explore negative space painting of birch trees in watercolor, building depth with layered washes around the trunks using browns, sienna, blue, and crimson for a forest look.
Learn to use negative space to create rich birch tree silhouettes, layering color, edges, and detail with blues, greens, and browns for a professional landscape painting.
Learn to paint palm trees and palmettos with a tropical look, mixing ochre, cerulean, turquoise, and cobalt, using Midtown color values and dry paper textures for definition.
Master negative-space painting of palm trees with watercolor, employing stippling, selective color blending, and subtle brushwork to suggest fronds, trunks, and atmosphere.
Learn to build a watercolor landscape with a light sky, distant blue-green trees, and scratching into wet paint to reveal trunks and branches with a stumble technique.
Explore watercolor landscape techniques to build depth with dark trunks, layered greens and blues, and negative space painting, emphasizing value, texture of the paper, and dry-brush effects.
Build a greens-based tree scene with layered shadows, negative space painting, and water techniques to create soft edges, highlights, and dynamic depth.
Learn to paint wispy grass in a meadow with a layered wash, using ochre, turquoise, yellow, and blue, and brush strokes that create movement and blades of grass.
Apply a layer of thick paint and dry briefly to preserve edges. Mix neutral tones (brown, sienna, violet, blue) and use positive and negative space to craft layered grass blades.
Practice watercolor grass painting using mop brush and wet-on-wet techniques to build layers, negative space, and splatter effects for a natural meadow look.
Master a grass technique by using shadows to define blades and distant trees, while painting a simple sky gradation with cerulean and ochre.
Master watercolor landscape techniques by weaving pale and dark greens into grasses within shadows, using negative space, light splattering, and controlled layering to build delicate, connected foliage.
Paint field rocks with sharp edges and jagged shapes, build the scene with light-to-dark washes, and blend warm browns, tans, cool blues, and grass into a landscape.
Apply slightly thicker cool washes to build sunlit field rock forms without flattening. Use negative space, varied blues and violets, and dry brush to suggest crevices and grass.
Learn to paint field rocks in watercolor landscapes by building hard edges, negative space, and light and dark contrast with wet wash techniques and layered color.
Explore an alternative rock-texture technique in watercolor by scratching damp paint with a credit card to reveal rocky formations, using blues and warm tones across varying scales.
Master an alternative rock technique in watercolor, using shadows to shape rock edges and create texture. Explore color exploration, value contrasts, and dry-on-paper backfill to keep rocks lively and expressive.
Learn to depict round rocks in watercolor by mastering wet-on-dry and controlled edge quality, color variation, and loose washes to capture rock forms without copying photos.
Learn to paint round rocks in a watercolor landscape using soft edges, the credit card technique, lifting for highlights, and strategic shadows to carve believable rock formations.
Explore the masters' artworks by examining ideas and techniques from three artists, then expand your watercolor landscape skills with what you've learned so far, starting with trees.
Explore watercolor landscape techniques inspired by Winslow Homer, focusing on suggesting trees with minimal detail, using negative space, layered washes, and dry brush for loose, impressionistic results.
Observe sparse leaves and wet strokes to suggest fall, then layer crisp branches for depth. Note varied angles, a foreground main tree, and study Sego Edwar, Ciego Winslow, and Homer.
Master the use of negative space painting and subtle shadows to render grass in watercolor landscapes, balancing light values with positive and negative space for textured, atmospheric scenes.
Discover value structure in watercolor landscapes by layering rocks, using negative and positive space, and varying color bands for depth, contrast, and dynamic edges.
Practice translating master techniques to painting trees, grass, and rocks from timed photo references, focusing on one subject per reel; compare approaches and prepare for the next painting stage.
Focus on painting trees in watercolor landscapes, using three-minute image blocks. Pause as needed, listen for the 10-second wrap-up cue, then hit play to continue.
Begin the grass assignment in the watercolor landscape workshop and follow the drill. Complete the exercise and celebrate your finish.
Focus on painting the rocks using the same technique as the previous two assignments. Start now and celebrate finishing.
Explore watercolor landscape tree painting with positive and negative space, and light-to-dark value washes. Robert's take emphasizes pale greens, dry paint, and negative-space painting for grasses and palm trees.
Develop depth in a watercolor meadow by layering earthy green and yellow washes, forming positive and negative grass shapes, and adding splatter and subtle detail to separate foreground and background.
Simplify a watercolor landscape by painting about 10-12 rocks with a light pinkish grayish blue wash, using negative space painting and focused foreground detail.
Learn to paint a winter tree study in watercolor, using negative and positive space, layered washes, and dry-paper detail to create depth from a photo reference.
Develop a watercolor landscape by painting grass with layered greens and cerulean blues, creating distant hills and trees, and refining positive and negative space through wet and dry techniques.
Focus on grass with quick studies of background, distant trees, and a shadowed canopy. Use negative space painting with loose edges and splatter.
Create a balanced watercolor landscape by crafting a creeping foreground shadow, hinting branches, and adding distant trees while mixing cool greens and blues for the background.
Robert demonstrates a watercolor rock shoreline study, blending blues, ochre, and browns to render rocks, water, and boats, while avoiding overpainting and using negative space painting to emphasize form.
Apply watercolor landscape techniques to rocks as mountains, emphasize distant layers and negative space, and practice loose brushwork with color layering without copying the image using the credit card technique.
Master credit card technique to create rock textures with layered greys, greens, and blues, using variegated washes, negative space painting, and light-dark contrasts for dynamic landscape rocks.
Finish the course by building a solid watercolor foundation and developing independence as an artist. Analyze photographs, select techniques for each subject, and move beyond cookie-cutter steps to personal mastery.
Hi, and welcome to Watercolor Landscape Workshop - Basics & Beyond
Who should take this class?
This class is suited for beginner and experienced watercolor painters. There are some basic skills such as applying a wash, managing water and pigments that are covered in the beginner module. If you can apply an even wash, understand how to complete a variegated wash, etc you will be fine.
But then lessons will get a little more advanced as we move forward with other techniques and ideas.
The class has four main topics;
Skies
Trees
Grass
Rocks
What makes this class so special?
Detailed breakdown and demos for each topic including skies, trees, water, rocks and grass
It also includes three or three critique videos on YOUR work. I will select paintings from your projects and offer feedback for where you are doing well and how you could improve.
PLUS, there are sections where we will have a look at some of the old Master's watercolor artand analyze how they use similar techniques in their art as well as some of their own. This is a GREAT learning tool to reinforce what you are learning and discover new ideas to try out on your own.
Then we will use landscape photos and decide on which techniques we could use to paint them. Again, another amazing learning tool that will help you paint more independently instead of just copying what the instructor is doing :)